The Get-Go

Last updated
The Get-Go
The Get-Go.album.jpg
Studio album by
Released1997
StudioThe Junkyard, Milwaukee, Wisconsin
Genre R&B, soul
Label Don't [1]
Producer Jeff Hamilton, Paul Cebar, the Milwaukeeans
Paul Cebar chronology
I Can't Dance for You EP
(1996)
The Get-Go
(1997)
Suchamuch
(2001)

The Get-Go is an album by the American musician Paul Cebar, released in 1997. [2] [3] Although not credited on the album cover, Cebar was backed by his band, the Milwaukeeans. [4] The first single was "She Found a Fool". [5] It was a hit on adult album alternative radio. [6]

Contents

Production

The album was produced by Jeff Hamilton, Cebar, and the Milwaukeeans. [7] It was recorded at The Junkyard, in Milwaukee, Wisconsin. The studio was located next to a junkyard; the musicians took some auto parts for added percussion. [8] A musicologist, Cebar incorporated many different musical styles in to the album's sound; Cebar considered it to be dance music. [9] [10]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [11]
The Atlanta Journal-Constitution B+ [9]
MusicHound Rock: The Essential Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [7]
Orlando Sentinel Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [12]
Philadelphia Daily News B [13]

The Washington Post thought that, "for all the obvious delight [Cebar] takes in celebrating older pop traditions, he never cheapens the music with false emotion." [14] The Orlando Sentinel called "She Found a Fool" "a classic horn-fueled, Memphis-style soul tune, with glistening guitar lines that show an African pop influence." [12] The Philadelphia Daily News labeled Cebar "Southside Johnny with more finesse, or a male equivalent of Bonnie Raitt." [13]

Billboard stated that The Get-Go "explores an almost bewildering variety of styles: Motown soul, Memphis RB, gutbucket blues, New Orleans funk, Jamaican reggae, even Brazilian samba." [4] The Star Tribune concluded that "the low-key, atypical tunes—the love-lorn reggae song 'Trying', the Delta-flavored blues groove 'Keep You' or the oddly romantic cantina ballad 'Spacelab Girls from Huntsville'—cut the deepest." [15] The Daily Herald opined that the album's "encyclopedic range of soul burners, Cajun numbers, R&B stomps and reggae is breathtaking." [16] The Dallas Observer listed The Get-Go as one of the best "obscure" albums of 1997. [17]

AllMusic wrote: "Dabbling in flavors of brassy R&B, calypso, reggae, ragtime and blue-eyed soul, Cebar delivers an album filled with winning original tunes." [11]

Track listing

No.TitleLength
1."She Found a Fool" 
2."Don't Let It Pour" 
3."Bungalowing Big Time" 
4."Trying" 
5."Clap for the Couple" 
6."Keep You (Going Away)" 
7."He Forgot What He Knew" 
8."Got to Grind" 
9."Sending My Love" 
10."Spacelab Girls from Huntsville" 
11."Lonely as the Day Is Long" 
12."Wasabi" 
13."Itta Bena Boy" 
14."Lovely as the Day Is Long (reprise)" 

Related Research Articles

Juli Wood is a Finnish-American saxophonist, vocalist, composer, and band-leader from Chicago, who appears regularly in Chicago and Milwaukee area jazz clubs, on tours through the Midwest with the Juli Wood Quartet, and other groups she leads or is a part of. She plays soprano, tenor and baritone saxophone. Wood makes frequent appearances at Scandinavian jazz and blues festivals including Finland's Pori Jazz festival. Wood got her start in Milwaukee with the R&B Cadets, and gained further exposure with Paul Cebar & the Milwaukeeans—which also featured vocalists Robyn Pluer, and Paul Cebar—who toured between Milwaukee, Chicago, and Minneapolis.

<i>And the Horse They Rode In On</i> 1990 studio album by Soul Asylum

And the Horse They Rode In On is an album by the Minneapolis band Soul Asylum, released in 1990. The vinyl, cassette, and CD versions of the album have different, but related, cover art. The band supported the album with a North American tour. The first single was "Spinnin'".

Paul Cebar is an American songwriter, singer, guitarist and bandleader from Milwaukee, Wisconsin, who plays African, Latin American and Caribbean music. He has released four albums and an EP with his band, Paul Cebar & the Milwaukeeans, which have received airplay from adult album alternative stations across the US, album with all his bands, including the latest incarnation Paul Cebar and Tomorrow Sound, and a solo album.

<i>Angels Running</i> 1993 studio album by Patty Larkin

Angels Running is an album by the American singer-songwriter Patty Larkin, released in 1993. Larkin supported the album with a North American tour.

<i>Big Ship</i> (Freddie McGregor album) 1982 studio album by Freddie McGregor

Big Ship is a studio album by the Jamaican musician Freddie McGregor. It was released via Greensleeves Records in 1982. McGregor named his studio after the album. The title track was McGregor's first major hit.

<i>The Prophets</i> (Alpha Blondy album) 1989 studio album by Alpha Blondy

The Prophets is an album by the Ivorian musician Alpha Blondy, released in 1989. He is credited with his band, the Solar System. Blondy sang in French, Dioula, Arabic, and English.

<i>Toots in Memphis</i> 1988 studio album by Toots Hibbert

Toots in Memphis is an album by the Jamaican musician Toots Hibbert. Released in 1988, Toots in Memphis was recorded without the Maytals. The majority of the album's tracks are covers of American R&B songs.

<i>Green Suede Shoes</i> 1996 studio album by Black 47

Green Suede Shoes is an album by the American band Black 47, released in 1996. It was a commercial disappointment.

<i>Turn the Page</i> (Chris Ardoin album) 1998 studio album by Chris Ardoin

Turn the Page is an album by the American zydeco musician Chris Ardoin, released in 1998. His band, Double Clutchin'—which included his brother, Sean—is also credited. Ardoin was still a teenager when the album was recorded.

<i>Rumba Baby Rumba!</i> 1998 studio album by Bio Ritmo

Rumba Baby Rumba! is an album by the American band Bio Ritmo, released in 1998. The band supported the album by touring with Squirrel Nut Zippers.

<i>Very Greasy</i> 1988 studio album by David Lindley & El Rayo-X

Very Greasy is an album by the American musician David Lindley, with El Rayo-X, released in 1988. It was Lindley's third studio album with the band.

<i>High Hat</i> (6 String Drag album) 1997 studio album by 6 String Drag

High Hat is the second album by the American band 6 String Drag, released in 1997. The album cover was created by drummer Ray Duffey.

<i>Spirit of Love</i> (Majek Fashek album) 1991 studio album by Majek Fashek

Spirit of Love is an album by the Nigerian musician Majek Fashek. It was released in 1991. Fashek was credited with the Prisoners of Conscience.

<i>Don Dada</i> (album) 1992 studio album by Super Cat

Don Dada is an album by the Jamaican musician Super Cat, released in 1992. It was his first album for a major label, and also one of the first dancehall albums for a major label. The album title refers to Super Cat's nickname.

<i>Barrington</i> (album) 1993 studio album by Barrington Levy

Barrington is an album by the Jamaican musician Barrington Levy, released in 1993. It was regarded as a crossover attempt. The first single was "Murder". Levy supported the album with a North American tour.

<i>Fish Aint Bitin</i> 1997 studio album by Corey Harris

Fish Ain't Bitin' is the second album by the American musician Corey Harris, released in 1997 through Alligator Records. Harris supported the album with a North American tour that included shows opening for B.B. King. Fish Ain't Bitin' won a W. C. Handy Award for the best acoustic blues album of 1997.

<i>Fill This World with Love</i> 1996 studio album by Ann Peebles

Fill This World with Love is an album by the American musician Ann Peebles, released in 1996. It was her second album for Bullseye Blues. Peebles supported the album with a North American tour, as well as shows in England.

<i>The Silos</i> (album) 1990 studio album by the Silos

The Silos is an album by the American band the Silos, released in 1990. A commercial disappointment, it was the band's only album for RCA Records. The Silos peaked at No. 141 on the Billboard 200. The band supported the album with a North American tour that included shows with the Jayhawks.

<i>Martin Zellar and the Hardways</i> 1996 studio album by Martin Zellar

Martin Zellar and the Hardways is an album by Martin Zellar, released in 1996. He is credited with his band, the Hardways. Zellar supported the album with a North American tour. The first single was "I Can't Believe".

<i>Positively Beadhead</i> 1999 studio album by Terrance Simien

Positively Beadhead is an album by the American musician Terrance Simien, released in 1999. Simien supported the album with a North American tour. The album title refers to Simien's practice of throwing beads to his fans during concerts.

References

  1. Flanigan, Kathy (26 Aug 1997). "The Lake Effect". News. Milwaukee Journal Sentinel. p. 8.
  2. "Almost Famous". Milwaukee Magazine. August 19, 2012.
  3. "Music: Soul Searching (Gambit Weekly)". Weekly Wire.
  4. 1 2 Morris, Chris (Sep 20, 1997). "Flag Waving". Billboard. Vol. 109, no. 38. p. 53.
  5. Christiano, Nick (24 Oct 1997). "Paul Cebar". Features Weekend. The Philadelphia Inquirer. p. 15.
  6. Carter, Nick (19 Sep 1997). "Cebar's long dues-paying pays off". Cue. Milwaukee Journal Sentinel. p. 12.
  7. 1 2 MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 213.
  8. Kassulke, Natasha (18 Sep 1997). "Paul Cebar Will Bring New CD to Willy Fair". Rhythm. Wisconsin State Journal. p. 6.
  9. 1 2 "Paul Cebar 'The Get-Go'". The Atlanta Journal-Constitution. 23 Oct 1997. p. E4.
  10. Wolff, Carlo (October 22, 1997). "Midwesterners Dancing to Different Beats". The Plain Dealer. p. 9G.
  11. 1 2 "Get-Go". AllMusic.
  12. 1 2 Gettelman, Parry (19 Sep 1997). "Paul Cebar". Calendar. Orlando Sentinel. p. 7.
  13. 1 2 Takiff, Jonathan (24 Oct 1997). "Indigo to Sky: It All Takes Shades". Philadelphia Daily News. p. F16.
  14. "Paul Cebar 'The Get-Go'". The Washington Post. Retrieved 7 January 2022.
  15. Surowicz, Tom (21 Sep 1997). "Paul Cebar". Star Tribune. p. 2F.
  16. Guarino, Mark (9 Jan 1998). "Paul Cebar". Time Out. Daily Herald. p. 4.
  17. Weitz, Matt (January 1, 1998). "Rock and roll over – In today's music business, tomorrow's revolution is yesterday's fad". Music. Dallas Observer.