The Great Blondino

Last updated

The Great Blondino
The Great Blondino poster.jpg
Directed by
StarringChuck Wiley
Distributed by Canyon Cinema
Release date
  • April 13, 1967 (1967-04-13)
Running time
42 minutes
CountryUnited States
LanguageEnglish
Budget$20,000

The Great Blondino is a 1967 American experimental film directed by Robert Nelson and William T. Wiley.

Contents

Plot

Blondino is a naïve young man who wanders the streets dressed in medieval attire and pushing a wheelbarrow. He has series of adventures, all the while being pursued by a cop. These stories are mixed with sequences showing Blondino's dreams. Blondino eventually dies after falling from a tightrope but is revived in the film's conclusion.

Production

The Great Blondino stars William's brother Chuck Wiley as Blondino, with Beat poet Lew Welch as the cop. The film was shot in San Francisco over the course of 6–8 sessions in 1966. [1] [2] Filming began with a Bell & Howell camera, but after it broke down, Nelson bought an Arriflex camera for $3,500 as a replacement. [3] The protagonist and his climactic tightrope scene were inspired by tightrope walker Charles Blondin, who performed stunts while crossing the Niagara Gorge. [2] The film's soundtrack was performed by Wiley's band Moving Van Walters and His Truck. Nelson recorded them one day in Richmond, California. [3] The total production budget was roughly $20,000, a large cost for an underground film at the time. [4]

Release

The film premiered April 13, 1967 at the Cedar Alley Cinema in San Francisco. Later that year, it screened at the Brussels Experimental Film Festival. [5] When The Great Blondino was sent to Australia, it was censored by the customs department. A scene of Blondino stroking a rhinoceros horn required review by the chief censor, who took issue with a separate scene in which a girl uses profane language. [6]

The film is now part of Anthology Film Archives' Essential Cinema Repertory collection. [7]

Reception

According to Lenny Lipton, The Great Blondino "went over…like a lead balloon." [8] Nevertheless, Lipton championed the film following its release and said that it was "decidedly worth seeing", commenting that its "variations on the theme of the interesting and different in a super technological society are interesting, and often beautiful." [9] Film theorist Gene Youngblood called The Great Blondino his favorite piece by Nelson. [10] In his review for The New York Times , Roger Greenspun remarked, "Blondino is a kind of cosmic clown, and…I feel guilty about not liking him better than I do." [11] Critic J. Hoberman wrote for The Village Voice that Nelson "tosses off more good visual ideas in 45 minutes than many filmmakers do in a lifetime". [12] [13]

Related Research Articles

<span class="mw-page-title-main">Lenny Bruce</span> American comedian and social critic (1925–1966)

Leonard Alfred Schneider, better known by his stage name Lenny Bruce, was an American stand-up comedian, social critic, and satirist. He was renowned for his open, free-wheeling, and critical style of comedy which contained satire, politics, religion, sex, and vulgarity. His 1964 conviction in an obscenity trial was followed by a posthumous pardon in 2003.

<i>Dirty Harry</i> 1971 film by Don Siegel

Dirty Harry is a 1971 American neo-noir action thriller film produced and directed by Don Siegel, the first in the Dirty Harry series. Clint Eastwood plays the title role, in his first appearance as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan. The film drew upon the real-life case of the Zodiac Killer as the Callahan character seeks out a similar vicious psychopath.

<span class="mw-page-title-main">Human Be-In</span> 1967 countercultural gathering in San Francisco, California

The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.

<i>Pandoras Box</i> (1929 film) 1929 silent film directed by G. W. Pabst

Pandora's Box is a 1929 German silent drama film directed by Georg Wilhelm Pabst, and starring Louise Brooks, Fritz Kortner, and Francis Lederer. The film follows Lulu, a seductive young woman whose uninhibited nature brings ruin to herself and those who love her. It is based on Frank Wedekind's plays Erdgeist and Die Büchse der Pandora.

<i>The Trip</i> (1967 film) 1967 American counterculture-era film directed by Roger Corman

The Trip is a 1967 American psychedelic film released by American International Pictures, directed by Roger Corman and written by Jack Nicholson. It was shot on location in and around Los Angeles, including on top of Kirkwood in Laurel Canyon, the Hollywood Hills, and near Big Sur, California, over three weeks in March and April 1967. Peter Fonda stars as a young man who experiences his first LSD trip.

<span class="mw-page-title-main">Midnight movie</span> Film genre

The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering ironic asides. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly in New York City with screenings of El Topo at the Elgin Theater, eventually spreading across the country. The screening of non-mainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting.

<span class="mw-page-title-main">Bruce Baillie</span> American film director (1931–2020)

Bruce Baillie was an American experimental filmmaker.

Emanuel Farber was an American painter, film critic and writer. Often described as "iconoclastic", Farber developed a distinctive prose style and set of theoretical stances which have had a large influence on later generations of film critics and influence on underground culture. Susan Sontag considered him to be "the liveliest, smartest, most original film critic this country has ever produced."

<i>The Act</i> (musical) Musical

The Act is a musical with a book by George Furth, lyrics by Fred Ebb, and music by John Kander.

<i>Dr. Goldfoot and the Bikini Machine</i> 1965 film by Norman Taurog

Dr. Goldfoot and the Bikini Machine is a 1965 Pathécolor comedy film directed by Norman Taurog and distributed by American International Pictures. Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart and Jack Mullaney, and featuring Fred Clark, the film is a parody of the then-popular spy trend, made using actors from AIP's beach party and Edgar Allan Poe films. The film was retitled Dr G. and the Bikini Machine in England due to a threatened lawsuit from Eon, holder of the rights to the James Bond series.

<i>Wavelength</i> (1967 film) 1967 Canadian film

Wavelength is a 1967 experimental film by Canadian artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."

Peter Barrington Hutton was an American experimental filmmaker, known primarily for his silent cinematic portraits of cities and landscapes around the world. He also worked as a professional cinematographer, most notably for his former student Ken Burns, as well as cinematography for Lizzie Borden's Born in Flames, Sheila McLaughlin and Lynne Tillman's Committed, assorted films by artist Red Grooms and Albert Maysles' The Gates.

<i>Fireworks</i> (1947 film) 1947 film by Kenneth Anger

Fireworks is a 1947 homoerotic experimental short film by Kenneth Anger. Filmed in his parents' home in Beverly Hills, California, over a long weekend while they were away, the film stars Anger and explicitly explores themes of homosexuality and sadomasochism. It is the earliest of his works to survive. Fireworks is known for being the first gay narrative film in the United States.

<span class="mw-page-title-main">Gene Youngblood</span> American media theorist (1942–2021)

Gene Youngblood was an American theorist of media arts and politics, and a respected scholar in the history and theory of alternative cinemas. His best-known book, Expanded Cinema, was the first to consider video as an art form and has been credited with helping to legitimate the fields of computer art and media arts. He is also known for his pioneering work in the media democracy movement, a subject on which he taught, wrote, and lectured, beginning in 1967.

<span class="mw-page-title-main">Jim Newman (television producer)</span> American film and television producer, musician

Jim Newman is a film and television producer, contemporary art curator, gallerist and musician.

<span class="mw-page-title-main">Lenny Lipton</span> American author (1940–2022)

Leonard Lipton was an American author, filmmaker, lyricist and inventor. At age 19, Lipton wrote the poem that became the basis for the lyrics to the song "Puff, the Magic Dragon". He wrote books on independent filmmaking and become a pioneer in the field of projected three-dimensional imagery. Leonard Lipton developed 3D cinema technology that is used in RealD 3D cinemas. His technology is used to show 3D films on more than 30,000 theater screens worldwide.

Robert Nelson was an American experimental film director.

<i>The Decay of Fiction</i> 2002 film by Pat ONeill

The Decay of Fiction is a 2002 American 35mm part color and part black-and-white experimental film noir project directed by independent filmmaker and artist Pat O'Neill. The film, initially conceived as a documentary, was produced by O'Neill and Rebecca Hartzell for Lookout Mountain Films. Filming took place in Los Angeles.

Schmeerguntz is a 1965 American avant-garde film by Gunvor Nelson and Dorothy Wiley. It is a collage film that contrasts messy depictions of domestic life with the pristine images of women found in media and advertising. The film was an inspiration for the Miss America protest that happened in 1968.

Side/Walk/Shuttle is a 1991 American avant-garde film directed by Ernie Gehr. It shows downtown San Francisco as seen at different angles from a moving elevator.

References

  1. Macdonald, Scott (2002). "fade in fade out". Release Print. Vol. 25. Film Arts Foundation. p. 31.
  2. 1 2 Anker, Steve; Geritz, Kathy; Seid, Steve, eds. (2010). Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000. University of California Press. p. 122. ISBN   978-0-520-24911-0.
  3. 1 2 Nelson, Robert (1970). "Robert Nelson on Robert Nelson". Film Culture . Vol. 48–49. p. 26.
  4. "On the Town". San Francisco Examiner . April 16, 1967. p. 20.
  5. Whitehall, Richard (November 17, 1967). "Underground films grow in importance". Los Angeles Free Press . p. 22.
  6. Cantrill, Arthur (April 1970). "Right Back to the Billabong". Canyon Cinemanews. Canyon Cinema.
  7. "Essential Cinema". Anthology Film Archives . Retrieved November 20, 2023.
  8. Lipton, Lenny (March 7, 1969). "At the Flick". Berkeley Barb . p. 10.
  9. Lipton, Lenny (April 28, 1967). "Whee! 8mm Is Fun!". Berkeley Barb . p. 14.
  10. Youngblood, Gene (July 26, 1968). "Two films offer hypnotic assault on senses". Los Angeles Free Press . p. 32.
  11. Greenspun, Roger (March 31, 1972). "The Screen: Two Rare Gestures of Showmanship". The New York Times . p. 15.
  12. Hoberman, J. (June 5, 1978). "Robert Nelson's Sentimental Journey". The Village Voice .
  13. "The Great Blondino". The Los Angeles Times. April 7, 1973. p. 38. Retrieved April 30, 2021.