The Great Lover | |
---|---|
Directed by | Frank Lloyd |
Screenplay by | J.E. Nash |
Based on | The Great Lover 1915 play by Leo Ditrichstein Fanny Hatton Frederic Hatton |
Produced by | Samuel Goldwyn |
Starring | John St. Polis Richard Tucker Claire Adams |
Color process | Silent |
Production company | |
Distributed by | Goldwyn Distributing |
Release date |
|
Running time | 6 reels |
Country | United States |
Language | English intertitles |
The Great Lover is a 1920 American silent drama film directed by Frank Lloyd and starring John St. Polis, Richard Tucker and Claire Adams. [1]
The film is based on the play, "The Great Lover," by Leo Ditrichstein, Frederic Hatton and Fanny Hatton, which premiered on Broadway on November 10, 1915.
This article needs a plot summary.(January 2024) |
The World Gone Mad is a 1933 American pre-Code crime film directed by Christy Cabanne and starring Pat O'Brien, Evelyn Brent and Neil Hamilton. It was made on a low-budget by the independent Majestic Pictures, a Poverty Row forerunner of Republic Pictures.
Kiss Me Again is a 1931 American pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as Toast of the Legion late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film.
Three Wise Fools is a 1923 American silent drama film directed by King Vidor. A print of the film exists at the Cinematheque Royale de Belgique. It showed in Germany at the Union-Theater Nollendorf, Berlin, on November 10, 1924. The cinema was built in 1913 by Joe Goldsoll, who was president of Goldwyn Pictures from 1922-1924.
The Brute Man is a 1946 American horror thriller film starring Rondo Hatton as the Creeper, a murderer seeking revenge against the people he holds responsible for the disfigurement of his face. Directed by Jean Yarbrough, the film features Tom Neal and Jan Wiley as a married pair of friends the Creeper blames for his deformities. Jane Adams also stars as a blind pianist for whom the Creeper tries to raise money for an operation to restore her vision.
Three Weeks is a 1924 American drama film directed by Alan Crosland. The movie is based on the 1907 novel of the same name by Elinor Glyn, and the title refers to the length of an affair by the Queen of Sardalia. Formerly a lost film, the FIAF database indicates a print is preserved by Russia's Gosfilmofond. That print formed the basis of a restoration by La Cineteca del Friuli.
The Dixie Handicap is a 1924 American silent drama film directed by Reginald Barker. The film stars Claire Windsor, Lloyd Hughes, and Otis Harlan. It is written by Waldemar Young.
The Great Lover is a 1931 American pre-Code romantic drama film directed by Harry Beaumont and starring Adolphe Menjou and Irene Dunne. The supporting cast includes Ernest Torrence, Neil Hamilton and Olga Baclanova. It as produced and distributed by Metro-Goldwyn-Mayer and based on the 1915 The Great Lover by Leo Ditrichstein. Dunne was loaned from RKO for the film.
Rocky Mountain Rangers is a 1940 American Western "Three Mesquiteers" B-movie directed by George Sherman and starring Robert Livingston, Raymond Hatton, and Duncan Renaldo.
Hoodlum Empire is a 1952 American film noir crime film directed by Joseph Kane starring Brian Donlevy, Claire Trevor, Forrest Tucker, Vera Ralston, Luther Adler and John Russell. It was inspired by the Kefauver Committee hearings dealing with organized crime.
The Poor Boob is a lost 1919 American silent comedy film directed by Donald Crisp and produced by Paramount Pictures. It starred Bryant Washburn, Wanda Hawley, Richard Rosson, Theodore Roberts, Raymond Hatton, and Jay Dwiggins.
Terror Trail is a 1933 American pre-Code Western film directed by Armand Schaefer, written by Jack Cunningham, and starring Tom Mix, Naomi Judge, Arthur Rankin, John St. Polis, Frank Brownlee and Raymond Hatton. It was released on February 2, 1933, by Universal Pictures.
The Grain of Dust is a 1928 silent drama film directed by George Archainbaud and starring Ricardo Cortez and Claire Windsor. It was produced by John M. Stahl and released through Tiffany Pictures.
The Fast Worker is a 1924 American silent comedy film directed by William A. Seiter and starring Reginald Denny, Laura La Plante, and Ethel Grey Terry.
The Painted Flapper is a 1924 American silent romantic drama film directed by John Gorman and starring James Kirkwood Sr., Pauline Garon, and Crauford Kent.
The Lily is a 1926 American silent drama film directed by Victor Schertzinger and written by Eve Unsell. It is based on the 1923 play The Lily by David Belasco. The film stars Belle Bennett, Ian Keith, Reata Hoyt, Barry Norton, John St. Polis, and Richard Tucker. The film was released on October 3, 1926, by Fox Film Corporation.
The Killer is a 1921 American silent Western film directed by Jack Conway and Howard C. Hickman and starring Claire Adams, Jack Conway and Frankie Lee.
The Spenders is a 1921 American silent comedy film directed by Jack Conway and starring Claire Adams, Robert McKim and Joseph J. Dowling.
Raiders of the Border is a 1944 American Western film directed by John P. McCarthy and written by Adele Buffington. This is the sixth film in the "Marshal Nevada Jack McKenzie" series, and stars Johnny Mack Brown as Jack McKenzie and Raymond Hatton as his sidekick Sandy Hopkins, with Craig Woods, Ellen Hall, Ray Bennett and Edmund Cobb. The film was released on January 31, 1944, by Monogram Pictures.
Silence is a 1926 American silent crime drama film directed by Rupert Julian and starring Vera Reynolds, H.B. Warner, and Raymond Hatton. Reynolds plays a dual role of a mother and, at a later date, her daughter. Long thought lost, a print was rediscovered in 2016.
Once to Every Bachelor is a 1934 American drama film directed by William Nigh and starring Marian Nixon, Neil Hamilton and William Austin.