Glorious Betsy is a 1928 sound part-talkie drama film. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the 1908 play of the same name by Rida Johnson Young, and it stars Dolores Costello. It was produced by Warner Bros. and nominated for an Academy Award for Best Writing, Adaptation in 1929. The film was directed by Alan Crosland with cinematography by Hal Mohr.
Quality Street is a 1927 American silent romance film directed by Sidney Franklin and starring Marion Davies, Conrad Nagel and Helen Jerome Eddy. Produced by Cosmopolitan Productions for release through MGM, it was based on the 1901 play of the same name by James M. Barrie. Prints of this film are preserved at the Library of Congress and in the Turner Archive.
Fool's Paradise is a 1921 American silent romance film directed by Cecil B. DeMille. The film stars Dorothy Dalton and Conrad Nagel. The film was based on the short story "Laurels and the Lady" by Leonard Merrick published in his 1908 collection The Man Who Understood Women. It was adapted for the screen by Sada Cowan and Beulah Marie Dix.
A Lady Surrenders is a 1930 American Pre-Code romantic drama film directed by John M. Stahl and starring Genevieve Tobin, Rose Hobart, Conrad Nagel, and Basil Rathbone. A copy exists in the Library of Congress.
The Waning Sex is a 1926 American silent romantic comedy film directed by Robert Z. Leonard. Based on the 1923 play of the same name by Fanny and Frederic Hatton, the film starred Norma Shearer and Conrad Nagel.
Play Girl is a 1932 American pre-Code romantic drama film starring Winnie Lightner, Loretta Young, and Norman Foster. The screenplay concerns a young woman who marries a professional gambler.
The Truth About Youth is a 1930 American pre-Code drama with songs produced and distributed by First National Pictures, a subsidiary of Warner Bros. Directed by William A. Seiter, the film stars Loretta Young, Conway Tearle, David Manners and Myrna Loy. It was based on the 1900 play When We Were Twenty-One, written by Henry V. Esmond.
Grumpy is a 1923 American silent comedy drama film distributed by Paramount Pictures. It is based on a 1913 Broadway play Grumpy by Horace Hodges and Thomas Wigney Percyval and starred English actor Cyril Maude. The director of this film is William C. deMille, brother of Cecil, and the star is Theodore Roberts. This film was remade by Paramount as an early sound film for Cyril Maude reprising his Broadway role.
Bella Donna is a 1923 American silent film produced by Famous Players–Lasky and released by Paramount Pictures. The film is based on the 1909 novel, Bella Donna, by Robert Smythe Hichens which was later adapted for a 1912 Broadway play starring Alla Nazimova. This film is also a remake of the 1915 Paramount film Bella Donna starring Pauline Frederick. The 1923 film was directed by George Fitzmaurice and starred Pola Negri in her first American film.
State Street Sadie is a 1928 American sound part-talkie crime drama film directed by Archie Mayo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This is regarded as a lost film.
Midsummer Madness is a 1921 American silent drama film produced by Famous Players–Lasky and released by Paramount Pictures. It is based on the novel His Friend and His Wife by Cosmo Hamilton.
The Squall is a 1929 American pre-Code drama film directed by Alexander Korda and starring Myrna Loy, Richard Tucker, Alice Joyce and Loretta Young, and based on the 1926 play The Squall by Jean Bart.
Second Wife is a 1930 American drama film produced and released by RKO Pictures. It was directed by Russell Mack, written by Hugh Herbert and Bert Glennon, based on the play All the King's Men by Fulton Oursler. The film stars Conrad Nagel and Lila Lee, two silent film veterans moving into talkies.
Scarlet Seas is a surviving 1929 American synchronized sound romantic adventure film produced by Richard A. Rowland and distributed by First National Pictures. Although there is no audible dialogue, the film was released with a musical score with sound effects using the Vitaphone sound-on-disc recording process. The picture was directed by John Francis Dillon. It starred Richard Barthelmess, Betty Compson, and a teen-aged Loretta Young. Originally, the film was presumed lost.
The Reckless Hour is a 1931 American pre-Code drama film directed by John Francis Dillon and starring Dorothy Mackaill, Conrad Nagel, H.B. Warner and Joan Blondell. It was produced and distributed by First National Pictures, which was controlled by Warner Brothers. It was based on the play Ambush by Arthur Richman.
Free Love is a 1930 Pre-Code film produced and distributed by Universal Pictures, directed by Hobart Henley and starring Conrad Nagel.
Three Who Loved is a 1931 American Pre-Code drama film directed by George Archainbaud from a screenplay by Beulah Marie Dix based on a story by Pulitzer Prize-winning author Martin Flavin. The film revolves around a love triangle. It was produced by RKO Pictures, which also distributed the film, releasing it on July 3, 1931.
The Lost Romance is a surviving 1921 American silent drama film directed by William C. deMille and starring Jack Holt and Lois Wilson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Too Young to Marry is a 1931 American Pre-Code comedy film directed by Mervyn LeRoy and starring Loretta Young and Grant Withers, a married couple in real life, although it ended with an annulment. It was produced and distributed by First National Pictures. It is based on a 1929 play Broken Dishes by Martin Flavin.
Big Business Girl is a 1931 American pre-Code First National sound comedy film directed by William A. Seiter and starring Loretta Young, then eighteen years old. It was released theatrically through First National's parent company Warner Bros.
