A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
A documentary film or documentary is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
Helene Bertha Amalie Riefenstahl was a German director, producer, screenwriter, editor, photographer and actress known for producing Nazi propaganda.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
The Great Dictator is a 1940 American anti-war political satire black comedy film written, directed, produced, scored by, and starring British comedian Charlie Chaplin, following the tradition of many of his other films. Having been the only Hollywood filmmaker to continue to make silent films well into the period of sound films, Chaplin made this his first true sound film.
Z is a 1969 political thriller film directed by Costa-Gavras, from a screenplay he co-wrote with Jorge Semprún, adapted from the 1967 novel of the same name by Vassilis Vassilikos. The film presents a thinly fictionalized account of the events surrounding the assassination of the democratic Greek politician Grigoris Lambrakis in 1963. With its dark view of Greek politics and its downbeat ending, the film captures the director's outrage about the junta that then ruled Greece. The title refers to a popular Greek protest slogan meaning "he lives," in reference to Lambrakis.
The Nuremberg rallies were a series of celebratory events coordinated by the Nazi Party in Germany. The first Nazi Nuremberg rally took place in 1923. This rally was not particularly large and did not have much impact; however, as the party grew in size, the rallies became more elaborate and featured larger crowds. They played a seminal role in Nazi propaganda events, conveying a unified and strong Germany under Nazi control. The rallies became a national event once Adolf Hitler rose to power in 1933, when they became annual occurrences. Once the Nazi dictatorship was firmly established, the party's propagandists began filming them for a national and international audience. Nazi filmmaker Leni Riefenstahl produced some of her best known work including Triumph of the Will (1934) and The Victory of Faith (1933), both filmed at the Nazi party rally grounds near Nuremberg. The party's 1938 Nuremberg rally celebrated the Anschluss that occurred earlier that year. The 1939 scheduled rally never came to pass and the Nazi regime never held another one as both the government and Nazi Party prioritized Germany's effort in the Second World War over everything else.
Man of Aran is a 1934 Irish fictional documentary (ethnofiction) film shot, written and directed by Robert J. Flaherty about life on the Aran Islands off the western coast of Ireland. It portrays characters living in premodern conditions, documenting their daily routines such as fishing off high cliffs, farming potatoes where there is little soil, and hunting for huge basking sharks to get liver oil for lamps. Some situations are fabricated, such as one scene in which the shark fishermen are almost lost at sea in a sudden gale. Additionally, the family members shown are not actually related, having been chosen from among the islanders for their photogenic qualities.
Arnold Fanck was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as The Holy Mountain (1926), The White Hell of Pitz Palu (1929), Storm over Mont Blanc (1930), The White Ecstasy (1931), and S.O.S. Eisberg (1933). Fanck was also instrumental in launching the careers of several filmmakers during the Weimar years in Germany, including Leni Riefenstahl, Luis Trenker, and cinematographers Sepp Allgeier, Richard Angst, Hans Schneeberger, and Walter Riml.
The Eternal Jew is a 1940 antisemitic Nazi propaganda film, presented as a documentary. The film's initial German title was Der ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. The film was directed by Fritz Hippler at the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels.
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others". As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Der Sieg des Glaubens is the first Nazi propaganda film directed by Leni Riefenstahl. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg, Germany, from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Hitler had Röhm killed during the Night of the Long Knives on 1 July 1934. As he then sought to remove Röhm from German history, Hitler ordered all known copies of the film be destroyed, and it was considered lost until a surviving copy was found in the 1980s in East Germany.
The Wonderful, Horrible Life of Leni Riefenstahl is a 1993 German documentary film about the life of German film director Leni Riefenstahl, directed by Ray Müller.
Impressionen unter Wasser is a documentary film released in 2002. It was directed by Leni Riefenstahl.
Tiefland ("Lowlands") is a 1954 West German opera drama film directed, produced, co-written, edited by and starring Leni Riefenstahl, and based on the 1903 eponymous opera composed by Eugen d'Albert to a libretto by Rudolph Lothar based on the 1896 Catalan play Terra baixa by Àngel Guimerà. The film co-stars Bernhard Minetti, and is Riefenstahl's last feature film as both director and lead actress.
Cinema of Algeria refers to the film industry based in the north African country of Algeria.
Cinema of the Democratic Republic of the Congo originated with educational and propaganda films during the colonial era of the Belgian Congo. Development of a local film industry after the Democratic Republic of the Congo gained its independence from Belgium in 1960, and was handicapped by constant civil war.
The War for Men's Minds is a 21-minute 1943 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime The World in Action series. The film was produced by Stuart Legg. The film describes the impact of propaganda from the Axis powers in 1943, during the Second World War. The French version title is À la conquête de l'esprit humain.
