Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Heaven Can Wait is a 1943 Technicolor American supernatural comedy film produced and directed by Ernst Lubitsch. The screenplay was by Samson Raphaelson based on the play Birthday by Ladislaus Bus-Fekete. The music score was by Alfred Newman and the cinematography by Edward Cronjager.
Catherine Rosalind Russell was an American actress, model, comedian, screenwriter, and singer, known for her role as fast-talking newspaper reporter Hildy Johnson in the Howard Hawks screwball comedy His Girl Friday (1940), opposite Cary Grant, as well as for her portrayals of Mame Dennis in the 1956 stage and 1958 film adaptations of Auntie Mame, and Rose in Gypsy (1962). A noted comedienne, she won all five Golden Globes for which she was nominated. Russell won the Tony Award for Best Actress in a Musical in 1953 for her portrayal of Ruth in the Broadway show Wonderful Town. She was nominated for the Academy Award for Best Actress four times during her career before being awarded a Jean Hersholt Humanitarian Award in 1973.
Claire Trevor was an American actress. She appeared in 65 feature films from 1933 to 1982, winning the Academy Award for Best Supporting Actress for her role in Key Largo (1948), and received nominations for her roles in The High and the Mighty (1954) and Dead End (1937). Trevor received top billing, ahead of John Wayne, for Stagecoach (1939).
Don Ameche was an American actor, comedian and vaudevillian. After playing in college shows, repertory theatre, and vaudeville, he became a major radio star in the early 1930s, which led to the offer of a movie contract from 20th Century Fox in 1935.
Emmett Evan "Van" Heflin Jr. was an American theatre, radio, and film actor. He played mostly character parts over the course of his film career, but during the 1940s had a string of roles as a leading man. Heflin won the Academy Award for Best Supporting Actor for his performance in Johnny Eager (1942). He also had memorable roles in Westerns such as Shane (1953), 3:10 to Yuma (1957), and Gunman's Walk (1958).
Midnight is a 1939 American screwball comedy film directed by Mitchell Leisen and starring Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor, and Elaine Barrie.
Moon Over Miami is a 1941 American musical comedy film directed by Walter Lang with Betty Grable and Don Ameche in leading roles and co-starring Robert Cummings, Carole Landis, Jack Haley and Charlotte Greenwood. It was adapted from the play by Stephen Powys. This was previously adapted into a 1938 film titled Three Blind Mice directed by William A. Seiter and starring Loretta Young, Joel McCrea and David Niven.
Tomahawk is a 1951 American Western film directed by George Sherman and starring Van Heflin and Yvonne De Carlo. The film is loosely based on events that took place in Wyoming in 1866 to 1868 around Fort Phil Kearny on the Bozeman Trail such as the Fetterman Fight and Wagon Box Fight. In the UK, the film was released as The Battle of Powder River.
Tanganyika is a 1954 American Technicolor action adventure film directed by Andre de Toth and starring Van Heflin, Ruth Roman and Howard Duff. It was produced and distributed by Universal Pictures.
The Vampire Happening is a 1971 West German comedy horror film directed by Freddie Francis.
Tell It to the Judge is a 1949 American romantic comedy film directed by Norman Foster and starring Rosalind Russell as a divorcee who tries to get back her ex-husband, played by Robert Cummings.
The Three Musketeers is a 1939 musical comedy film adaptation of Alexandre Dumas's 1844 novel The Three Musketeers directed by Alan Dwan and starring Don Ameche as d'Artagnan, with the Ritz Brothers as his cowardly helpers. While the film can be found online, it did have an original copyright notice and renewal.
Married Bachelor is a 1941 American screwball comedy film directed by Edward Buzzell and starring Robert Young, Ruth Hussey and Felix Bressart. It was produced by Hollywood studio Metro-Goldwyn-Mayer with a screenplay written by future studio head Dore Schary.
The Feminine Touch may refer to:
Hired Wife is a 1940 American romantic comedy film directed by William A. Seiter and starring Rosalind Russell, Brian Aherne and Virginia Bruce.
The Doctor Takes a Wife is a 1940 American screwball comedy film directed by Alexander Hall and starring Loretta Young, Ray Milland, Reginald Gardiner, Gail Patrick and Edmund Gwenn. It was produced and distributed by Columbia Pictures. Young and Milland portray a best-selling author and medical school instructor, respectively, who find it convenient to pretend to be married, even though they initially loathe each other.
Betty and Bob is a 1932-1940 radio soap opera. The soap opera follows the lives of Betty and Bob Drake. Betty was a secretary who falls madly in love with her boss, bachelor Bob Drake. The two wed and each day, the subject matter dealt with everything from love to hate, jealousy to divorce, murder to betrayal, and collusion to insanity.
It's All Yours is a 1937 American comedy film directed by Elliott Nugent and starring Madeleine Carroll, Francis Lederer and Mischa Auer. It was produced and distributed by Columbia Pictures. It has sometimes been counted as a screwball comedy.
And So They Were Married is a 1936 American romantic comedy film directed by Elliott Nugent and starring Melvyn Douglas, Mary Astor and Edith Fellows. The film was produced and distributed by Columbia Pictures. It has elements of a screwball comedy.
