Irving Bacon was an American character actor who appeared in almost 500 films.
Marceline Day was an American motion picture actress whose career began as a child in the 1910s and ended in the 1930s.
Lionel Belmore was an English character actor and director on stage for more than a quarter of a century.
Dorothea Sally Eilers was an American actress.
Wheeler Oakman was an American film actor.
Alias Jimmy Valentine is a 1928 American sound part-talkie crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film features talking sequences along with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is based on the 1903 O. Henry story "A Retrieved Reformation", which was turned into the 1910 play Alias Jimmy Valentine by Paul Armstrong. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley.
The Shakedown is an American sound part-talkie pre-Code 1929 action, comedy and sports drama film directed by William Wyler and starring James Murray, Barbara Kent and Jack Hanlon.
The Old Barn is a 1929 American comedy film directed by Mack Sennett.
The Single Standard is a 1929 American synchronized sound romantic drama film from Metro-Goldwyn-Mayer directed by veteran John S. Robertson and starring Greta Garbo, Nils Asther and Johnny Mack Brown. The film has no audible dialogue but featured a synchronized musical score and sound effects. The soundtrack was recorded using the Western Electric Sound System sound-on-film process. The soundtrack was also transferred to discs for those theatres that were wired with sound-on-disc sound systems.
The Campus Vamp is a 1928 American silent comedy short starring Daphne Pollard and Johnny Burke. "This early Mack Sennett comedy features a young Carole Lombard as well as the early two color Technicolor film" for a beach sequence that includes a game of beach baseball.
The Circus Kid is a 1928 American sound part-talkie drama film directed by George B. Seitz. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. A print of the film exists.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
The Million Dollar Collar is a 1929 American sound part-talkie crime film directed by D. Ross Lederman. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is in unknown status which suggests that it may be lost. According to Warner Bros records the film earned $222,000 domestically and $90,000 foreign.
Matty Kemp was an American film actor. He appeared in more than 50 films between 1926 and 1943.
Annapolis is a 1928 synchronized sound film drama directed by Christy Cabanne. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was recorded using the Photophone sound system. It stars Johnny Mack Brown, Jeanette Loff and Hugh Allan.
Show Girl is a 1928 American synchronized sound comedy-drama film starring Alice White and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was based on the first of J. P. McEvoy's two Dixie Dugan novels, as was the 1929 musical. It was followed by a sequel, Show Girl in Hollywood (1930).
Father and Son is a 1929 American sound part-talkie pre-Code drama film directed by Erle C. Kenton from a story by Elmer Harris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Western Electric sound-on-film process. The film was produced by Harry Cohn for Columbia Pictures.
Trial Marriage is a 1929 American sound pre-Code drama film directed by Erle C. Kenton from a story by Sonya Levien. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. Produced by Harry Cohn for Columbia Pictures Corporation, the film was released on March 10, 1929. Charles C. Coleman was assistant director. As was the case for the majority of films during the early sound era, a silent version was prepared for theatres who had not yet converted to sound.
Malay Nights is a 1932 American drama film directed by E. Mason Hopper and starring Johnny Mack Brown, Dorothy Burgess and Raymond Hatton. It was produced on Poverty Row as a second feature for release by Mayfair Pictures. It is also known by the alternative title Shadows of Singapore.
Phil Whitman (1893–1935) was an American screenwriter, cinematographer and film director. During the silent era he scripted and directed a large number of short films for Mack Sennett including those starring Billy Bevan. In the early sound era he began directing feature films for studios such as Monogram Pictures.
