The Great Gatsby (2000 film)

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The Great Gatsby
DVD cover of the movie The Great Gatsby.jpg
DVD cover
Genre Romantic drama
Based on The Great Gatsby
by F. Scott Fitzgerald
Written byJohn J. McLaughlin
Directed by Robert Markowitz
Starring
Music by Carl Davis
Country of origin
  • United Kingdom
  • United States
Original languageEnglish
Production
Executive producers
ProducersCraig McNeil
David Roessell
Production location Montreal
Cinematography Guy Dufaux
EditorDavid Beatty
Running time90 minutes
Production companies
Budget$5 million [1]
Original release
Network
  • A&E (U.S.)
  • BBC (UK)
ReleaseMarch 29, 2000 (2000-03-29)

The Great Gatsby is a 2000 British-American historical romantic drama television film, based on the 1925 novel of the same name by F. Scott Fitzgerald. It was directed by Robert Markowitz, written by John J. McLaughlin, and stars Toby Stephens in the title role of Jay Gatsby, Mira Sorvino as Daisy Buchanan, Paul Rudd as Nick Carraway, Martin Donovan as Tom Buchanan, Francie Swift as Jordan Baker, Heather Goldenhersh as Myrtle Wilson, and Matt Malloy as Klipspringer. The film aired on March 29, 2000 in the United Kingdom on BBC, and on January 14, 2001 in the United States on A&E.

Contents

Hampered by a limited budget of $5 million and hastily filmed in Montreal, Canada, to reduce costs, [1] the A&E television adaptation suffered from low production values, and the critical response upon its broadcast release was overwhelmingly negative. [2] The New York Times dismissed it as "flat-footed," [3] The Guardian described it as "uninspired," [4] and The Boston Globe savaged it as "mediocre". [5] The performances of Toby Stephens as Jay Gatsby and Mira Sorvino as Daisy Buchanan were particularly ill-received by a number of critics, [6] although Paul Rudd's performance as Nick Carraway garnered praise. [3]

Plot

Nick Carraway is a young bond salesman who rents a cottage on Long Island, New York, near the mansion of the wealthy and reclusive Jay Gatsby. Nick gets to know Gatsby, who was a poor man named Gatz before he left to fight in World War I. Gatsby fell in love with a beautiful woman from a wealthy family, Daisy. When he returned, Gatz was determined to prove himself worthy to win her hand, even though Daisy had by this time married the socially prominent Tom Buchanan. Gatsby has yet to give up on his romantic dream and enlists Nick, who is distantly related to Daisy, in his plan.

Cast

Production

Initially planned to be shot in Ottawa, the production ended up shooting in Montreal, Quebec, as Ottawa was not equipped to handle the production on short notice. [1] The television film was shot in less than thirty days in September 1999 with a budget of $5 million. [1] The film was made in collaboration by the A&E Cable Network in the United States, and Granada Productions in Great Britain. It was directed by Robert Markowitz from a teleplay by John J. McLaughlin. The music score was by Carl Davis and the cinematography by Guy Dufaux. The production was designed by Taavo Soodor.

Marketing

A&E Network launched a widespread marketing campaign for their 2001 programming, with a major focus on The Great Gatsby. [17] For Gatsby, they hosted national and local sweepstakes sponsored by US Airways and Waterford Crystal and tied them into high schools, colleges, and libraries. Displays were reportedly placed in 12,000 libraries nationwide, and A&E held acting contests at 23,000 high schools and colleges. [17] An in-flight featurette, The Making of the Great Gatsby, played on US Airways during the holiday season. [17]

Reception

The Great Gatsby television adaptation received negative reviews upon its broadcast debut. [2] On Rotten Tomatoes, the film holds a 27% approval rating, [18] and on IMDb it has a score of 5.7/10. [19] The New York Times dismissed it as "flat-footed," [3] The Guardian described it as "uninspired," [4] and The Boston Globe savaged it as "mediocre". [5] In his review in The Boston Globe, critic Matthew Gilbert described the film as a crass attempt by "television execs hoping to mine yet another literary classic for its built-in audience." [5]

Caryn James of the New York Times praised Paul Rudd as "brilliant" in the role of Nick Carraway, but dismissed the film as disappointing and wrote the "film might have survived its pedestrian style, but it can't survive a leaden Gatsby." [3] In her review, James criticized Toby Stephens' performance as "so rough around the edges, so patently an up-from-the-street poseur that no one could fall for his stories for a second" and his "blunt performance turns Gatsby's entrancing smile into a suspicious smirk". [3]

Mira Sorvino's performance as Daisy Buchanan was roundly criticized. [4] Natasha Joffe of The Guardian wrote that Sorvino was an abysmal Daisy "whose voice is supposed to be full of money, but is just moany. Why would Gatsby love her? She looks like a drowned goose and her hats are like they've been made out of old pants." [4] Similarly, John Crook of The Fremont Tribune wrote that Sorvino was "seriously miscast as Daisy". [20]

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References

Citations

  1. 1 2 3 4 Lofaro 1999, p. 29.
  2. 1 2 Joffe 2000, p. 52; Gilbert 2001, p. D3; James 2001, p. E1; Winslow 2001, p. 33.
  3. 1 2 3 4 5 James 2001, p. E1.
  4. 1 2 3 4 Joffe 2000, p. 52.
  5. 1 2 3 Gilbert 2001, p. D3.
  6. Joffe 2000, p. 52; Crook 2001, p. 17; James 2001, p. E1.
  7. Mizener 1965, p. 190.
  8. Bruccoli 2002 , p. 178: "Jay Gatsby was inspired in part by a local figure, Max Gerlach. Near the end of her life Zelda Fitzgerald said that Gatsby was based on 'a neighbor named Von Guerlach or something who was said to be General Pershing's nephew and was in trouble over bootlegging'".
  9. Kruse 2002, pp. 45–46.
  10. Corrigan 2014 , p. 58: "Because she's the one who got away, Ginevra—even more than Zelda—is the love who lodged like an irritant in Fitzgerald's imagination, producing the literary pearl that is Daisy Buchanan".
  11. Smith 2003: Fitzgerald later confided to his daughter that Ginevra King "was the first girl I ever loved" and that he "faithfully avoided seeing her" to "keep the illusion perfect".
  12. Borrelli 2013.
  13. 1 2 Bruccoli 2000 , pp. 9–11, 246; Bruccoli 2002 , p. 86; West 2005 , pp. 66–70
  14. West 2005, pp. 4, 57–59.
  15. Bruccoli 2002, p. 211.
  16. West 2005, pp. 57–59.
  17. 1 2 3 Forkan 2000.
  18. Rotten Tomatoes 2022.
  19. IMDB 2022.
  20. Crook 2001, p. 17.

Works cited