The Gallopin' Gaucho | |
---|---|
Directed by | Ub Iwerks |
Produced by | Walt Disney |
Starring | Walt Disney |
Music by | Carl Stalling |
Animation by | Ub Iwerks |
Color process | Black and white Computer colorized (TV) |
Production company | |
Distributed by | Celebrity Productions Cinephone (recorded) |
Release date |
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Running time | 6 minutes |
Country | United States |
Language | English |
The Gallopin' Gaucho is a 1928 American animated short film and the second short film featuring Mickey Mouse to be produced, following Plane Crazy and preceding Steamboat Willie . The Disney studios completed the silent version in August 1928, but did not release it in order to work on Steamboat Willie. [1] The Gallopin' Gaucho was released, with sound, after Steamboat Willie on December 30 of the same year. [2]
Both Mickey and Minnie Mouse had already made their initial debuts with the test screening of Plane Crazy on May 15, 1928, but that film had failed to catch the attention of distributors when first produced as a silent film. The Gallopin' Gaucho was a second attempt at success by co-directors Walt Disney and Ub Iwerks. The latter also served as the sole animator for it.
Roy O. Disney wrote down the total budget of the short in his ledger book, which ended up costing $4,249.73, which was about $720 more than the costs of Plane Crazy's $3,528.50 budget. [3]
The short was intended as a parody of Douglas Fairbanks's The Gaucho , a film first released on November 21, 1927. Following the original film, the events of the short take place in the Pampas of Argentina with Mickey cast as the gaucho of the title.
The short entered the US public domain on January 1, 2024. [a]
Mickey is introduced riding on a rhea. He soon reaches local bar and restaurant Cantino Argentino ( sic ). He enters the establishment with the apparent intent to relax with some drinking and smoking. On the wall, a wanted sign for Mickey saying El gaucho, meaning Mickey Mouse is a bandit or a crook.
Already present are resident barmaid and dancer Minnie Mouse and a fellow customer. The latter is Black Pete, who is introduced as a wanted outlaw.
Minnie performs the tango and salsa, and both customers start flirting with her. Pete then attempts to put an early ending to their emerging rivalry by proceeding in kidnapping her. He escapes on his donkey while Mickey gives chase on his rhea and soon catches up to his rival. Pete and Mickey then proceed in challenging each other to a sword duel. The latter emerges the victor (by covering Pete's head with a chamber pot he pulls out from under a bed) and finally gets hold of Minnie. The finale has Mickey and Minnie riding the rhea stage left until they are obscured entirely by trees in the foreground.
In later interviews, Iwerks would comment that Mickey as featured in The Gallopin' Gaucho was intended to be a swashbuckler, an adventurer modelled after Fairbanks himself.[ citation needed ]
Pete had already been established as an antagonist in both the Alice Comedies and the Oswald the Lucky Rabbit series, but this short marks his first encounter with either Mickey or Minnie. The latter pair also appears unfamiliar to each other. The short apparently depicts their initial encounter.
The feature characters of The Gallopin' Gaucho were obscure. When the cartoon starts, Mickey and Minnie have the same eyes as they have in Plane Crazy, but once Black Pete appears they suddenly have the dot eyes from Steamboat Willie. Mickey was at first thought to be much too similar to Oswald the Rabbit, which may have helped to explain the audience's apparent lack of interest in him. The mostly adult audience had become bored with what came to be called "rubber hose" animation. Disney would soon start to contemplate ways to distinguish the Mickey Mouse series from his previous work and that of his rivals. Minnie's role as performer and damsel in distress is solidified in this. It is also the first time she wears her distinctive oversized high-heeled pumps, although they fall off when she is kidnapped, and she spends the rest of the cartoon shoeless. Mickey is also seen wearing shoes for the first time. As the years went by, animators would change Mickey Mouse. In the first three Mickey Mouse shorts, he is a character meant to appeal to adult sensibilities; he smokes, drinks, and cavorts. Soon after Walt and his animators revised their star (for the first, but not for the last time), after which Mickey Mouse became the "wholesome" character designed to appeal to children and to please the parent.
The Film Daily (January 6, 1929) said: "This features Mickey Mouse, the demon hero who has his ups and downs trying to rescue his sweetie who has been kidnapped by the villain Cat. In this one he takes a regular Doug Fairbanks part as a hard riding gaucho of the South American pampas. It is good burlesquing all the way, and the cartoon work of Walt Disney is clever in the extreme. It has some neat comedy effects through the addition of sound, which make the film far more enjoyable and laughable than it could possibly be in silent form." [6]
Variety (January 9, 1929) said: "Good six minutes for the big programs because the animated drawings do some giggle getting stuff. This is Walt Disney penmanship, programmed as introducing a new cartoon character, 'Mickey Mouse', with Powers having synchronized via Cinephone. Sound effects won some laughs here on their own, but after it's all over the impression remains that any alert pit drummer can duplicate... Value in this one comes from the antics Disney makes his figures perform during a chase and a duel. Familiar enough as a plot, but some new wrinkles in body gymnastics and the fantastic means to gain numerous ends. Audience liked it and although enhanced by the effects the reel is strong enough to stand in the A houses plus just an organ or orchestra. If the musicians are smart enough to keep pace with it so much the better. An unusual cartoon in being good with or without sound." [7]
The short's music was arranged by Carl Stalling and contains an instrumental version of Kingdom Coming by American composer Henry Clay Work (1862), followed by La paloma , by Spanish composer Sebastián Iradier Salaverri. La paloma is danced to by Minnie Mouse. The Gallopin' Gaucho is one of the earliest sound films to represent Latin American places and culture. [8] Another song included in the score is For He's a Jolly Good Fellow .
The short was released on December 2, 2002 on Walt Disney Treasures: Mickey Mouse in Black and White . [9]
Mickey Mouse is an American cartoon character co-created in 1928 by Walt Disney and Ub Iwerks. The longtime icon and mascot of the Walt Disney Company, Mickey is an anthropomorphic mouse who typically wears red shorts, large shoes, and white gloves. He is often depicted with a cast of characters including his girlfriend Minnie Mouse, his pet dog Pluto, his friends Donald Duck and Goofy, and his nemesis Pete.
Pete is a cartoon character created by Walt Disney and Ub Iwerks of The Walt Disney Company. Pete is traditionally depicted as the villainous arch-nemesis of Mickey Mouse, and was made notorious for his repeated attempts to kidnap Minnie Mouse. Pete is the oldest continuing Disney character, having debuted in the cartoon Alice Solves the Puzzle in 1925. He originally bore the appearance of an anthropomorphic bear, but with the advent of Mickey in 1928, he was defined as a cat.
Plane Crazy is a 1929 American animated short film directed by Walt Disney and Ub Iwerks. The cartoon, released by the Walt Disney Studios, is the first finished project to feature appearances of Mickey Mouse and Minnie Mouse, and was originally a silent film. It was given a test screening to a theater audience and potential distributors on May 15, 1928. An executive from Metro-Goldwyn-Mayer saw the film, but the film failed to pick up a distributor. Later that year, Disney released Mickey's first sound cartoon, Steamboat Willie, which was an enormous success; Plane Crazy was officially released as a sound cartoon on March 17, 1929. It was the fourth Mickey film to be given a wide release after Steamboat Willie, The Gallopin' Gaucho and The Barn Dance (1929).
Minnie Mouse is an American cartoon character created by the Walt Disney Company. As the longtime sweetheart of Mickey Mouse, she is an anthropomorphic mouse with white gloves, a red or pink bow, blue polka-dotted dress, white bloomers and yellow low-heeled shoes occasionally with ribbons on them.
Carl William Stalling was an American composer, voice actor and arranger for music in animated films. He is most closely associated with the Looney Tunes and Merrie Melodies shorts produced by Warner Bros., where he averaged one complete score each week, for 22 years.
The Skeleton Dance is a 1929 Silly Symphony animated short subject with a comedy horror theme. It was produced and directed by Walt Disney and animated by Ub Iwerks. In the film, four human skeletons dance and make music around a spooky graveyard—a modern film example of medieval European "danse macabre" imagery. It is the first entry in the Silly Symphony series. In 1993, to coincide with the opening of Mickey's Toontown in Disneyland, a shortened cover of the cartoon's music was arranged to be featured in the land's background ambiance. The short's copyright was renewed in 1957, and as a published work from 1929, it entered the US public domain on January 1, 2025.
Mickey Mouse is a series of American animated comedy short films produced by Walt Disney Productions. The series started in 1928 with Steamboat Willie and ended with 2013’s Get a Horse! being the last in the series to date, otherwise taking a hiatus from 1953 to 1983. The series is notable for its innovation with sound synchronization and character animation, and also introduced well-known characters such as Mickey Mouse, Minnie Mouse, Donald Duck, Daisy Duck, Pluto and Goofy.
The Barn Dance is a Mickey Mouse short animated film first released on March 14, 1929, as part of the Mickey Mouse film series; it was the first of twelve shorts released during that year. It was directed by Walt Disney with Ub Iwerks as the head animator. The title is written as Barn Dance on the poster, while the full title is used on the title screen.
The Opry House is a 1929 Mickey Mouse short animated film released by Celebrity Pictures, as part of the Mickey Mouse film series. It was the fifth Mickey Mouse short to be released, the second of that year. It cast Mickey as the owner of a small theater. Mickey performs a vaudeville show all by himself. Acts include his impersonation of a snake charmer, his dressing in drag and performing a belly dance, his caricature of a Hasidic Jew and, for the finale, a piano performance of Hungarian Rhapsody No. 2 by Franz Liszt.
Leslie James Clark was an American animator and the first of Disney's Nine Old Men, joining Walt Disney Productions in 1927.
Mickey's Gala Premier is a Walt Disney cartoon produced in 1933, directed by Burt Gillett, and featuring parodies of several famous Hollywood film actors from the 1930s. It was the 58th Mickey Mouse short film, and the eighth of that year.
The second wave of Walt Disney Treasures was released December 3, 2002. This was the final wave with the tin's individual number embossed on the tin.
Fiddlesticks is a theatrical animated short film directed and animated by Ub Iwerks, in his first cartoon since he departed from Walt Disney's studio. The short features Iwerks' character Flip the Frog. It is the first complete sound cartoon to be photographed in color.
Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black and white by Walt Disney Animation Studios and was released by Pat Powers, under the name of Celebrity Productions. The cartoon is considered the public debut of Mickey Mouse and Minnie Mouse, although both appeared months earlier in a test screening of Plane Crazy and the then yet unreleased The Gallopin' Gaucho. Steamboat Willie was the third of Mickey's films to be produced, but it was the first to be distributed, because Disney, having seen The Jazz Singer, had committed himself to produce one of the first fully synchronized sound cartoons.
When the Cat's Away is a Mickey Mouse short animated film first released on May 3, 1929, as part of the Mickey Mouse film series. It was directed by Walt Disney and animated by Ub Iwerks and Ben Sharpsteen. It was the sixth Mickey Mouse short to be produced, the third of that year. In this cartoon, Mickey and Minnie are the size of regular mice, and Tom Cat is the size of a person.
Building a Building is a 1933 American animated short film produced by Walt Disney Production and released by United Artists. A remake of the 1928 Oswald the Lucky Rabbit film Sky Scrappers, the cartoon depicts Mickey Mouse working at a construction site under the supervision of Peg-Leg Pete while Minnie Mouse is selling box lunches to the workers. It was directed by David Hand, his first directorial assignment at Disney, and features the voices of Walt Disney as Mickey, Marcellite Garner as Minnie, and Pinto Colvig as Pete. It was the 51st Mickey Mouse short film, and the first of that year.
Mickey's Choo-Choo is a 1929 Mickey Mouse short animated film released by Celebrity Pictures, as part of the Mickey Mouse film series. Ub Iwerks was the animator. It was the eleventh Mickey Mouse short to be produced, the eighth of that year, and was one of the series of early Disney cartoons that led Mickey Mouse to become a national fad by the end of 1929. Originally produced in black and white, this cartoon was one of 45 Mickey Mouse cartoons colorized by American Film Technologies in 1991.
The Cactus Kid is a Mickey Mouse short animated film first released on May 10, 1930, as part of the Mickey Mouse film series. It was the eighteenth Mickey Mouse short to be produced, the third of that year.
Under the Copyright Term Extension Act, books published in 1928, films released in 1928, and other works published in 1928, enter the public domain in 2024. Sound recordings that were published in 1923 enter the public domain.