The Living Desert is a 1953 American nature documentary film that shows the everyday lives of the animals of the desert of the Southwestern United States. The film was written by James Algar, Winston Hibler, Jack Moffitt (uncredited) and Ted Sears. It was directed by Algar, with Hibler as the narrator and was filmed in Tucson, Arizona. The film won the 1953 Oscar for Best Documentary.
Louisiana Story is a 1948 American black-and-white drama film directed by Robert J. Flaherty. Although it has historically been represented as a documentary film, the events and characters depicted are fictional and the film was commissioned by the Standard Oil Company to promote its drilling ventures in the Louisiana bayous. There is not enough factual or educational material in the film to even warrant classifying it as docufiction. Its script was written by Frances H. Flaherty and Robert J. Flaherty.
Lust for Life is a 1956 American biographical film about the life of the Dutch painter Vincent van Gogh, based on the 1934 novel of the same title by Irving Stone which was adapted for the screen by Norman Corwin.
The Bowery is a street and neighborhood in Lower Manhattan in New York City, United States. The street runs from Chatham Square at Park Row, Worth Street, and Mott Street in the south to Cooper Square at 4th Street in the north. The eponymous neighborhood runs roughly from the Bowery east to Allen Street and First Avenue, and from Canal Street north to Cooper Square/East Fourth Street. The neighborhood roughly overlaps with Little Australia. To the south is Chinatown, to the east are the Lower East Side and the East Village, and to the west are Little Italy and NoHo. It has historically been considered a part of the Lower East Side of Manhattan.
Bowery most prominently refers to a street and neighborhood in Lower Manhattan, New York City. It is an anglicization of Bouwerie, the archaic form of the Dutch for "farm", that was used in numerous New Netherland placenames.
Charles Eli Guggenheim was an American documentary film director, producer, and screenwriter. He was the most honored documentary filmmaker in the academy history, winning four Oscars from twelve nominations.
3:10 to Yuma is a 1957 American Western film directed by Delmer Daves, starring Glenn Ford and Van Heflin. Based on a 1953 short story by Elmore Leonard, it is about a drought-impoverished rancher who takes on the risky job of escorting a notorious outlaw to justice. In 2012, it was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant". The film was remade in 2007, directed by James Mangold and starring Russell Crowe with Christian Bale.
Billy Wilder (1906–2002) was an Austrian filmmaker. Wilder initially pursued a career in journalism after being inspired by an American newsreel. He worked for the Austrian magazine Die Bühne and the newspaper Die Stunde in Vienna, and later for the German newspapers Berliner Nachtausgabe, and Berliner Börsen-Courier in Berlin. His first screenplay was for the German silent thriller The Daredevil Reporter (1929). Wilder fled to Paris in 1933 after the rise of the Nazi Party, where he co-directed and co-wrote the screenplay of French drama Mauvaise Graine (1934). In the same year, Wilder left France on board the RMS Aquitania to work in Hollywood despite having little knowledge of English.
World Without Sun is a 1964 French documentary film directed by Jacques-Yves Cousteau. The film was Cousteau's second to win an Academy Award for Best Documentary Feature, following The Silent World in 1956.
The Bleecker Street Cinema was an art house movie theater located at 144 Bleecker Street in Manhattan, New York City, New York. It became a landmark of Greenwich Village and an influential venue for filmmakers and cinephiles through its screenings of foreign and independent films. It closed in 1990, reopened as a gay adult theater for a short time afterward, then again briefly showed art films until closing for good in 1991.
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers.
Come Back, Africa is a 1959 film, the second feature-length film written, produced, and directed by American independent filmmaker Lionel Rogosin. The film had a profound effect on African cinema, and remains of great historical and cultural importance as a document preserving the heritage of the townships in South Africa in the 1950s. It may be classified as reportage, documentary, historical movie or political cinema, since it portrays real events and people. On the other hand, it reveals an interpretation of meaningful social facts and a strong ethical assumption towards human behaviours like racism.
The Quiet One is a 1948 American documentary film directed by Sidney Meyers. The documentary chronicles the rehabilitation of a young, emotionally disturbed African-American boy; it contains a commentary written by James Agee, and narrated by Gary Merrill. In his 1949 review, Bosley Crowther characterized the film succinctly:
Out of the tortured experiences of a 10-year-old Harlem Negro boy, cruelly rejected by his loved ones but rescued by the people of the Wiltwyck School, a new group of local film-makers has fashioned a genuine masterpiece in the way of a documentary drama.
The Exiles (1961) is a film by Kent MacKenzie chronicling a day in the life of a group of 20-something Native Americans who left reservation life in the 1950s to live in the district of Bunker Hill, Los Angeles, California. Bunker Hill was then a blighted residential locality of decayed Victorian mansions, sometimes featured in the writings of Raymond Chandler, John Fante, and Charles Bukowski. The structure of the film is that of a narrative feature, the script pieced together from interviews with the documentary subjects. The film features Yvonne Williams, Homer Nish, and Tommy Reynolds.
Lionel Rogosin was an independent American filmmaker.
Docufiction is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.
Good Times, Wonderful Times is a 1965 anti-war film, the third feature-length film written, produced, and directed by independent American filmmaker Lionel Rogosin. It was produced in London, and made with the support of James "Jimmy" Vaughan and Tadeusz Makarczynski, who assisted in an extensive multi-year search for archival footage detailing the atrocities of war.
Black Roots is a film produced and directed by American independent filmmaker Lionel Rogosin. The film gathers a number of African-American folk and blues musicians in a room, where they share stories and songs about the black experience in America. Film editor Carl Lerner is credited as an "associate producer"; and Alan Lomax, along with his daughter Anna, are credited as "musical consultants." Anna Lomax also has the credit of "assistant editor."
Israel Rogosin was an American industrialist in the textile industry and a philanthropist.
Rod Rondeaux is a Native American actor and stuntman. As an actor his work includes the 2005 miniseries, Into the West, Comanche Moon in 2008, The Cayuse in the 2010 film, Meek's Cutoff and the lead role in the 2015 film, Mekko. His stunt work includes Reel Injun and Comanche Moon.
