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The Gods | |
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Genres | Progressive rock, psychedelic rock |
Years active | 1965–1969 |
Labels | EMI, Polydor |
Past members |
The Gods were an English rock band founded in 1965. The original band members included Mick Taylor (later with John Mayall's Bluesbreakers and the Rolling Stones), Brian Glascock, his brother John (later with Jethro Tull), keyboardist Ken Hensley (later with Uriah Heep) and Joe Konas. Lee Kerslake (drums) joined in 1967 and would later also play in Uriah Heep. Greg Lake (later with King Crimson and Emerson, Lake & Palmer) joined in 1967 and left the band after approximately one year.
Taylor and the Glascock brothers were schoolmates from Hatfield and had been playing together as The Juniors (or The Strangers), a band they formed in 1962. Also part of this band were Malcolm Collins (vocals) and Alan Shacklock (guitar). They eventually signed with EMI / Columbia Records. Their first 7" single (Columbia DB7339) appeared in 1964 ("There's a Pretty Girl"/"Pocket Size"). In 1965, the line-up changed. Mick Taylor continued to play guitar and teamed up with Hensley (organ/vocals). They also added Konas (guitar/vocals) and changed their name to "The Gods".
In 1966, the Gods opened for Cream at the Starlite Ballroom in Wembley, London. A single ("Come On Down to My Boat Baby"/"Garage Man") was recorded in early 1967 on Polydor Records. At this point the line-up included Mick Taylor, Ken Hensley, John Glascock, and Joe Konas.
In May 1967, Taylor got a call from John Mayall who was looking for a new guitarist to replace Peter Green. When Taylor joined the Bluesbreakers, he left behind a faltering blues band. The band sought to revive their fortunes on the club/college circuit. They relocated to London and secured a residency at The Marquee. John Glascock (bass) was replaced by Paul Newton in June 1967 and then by Greg Lake. But the latter was too talented for the backing role they had him in so he soon left to join King Crimson in the summer of 1968. The band had to re-group again and John Glascock was asked to return.
With Glascock back in the fold, they recorded a couple of progressive rock albums and a few singles. Of their singles, "Hey! Bulldog", a Beatles track, is their best known, and both sides have been included on the compilation album, The Great British Psychedelic Trip Vol. 3. The band played an amalgam of psychedelia and progressivism. Tracks like "Towards the Skies" and "Time and Eternity" from their 1968 album Genesis are full of heavy ploughing Hammond organ and distorted guitar riffs and Ken Hensley's unique and rather dramatic vocals add a further dimension.
Most of the Gods' material is fairly typical late 1960s pop/rock, epitomised by songs like "Radio Show" and "Yes I Cry". There are shades of Vanilla Fudge on their cover of the West Side Story extract "Maria". On a few tracks like "Candlelight" and "Real Love Guaranteed", there is an inkling of the heavier sound Hensley and Kerslake would propagate in their next venture, Uriah Heep.[ citation needed ]
The Gods were the successors of the Rolling Stones at the Marquee Club in London.
After recording two albums, Genesis (1968) and To Samuel a Son (1969), they signed with a new record company and formed Toe Fat, which also lasted two years and two albums. In 1970, they published an album under the pseudonym Head Machine, titled Orgasm with Ken Hensley on keys, guitars and vocals, John Glascock on bass, Joe Konas on guitars and Lee Kerslake on drums.
Uriah Heep are an English rock band formed in London in 1969. Their current lineup consists of guitarist Mick Box, keyboardist Phil Lanzon, lead vocalist Bernie Shaw, drummer Russell Gilbrook, and bassist Dave Rimmer. They have experienced numerous lineup changes throughout their 55-year career, leaving Box as the only remaining original member. Notable former members of the band are vocalists David Byron, John Lawton, John Sloman, and Peter Goalby; bassists Gary Thain, Trevor Bolder, John Wetton, Bob Daisley, Paul Newton, and John Jowitt; drummers Nigel Olsson, Iain Clark, Lee Kerslake, and Chris Slade; and keyboardists Ken Hensley, Gregg Dechert, and John Sinclair.
Kenneth William David Hensley was an English musician, singer, songwriter and producer, best known for his work with Uriah Heep during the 1970s.
Spice were a British pop rock and rhythm and blues band featuring David Byron (vocals), Mick Box (guitar), Paul Newton, Alex Napier (drums) and Colin Wood (keyboards)..
Demons and Wizards is the fourth studio album by English rock band Uriah Heep, released in May 1972 by Bronze Records in the UK and Mercury Records in the US.
Return to Fantasy is the eighth studio album by English rock band Uriah Heep, released on 13 June 1975 by Bronze Records in the UK and Warner Bros. Records in the US. It was the first of the two albums to feature John Wetton as the new bass player, who replaced Gary Thain in early 1975.
Innocent Victim is the eleventh studio album by English rock band Uriah Heep, released in November 1977 by Bronze Records in the UK and Warner Bros. Records in the US.
Fallen Angel is the twelfth studio album by English rock band Uriah Heep, released in September 1978 by Bronze Records in the UK and Chrysalis Records in the US. It is the last album to feature John Lawton on vocals, before his firing in 1979. Fallen Angel only reached No. 186 on the Billboard 200, but in Germany, the band were at the height of their popularity. On this album, the band moved toward an AOR sound, as opposed to the progressive rock of previous albums.
Toe Fat were an English rock band active from June 1969 to 1971, notable for including two future members of Uriah Heep and of Jethro Tull. During their brief existence, they released two full-length studio albums.
John Glascock was a British musician. He was the bassist and occasional lead vocalist of the rock band Carmen from 1972 to 1975; and the bass guitarist for progressive rock band Jethro Tull from 1976 until his death in 1979. Glascock died at the age of 28 as a result of a congenital heart valve defect, which was worsened by an infection caused by an abscessed tooth.
"The Wizard" is a song by British rock band Uriah Heep, from their 1972 album Demons and Wizards. It was the first single to be lifted from the album. It was composed by Mark Clarke and Ken Hensley. It is a gentle, semi-acoustic ballad whose lyrics deal with a wanderer meeting "the Wizard of a thousand kings". This song is the first Uriah Heep single which had a music video.
"Stealin'" is a song by British hard rock band Uriah Heep, from the concept album Sweet Freedom. The song was written by Ken Hensley, and it reached gold status in New Zealand. The B-side of the song is "Sunshine".
Genesis is the debut album by British band the Gods. The LP was recorded in 1968 and released that same year by EMI / Columbia Records) in the UK. It was re-issued on CD by Repertoire Records in 1994.
The Lansdowne Tapes is a compilation album by the British rock band Uriah Heep and released in 1993. The recordings featured on the album date from the time before the change of name to Uriah Heep and during the early sessions that culminated in material eventually used on the bands debut album.
"Blind Eye" is a song by the British band Uriah Heep, which was originally released on their fifth studio album The Magician's Birthday in 1972, and the B-side of the "Sweet Lorraine" single. "Blind Eye" was written by Ken Hensley. It charted at #97 in the U.S. Billboard Hot 100. It was included on Uriah Heep's live album Acoustically Driven in 2001. The song was recorded and mixed at Lansdowne Studios, London, in September 1972.
"Something or Nothing" is a song by British rock band Uriah Heep. The song was written by Ken Hensley, Mick Box and Gary Thain and sung by David Byron. The song is the sixth track on their seventh album Wonderworld, it is also the first track on the second side of the album. "Something or Nothing" was recorded at Musicland Studios in Munich, Germany during January and March 1974. The B-side of the song is "What Can I Do" which has never been released on the album "Wonderworld". The song is being played with only four chords: D,A,C and G. The song has been performed during Uriah Heep live concerts, and was included on their second live album Live at Shepperton '74 as the fourth track.
"Prima Donna" is a song by British rock band Uriah Heep from their eighth studio album Return to Fantasy (1975), released as the first single from the album. The song was written by David Byron, Mick Box, Lee Kerslake and Ken Hensley. It was recorded in May 1975 in Lansdowne and Morgan Studios, London. The song reached number ten in Denmark and number three in Norway.
"Return to Fantasy" is a song by British rock band Uriah Heep from their eighth studio album Return to Fantasy (1975). The song was written by David Byron and Ken Hensley and was the last single by the group to feature David Byron on lead vocals. The song was recorded in May 1975 in London in the Lansdowne and Morgan studios.
"One Way or Another" is a song by English rock band Uriah Heep. It was released on their ninth studio album High and Mighty in May 1976, and became the only single from the album and the last single with the band's former vocalist, David Byron. The song was written by Ken Hensley and featured lead vocals from John Wetton and Ken Hensley. It was recorded from December 1975 to March 1976 in Roundhouse Recording Studios in London. The single did not chart, and it is the only song on the album that was not sung by David Byron.
"Wise Man" is a song by British rock band Uriah Heep. The song was written by Ken Hensley and Jack Williams for their album Firefly, which was released in February 1977. The song is also the first UK single with the band's new vocalist John Lawton. "Wise Man" was recorded at Roundhouse Recording Studios in London during October and November 1976, and was written in the key of A major.
"Sympathy" is a song by English rock band Uriah Heep, which was originally released on their tenth studio album Firefly in 1977. The song was written by Ken Hensley and sung by John Lawton. It was released as a single in Germany, where it peaked at No. 37. The song was recorded and mixed at Roundhouse Recording studios in London between October and November 1976, just before beginning their US tour as support of Kiss in Macon, Georgia.