The Gold Diggers | |
---|---|
Written by | Avery Hopwood |
Date premiered | September 30, 1919 |
Place premiered | Lyceum Theatre |
Original language | English |
Genre | Farce |
The Gold Diggers is a play written by Avery Hopwood. It popularized the use of the term "gold digger" to refer to hypergamistic women who seek wealthy partners, as opposed to the earlier usage referring to gold miners. Producer David Belasco staged it on Broadway in 1919, with Ina Claire in the lead role. It was a hit, running for two consecutive seasons before going on tour.
Stephen Lee is a wealthy man who is convinced that the chorus girl engaged to his nephew is a "gold digger", who only wants his nephew's money. Lee asks Jerry Lamar, another chorus girl he knows, to convince his nephew to break off the engagement. Instead she tries to convince Lee that not all chorus girls are out for money. Unfortunately for her effort, several of her friends demonstrate that they are as money-hungry as Lee fears.
Annoyed by Lee's comments, Lamar decides to show him up by getting him drunk and tricking him into proposing to her. Her scheme proves harmless when it turns out that she and Lee really are in love.
The play's Broadway opening was at the Lyceum Theatre on September 30, 1919. It ran on Broadway until June 1921, with 720 performances. It then went on tour across the United States until 1923. In this time the play earned over $1.9 million. [1] [2]
The characters and cast from the Broadway production are given below:
Character | Broadway cast [3] |
---|---|
Jerry Lamar | Ina Claire |
Wally Saunders | Horace Braham |
Sadie | Louise Burton |
Gypsy Montrose | Gladys Feldman |
Mrs. Lamar | Louise Galloway |
Eleanor Montgomery | Luella Gear |
Tom Newton | William Goodridge |
Mabel Munroe | Jobyna Howland |
Cissie Gray | Loraine Lally |
Freddie Turner | Day Manson |
Stephen Lee | Bruce McRae |
Marty Woods | Arthur Miles |
James Blake | H. Reeves-Smith |
Fenton Jessup | A.E. Scott |
Trixie Andrews | Lilyan Tashman |
Topsy St. John | Ruth Terry |
Barney Barnett | Frederick Truesdell |
Dolly Baxter | Katharine Walsh |
Violet Dayne | Beverly West |
Reviews for the play were mixed. [4] In The New York Times , Alexander Woollcott said it was "screamingly funny at times and rather dull at others". [5] A critic for The Drama called it "vulgar and immoral" and said it gave the wrong impression of chorus girls. [6]
The opinions of reviewers did not stop the play from being a hit. One result of its long run was that after other plays he had written opened in 1920, Hopwood eventually had four shows running on Broadway simultaneously. [4] The play and the string of movies it inspired also helped to popularize the use of the term "gold digger" to refer to acquisitive women, a usage that Hopwood did not invent but which was relatively new at the time. [7] [8] Hopwood's usage of the term was rare enough in 1919 that Belasco's production assistants worried that the play would be mistaken for a story about mining, but within a few years the new usage was widespread. [9]
The play was adapted as a film four times:
Gold Diggers of 1933 spawned multiple sequels that were not directly based on Hopwood's play: Gold Diggers of 1935 , Gold Diggers of 1937 , and Gold Diggers in Paris .
James Avery Hopwood was an American playwright of the Jazz Age. He had four plays running simultaneously on Broadway in 1920.
Alexander Dubin was an American lyricist. He is best known for his collaborations with the composer Harry Warren.
Gold digger is a term for a person, typically a woman, who engages in a type of transactional sexual relationship for money rather than love. If it turns into marriage, it is a type of marriage of convenience.
Gold Digger, Gold Diggers or The Gold Diggers may refer to:
David Belasco was an American theatrical producer, impresario, director, and playwright. He was the first writer to adapt the short story Madame Butterfly for the stage. He launched the theatrical career of many actors, including James O'Neill, Mary Pickford, Lenore Ulric, and Barbara Stanwyck. Belasco pioneered many innovative new forms of stage lighting and special effects in order to create realism and naturalism.
A showgirl is a female performer in a theatrical revue who wears an exotic and revealing costume and in some shows may appear topless. Showgirls are usually dancers, sometimes performing as chorus girls, burlesque dancers or fan dancers, and many are classically trained with skills in ballet. The term showgirl is also sometimes used by strippers and some strip clubs use it as part of their business name.
Gold Diggers of 1933 is an American pre-Code musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell. It featured appearances by Guy Kibbee, Ned Sparks and Ginger Rogers.
Gold Diggers of 1935 is an American musical film directed and choreographed by Busby Berkeley, his first time as a film's overall director. It stars Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell, and Frank McHugh, and features Joseph Cawthorn, Grant Mitchell, Dorothy Dare, and Winifred Shaw. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous "Lullaby of Broadway" production number. That song, sung by Shaw, also won the Academy Award for Best Original Song. The screenplay was by Manuel Seff and Peter Milne, based on a story by Robert Lord, who also produced the film, and Milne.
Painting the Clouds with Sunshine is a 1951 Technicolor musical film directed by David Butler and starring Dennis Morgan and Virginia Mayo. The film is a musical adaptation of the 1919 play The Gold Diggers by Avery Hopwood, the fourth film adaptation of the play following The Gold Diggers (1923), Gold Diggers of Broadway (1929) and Gold Diggers of 1933 (1933). The film is a jukebox musical, featuring popular songs from the 1910s to 1930s, including two songs from Gold Diggers of Broadway and one song from Gold Diggers of 1933.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
"The Gold Diggers' Song " is a song from the 1933 Warner Bros. film Gold Diggers of 1933, sung in the opening sequence by Ginger Rogers and chorus. The entire song is never performed in the 1933 movie, though it introduces the film in the opening scene. Later in the movie, the tune is heard off stage in rehearsal as the director continues a discussion on camera about other matters.
Edna Louise Hibbard was a stage and motion picture actress from Detroit, Michigan. She had a sharp tongue and was known for her roles in comedy.
Gold Diggers of 1937 is a Warner Bros. movie musical directed by Lloyd Bacon with musical numbers created and directed by Busby Berkeley. The film stars Dick Powell and Joan Blondell, who were married at the time, with Glenda Farrell and Victor Moore.
The Gold Diggers is a Warner Bros. silent comedy film directed by Harry Beaumont with screenplay by Grant Carpenter based on the play The Gold Diggers by Avery Hopwood which ran for 282 performances on Broadway in 1919 and 1920. Both the play and the film were produced by David Belasco. The film stars Hope Hampton, Wyndham Standing, and Louise Fazenda. It was also the (uncredited) film debut of Louise Beavers.
Fast and Loose is a 1930 American pre-Code romantic comedy film directed by Fred C. Newmeyer and starring Miriam Hopkins, Carole Lombard and Frank Morgan. The film was written by Doris Anderson, Jack Kirkland and Preston Sturges, based on the 1924 play The Best People by David Gray and Avery Hopwood. Fast and Loose was released by Paramount Pictures.
Wilson Collison was a writer and playwright.
Ladies' Night is a three-act play originally written by Charlton Andrews and later reworked by Avery Hopwood. The play was a sex farce with part of the action set in a Turkish bath instead of a bedroom. A. H. Woods staged it on Broadway, where it opened under the direction of Bertram Harrison on August 9, 1920 at the Eltinge 42nd Street Theatre. Ladies' Night had a run of 375 performances with the final curtain falling in June 1921. It was revived on Broadway in adapted forms in 1945 and 1950.
The Bat is a three-act play by Mary Roberts Rinehart and Avery Hopwood that was first produced by Lincoln Wagenhals and Collin Kemper in 1920. The story combines elements of mystery and comedy as Cornelia Van Gorder and guests spend a stormy night at her rented summer home, searching for stolen money they believe is hidden in the house, while they are stalked by a masked criminal known as "the Bat". The Bat's identity is revealed at the end of the final act.
The Demi-Virgin is a three-act play written by Avery Hopwood. Producer Albert H. Woods staged it on Broadway, where it was a hit during the 1921–22 season. The play is a bedroom farce about former couple Gloria Graham and Wally Deane, both movie actors, whose marriage was so brief that the press speculated about whether Gloria was still a virgin. She attempts to seduce Wally when they are forced to reunite for a movie, but after playing along he surprises her by revealing that their divorce is not valid.
Sadie Love is a three-act play written by Avery Hopwood. Producer Oliver Morosco staged it on Broadway, where it opened at the Gaiety Theatre in November 1915. The play is a farce about a widow named Sadie Love, who marries a prince but discovers he still has feelings for a previous girlfriend. The play was adapted as a movie of the same name in 1919.