![The Keystone Cops in The Stolen Purse (1913). Pictured (left to right): Robert Z. Leonard, Mack Sennett, Bill Haber, Henry Lehrman, [?] McAlley, Chester Franklin, Ford Sterling, Fred Mace, and Arthur Tavares. Keystone-Cops-1912.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/e/e6/Keystone-Cops-1912.jpg/300px-Keystone-Cops-1912.jpg)
The Keystone Cops (often spelled "Keystone Kops") are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.
The Keystone Cops (often spelled "Keystone Kops") are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.
The idea for the Keystone Cops came from Hank Mann, and they were named for the Keystone studio, the film production company founded in 1912 by Sennett. [1] Their first film was Hoffmeyer's Legacy (1912), with Mann playing the part of police chief Tehiezel, but their popularity stemmed from the 1913 short The Bangville Police starring Mabel Normand, which had Ford Sterling in the role of chief.
As early as 1914, Sennett shifted the Keystone Cops from starring roles to background ensemble in support of comedians such as Charlie Chaplin and Fatty Arbuckle. The Keystone Cops served as supporting players for Marie Dressler, Mabel Normand, and Chaplin in the first full-length Sennett comedy feature Tillie's Punctured Romance (1914); Mabel's New Hero (1913) with Normand and Arbuckle; Making a Living (1914) with Chaplin in his first pre-Tramp screen appearance; In the Clutches of the Gang (1914) with Normand, Arbuckle, and Al St. John; and Wished on Mabel (1915) with Arbuckle and Normand, among others. Comic actors Chester Conklin, [2] Jimmy Finlayson, [3] and Ford Sterling [4] were also Keystone Cops, as was director Del Lord. [5]
The original Keystone Cops were George Jeske, Bobby Dunn, Mack Riley, Charles Avery, Slim Summerville, Edgar Kennedy, and Hank Mann. [6] In 2010, the lost short A Thief Catcher was discovered at an antique sale in Michigan. It was filmed in 1914 and stars Ford Sterling, Mack Swain, Edgar Kennedy, and Al St. John and includes a previously unknown appearance of Charlie Chaplin as a Keystone Cop. [7]
Mack Sennett continued to use the Keystone Cops intermittently through the 1920s, but their popularity had waned by the time that sound films arrived. In 1935, director Ralph Staub staged a revival of the Sennett gang for his Warner Brothers short subject Keystone Hotel , featuring a re-creation of the Kops clutching at their hats, leaping in the air in surprise, running energetically in any direction, and taking extreme pratfalls. The Staub version of the Keystone Cops became a template for later re-creations. 20th Century Fox's 1939 film Hollywood Cavalcade had Buster Keaton in a Keystone chase scene. Abbott and Costello Meet the Keystone Kops (1955) included a lengthy chase scene, showcasing a group of stuntmen dressed as Sennett's squad. (Two original Keystone Cops in this film were Heinie Conklin as an elderly studio guard and Hank Mann as a prop man. Sennett also starred in a cameo appearance as himself).
Richard Lester's A Hard Day's Night (1964) has a scene where the reminiscent Keystone cops chase the Beatles around the streets. [8] [9]
In Sydney, Australia, in the 1960s, Rod Hull, Desmond Tester and Penny Spence featured in a local homage series of TV comedy shorts, Caper Cops. "It’s a direct steal of the American Keystone Kops [sic], but this is Sydney, Australia, in the late 1960s and who cares..." said creator/star Hull. [10]
Mel Brooks directed a car chase scene in the Keystone Cops' style in his comedy film Silent Movie (1976). [11]
In the late 1960s, Warner Bros.-Seven Arts pitched to create a series of animated cartoon short films based on the Keystone Cops, before being scrapped permanently following the closure of Warner’s original animation studio in 1969. [12]
The name has since been used to criticize any group for its mistakes and lack of coordination, particularly if either trait was exhibited after a great deal of energy and activity. For example, in criticizing the Department of Homeland Security's response to Hurricane Katrina, Senator Joseph Lieberman claimed that emergency workers under DHS chief Michael Chertoff "ran around like Keystone Kops, uncertain about what they were supposed to do or uncertain how to do it." [13]
In sport, the term has come into common usage by television commentators, particularly in the United Kingdom and Ireland. The rugby commentator Liam Toland uses the term to describe a team's incompetent performance on the pitch. The phrase "Keystone cops defending" has become a catchphrase for describing a situation in an English football match where a defensive error or a series of defensive errors leads to a goal. [14] The term was also used in American Football commentary to describe the play of the New York Jets against the New England Patriots in the 2012 Butt Fumble game, with sportscaster Cris Collinsworth declaring "This is the Keystone Cops", after the Jets gave up 21 points in 51 seconds. [15]
According to Dave Filoni, supervising director of the animated television series Star Wars: The Clone Wars , the look of the police droid is based on the appearance of the Keystone Kops. [16]
The 1983 video game Keystone Kapers , released for the Atari 2600, 5200, MSX and Colecovision, by Activision, featured Keystone Kop Officer Kelly.[ citation needed ]
The open-source 1987 video game NetHack features Keystone Kops as a type of enemy, appearing whenever a player steals from an in-game shop. [17]
In 2022 Tom Cooper, an Austrian military analyst and book writer, repeatedly used 'Keystone Cops in Moscow' as an alias for the Russian Ministry of Defense. [18]
Mack Sennett was a Canadian actor, director, comedian, and studio head who was known as the "King of Comedy" during his career.
Tillie's Punctured Romance is a 1914 American silent comedy film directed by Mack Sennett and starring Marie Dressler, Mabel Normand, Charlie Chaplin, and the Keystone Kops. The picture is the first feature-length comedy and was the only feature-length comedy made by the Keystone Film Company.
Amabel Ethelreid Normand, better known as Mabel Normand, was an American silent film actress, screenwriter, director, producer, and comedian. She was a popular star and collaborator of Mack Sennett in their Keystone Studios films, and at the height of her career in the late 1910s and early 1920s had her own film studio and production company, the Mabel Normand Feature Film Company. On screen, she appeared in twelve successful films with Charlie Chaplin and seventeen with Roscoe "Fatty" Arbuckle, sometimes writing and directing films featuring Chaplin as her leading man. In the 1920s Normand's name was linked with scandal, including the 1922 murder of her friend, the director, William Desmond Taylor and later the 1924 shooting of Courtland S. Dines: Dines had been shot by Normand's chauffeur, Kelly using her pistol after a drunken Dines had allegedly said derogatory things to Normand. After police interrogation, she was ruled out as a suspect in the murder. Normand suffered a recurrence of tuberculosis in 1923, which led to a decline in her health, an early retirement from films in 1926, and her death in 1930 at age 36.
Mack Swain was a prolific early American film actor, who appeared in many of Mack Sennett’s comedies at Keystone Studios, including the Keystone Cops series. He also appeared in major features by Charlie Chaplin and starred in both the world's first feature length comedy and first film to feature a Movie-within-a-movie premise.
Chester Cooper Conklin was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
The Knockout is a 1914 American silent comedy film starring Roscoe "Fatty" Arbuckle. It also features Charlie Chaplin in a small role, his seventeenth film for Keystone Studios. It is one of only a few films in which Chaplin's Little Tramp character appears in a secondary role, not appearing until the second half of the film. It also stars Arbuckle's wife, Minta Durfee, Edgar Kennedy and Keystone owner, Mack Sennett in a minor role as a spectator. The film was directed by Charles Avery.
Mabel's Busy Day is a 1914 short comedy film starring Mabel Normand and Charles Chaplin; the film was also written and directed by Mabel Normand. The supporting cast includes Chester Conklin, Slim Summerville, Edgar Kennedy, Al St. John, Charley Chase, and Mack Sennett.
Tango Tangles is a 1914 American film comedy short starring Charles Chaplin and Roscoe Arbuckle. The action takes place in a dance hall, with a drunken Chaplin, Ford Sterling, and the huge, menacing, and acrobatic Arbuckle fighting over a girl. The supporting cast also features Chester Conklin and Minta Durfee. The picture was written, directed and produced by Mack Sennett for Keystone Studios and distributed by Mutual Film Corporation.
The Riot is a 1913 American short comedy film directed by Mack Sennett and starring Fatty Arbuckle.
A Noise from the Deep is a 1913 American short silent comedy film starring Mabel Normand and Roscoe "Fatty" Arbuckle. The film was directed and produced by Mack Sennett and also features the Keystone Cops on horseback. A Noise from the Deep still exists and was screened four times in 2006 in the Museum of Modern Art in New York City as part of a 56-film retrospective of all known surviving Arbuckle movies.
Fred Mace was a comedic actor during the silent era in the United States. He appeared in more than 150 films between 1909 and 1916. Mace worked for Mack Sennett at Keystone Studios. Shortly after he left, Roscoe Arbuckle, who had appeared in a few pictures at Keystone with Mace, took over as Sennett's lead comedic actor.
Mabel's Dramatic Career is a 1913 American short comedy film starring Mabel Normand and Mack Sennett while featuring Roscoe Arbuckle in a cameo. The film features a film within a film and uses multiple exposure to show a film being projected in a cinema.
The Alarm is a 1914 American short comedy film directed by and starring Fatty Arbuckle. This silent film was produced by Mack Sennett and The Keystone Film Company and distributed by Mutual Film Corporation. It was released on May 28, 1914.
Fatty and the Broadway Stars is a 1915 American short comedy film directed by and starring Fatty Arbuckle.
The L-KO Kompany, or L-KO Komedies, was an American motion picture company founded by Henry Lehrman that produced silent one-, two- and very occasionally three-reel comedy shorts between 1914 and 1919. The initials L-KO stand for "Lehrman KnockOut".
Hoffmeyer's Legacy is a 1912 comedy short directed by Mack Sennett and notable for being the first Keystone Cops comedy. However, many consider the first real Keystone Cop comedy to be The Bangville Police (1913).
Al St. John (1893–1963) was an American comic actor who appeared in 394 films between 1913 and 1952. Starting at Mack Sennett's Keystone Film Company, St. John rose through the ranks to become one of the major comedy stars of the 1920s, though less than half of his starring roles still survive today. With the advent of sound drastically changing and curtailing the two-reel comedy format, St. John diversified, creating a second career for himself as a comic sidekick in Western films and ultimately developing the character of "Fuzzy Q. Jones", for which he is best known in posterity.
Peggy Pearce was an American film actress of the silent era. She worked primarily in short subjects at the L-KO Kompany and Keystone Studios. She appeared alongside stars including Charles Chaplin, Roscoe Arbuckle, Billie Ritchie, Slim Summerville, Ford Sterling, and Mabel Normand.
Bert Hunn was an American actor who starred in silent films in the 1910s.
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