The Frost-Giant's Daughter

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"The Frost-Giant's Daughter"
Short story by Robert E. Howard
Original titleGods of the North
CountryUS
LanguageEnglish
Genre(s) Fantasy
Publication
Published inUS
Publication date1953
Series Conan the Cimmerian
An interior panel of the Conan #2 (collected in The Frost-Giant's Daughter and Other Stories, Volume 1, 2005) comic adaptation by Kurt Busiek featuring the art of Cary Nord and Thomas Yeates. Conan frost daughter.jpg
An interior panel of the Conan #2 (collected in The Frost-Giant's Daughter and Other Stories, Volume 1, 2005) comic adaptation by Kurt Busiek featuring the art of Cary Nord and Thomas Yeates.

"The Frost-Giant's Daughter" is one of the original fantasy short stories about Conan the Cimmerian, written by American author Robert E. Howard.

Contents

The story is set in the pseudo-historical Hyborian Age and details Conan pursuing a spectral nymph across the frozen tundra of Nordheim. Rejected as a Conan story by Weird Tales magazine editor Farnsworth Wright, Howard changed the main character's name to "Amra of Akbitana" and retitled the piece as "The Gods of the North", in which it was published in the March 1934 issue of The Fantasy Fan . It was not published in its original form in Howard's lifetime.

Plot summary

"The Frost-Giant's Daughter" is the earliest chronological story by Robert E. Howard in terms of Conan's life. The brief tale is set somewhere in frozen Nordheim, geographically situated north of Conan's homeland, Cimmeria. Conan is depicted by Howard as an young warrior, traveling among with the golden-haired Aesir in a war party. Shortly before the story begins, a hand-to-hand battle has occurred on an icy plain. Eighty men ("four score") have perished in bloody combat, and Conan alone survives the battlefield where Wulfhere's Aesir "reavers" faced the Vanir "wolves" of Bragi, a Vanir chieftain. Thus, the story opens.

Following his fierce battle against the red-haired Vanir, Conan, lying exhausted on a corpse-ridden battlefield, is visited by a beautiful and partially-nude woman identifying herself as "Atali". Upon her bodice, she wears a transparent veil: a wisp of gossamer that wasn't spun by human origin. The mere sight of her strange beauty awakens Conan's lust and, when she repeatedly taunts him, he insanely chases Atali for miles across the snow-covered region while attempting to capture her.

Mocking him with each step, Atali lures Conan into an ambush. Undaunted by the snare, Conan slays her hulking twin brothers, two Frost Giants, and captures Atali in his arms. However, Atali calls upon her father, Ymir, to save her. Before Conan is able to ravish her, Atali disappears in a stroke of lightning which seemingly transforms the landscape and renders him unconscious.

Later, when his Aesir comrades arrive, Conan believes he simply dreamed the bizarre encounter. Suddenly, Conan realizes he's still gripping onto a translucent veil which served as the sole garment of the Frost-Giant's daughter.

The utilization of poetic descriptions throughout this tale is quite strong, and on par with Howard's "Queen of the Black Coast". However, the narrative is often criticized by Howard scholars for not having the more detailed plotting of his superior Conan stories such as "The Black Stranger". Largely, this is because Howard was aiming for a mythological feel, something to which the story is eminently suited.

This is the only Conan story in which other characters refer to him as "a southerner". In all the rest of his wanderings, Conan is invariably "a barbarian from the cold north", but for the Aesir and Vanir, Cimmeria is a southern land, a bit less cold than theirs.

Inspiration

While Robert E. Howard had already written many fantasy stories featuring northern Viking-like characters, the names and plot structure for "The Frost-Giant's Daughter" was derived in its entirety from Thomas Bulfinch's The Outline of Mythology (1913). Howard combined the legend of Atalanta with another reworked Bulfinch legend, that of Daphne and Apollo, but he reversed the roles. Whereas Apollo was a god and Daphne a mortal, Howard made Atali a goddess and Conan a mortal. In the original, Cupid had struck Apollo with an arrow to excite love for Daphne, but struck her with an arrow to cause her to find love repellent. Howard kept the idea of the love-maddened Apollo (rather a lust-maddened Conan) pursuing the girl until she invokes aid from her divine father. [1]

Publication history

The earlier version of the story was published in the collections The Coming of Conan (Gnome Press, 1953) and Conan of Cimmeria (Lancer Books, 1969). The last version, as left by Howard before his death, was first published in 1976 by Donald M. Grant in an edition of the Conan story Rogues in the House . This version of the tale has most recently been republished in the collections The Conan Chronicles Volume 1: The People of the Black Circle (Gollancz, 2000) and The Coming of Conan the Cimmerian (Del Rey, 2004).

Adaptations

The story has been adapted into comics:

Notes

  1. Patrice Louinet. Hyborian Genesis: Part 1, page 438, "The Coming of Conan the Cimmerian"; 2003, Del Rey.
  2. McWeeny, Drew , "MORIARTY Reviews KING CONAN, CROWN OF IRON Draft By John Milius!!", August 27, 2001, accessed February 3, 2011.

Related Research Articles

References

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Original Howard Canon
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Preceded by Complete Conan Saga
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