The Silent Watcher | |
---|---|
Directed by | Frank Lloyd |
Written by | J. G. Hawks |
Based on | "The Altar on the Hill" (story) by Mary Roberts Rinehart |
Starring | |
Cinematography | Norbert Brodine [1] |
Edited by | Edward M. Roskam |
Production companies |
|
Distributed by | First National Pictures |
Release date |
|
Running time | 8 reels [1] |
Country | United States |
Language | Silent (English intertitles) |
The Silent Watcher is a lost [4] 1924 American silent melodrama film [1] directed by Frank Lloyd. [1] It stars Glenn Hunter and Bessie Love. It was produced by Frank Lloyd Productions [2] /First National [3] and distributed by First National Pictures. It was based on the story "The Altar on the Hill" by Mary Roberts Rinehart. [5] [6] [7]
A lawyer (Bosworth) running for Congress decides to end his relationship with a showgirl (Bennett), so that he will be more presentable candidate. When the showgirl commits suicide, the police arrest the lawyer for murder. The lawyer's young secretary (Hunter) decides to take the blame for his employer by saying that he was the one in a relationship with the showgirl. However, this upsets his new bride (Love), who leaves him. The secretary is cleared of guilt when the truth of the showgirl's death is made known, but decides to commit suicide himself because he no longer has the woman he loves. As a final act of love, he cleans their home, when he is interrupted by her return, and the news that his former employer has been elected to Congress. [5] [6] [8]
Stills of Alma Bennett's dance number featured prominently in the promotion of the film. [9] On its release, it was shown in some theaters with the Mack Sennett comedy The Wild Goose Chaser, as well as The Color World. [3] Other theaters showed the film with the comedy Turn About. [10]
Glenn Hunter and Bessie Love received high praise for their performances, [6] [3] [11] [12] as did the screenplay. [12] Although the film itself was deemed tedious in parts, [11] the overall reviews were overwhelmingly positive. [13]
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
The Village Blacksmith is a 1922 American silent melodrama film directed by John Ford and produced and distributed by Fox Film Corporation. One of the eight reels survives at the UCLA Film and Television Archive, and therefore the film is considered to be lost. It was loosely adapted from the poem of the same name by Henry Wadsworth Longfellow.
The King on Main Street, also known as The King, is a 1925 American silent romantic comedy film directed by Monta Bell and starring Adolphe Menjou and Bessie Love. The film was adapted for the screen by Bell, and was based on the play The King, Leo Ditrichstein's adaptation of the 1908 French play Le Roi by Gaston Arman de Caillavet, Robert de Flers, and Emmanuel Arène. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Second Fiddle is a 1923 American silent comedy-drama film directed by Frank Tuttle and distributed by W. W. Hodkinson. It stars Glenn Hunter and has an early appearance in a lead role by actress Mary Astor.
Torment is a 1924 American silent crime drama film produced and directed by Maurice Tourneur and distributed by Associated First National. This film stars Bessie Love, Owen Moore, and Jean Hersholt. The film is based on a story by William Dudley Pelley with script by Fred Myton and titles by Marion Fairfax. It is a lost film.
Sundown is a 1924 American silent Western film directed by Laurence Trimble and Harry O. Hoyt, produced and distributed by First National Pictures, and starring Bessie Love. Frances Marion, Marion Fairfax, and Kenneth B. Clarke wrote the screenplay based on an original screen story by Earl Hudson. This film was the only production cinematographer David Thompson ever worked on. This film is presumed lost.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
The Eternal Three is a 1923 American silent drama film produced and distributed by Goldwyn Pictures. It was directed by both Marshall Neilan and Frank Urson. Hobart Bosworth, Claire Windsor, and Bessie Love star.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
Gentle Julia is a 1923 American silent romantic drama film based on the popular novel Gentle Julia by Booth Tarkington. Directed by Rowland V. Lee, the film starred Bessie Love. It was produced and distributed by Fox Film Corporation, and is considered a lost film.
The Wanters is a 1923 American silent society drama film produced by Louis B. Mayer, directed by John M. Stahl and distributed by Associated First National Pictures, which became First National Pictures in 1924. The film stars Marie Prevost, Robert Ellis, and Norma Shearer.
Those Who Dance is a 1924 American silent drama film produced by Thomas H. Ince and directed by Lambert Hillyer. Released by Associated First National, the film stars Blanche Sweet, Bessie Love, and Warner Baxter. It is based on a story by George Kibbe Turner.
The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph. It is based on the short story "The Judgement of Bolinas Plain" by 19th-century Western writer Bret Harte.
The Enchanted Barn is a 1919 American silent drama film produced by Vitagraph Studios. It was directed by David Smith and starred Bessie Love and J. Frank Glendon. The script was written by Kathryn Reed, based on the novel by Grace Livingston Hill Lutz. Bessie Love had been familiar with the source novel, and was instrumental in optioning it for this film.
Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Three Who Paid is a 1923 American silent Western film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
Mary of the Movies is a 1923 American silent semi-autobiographical comedy film based on the career of Marion Mack. It was written by Mack and her husband Louis Lewyn, and stars Mack and Creighton Hale. Hale and director John McDermott play fictionalized versions of themselves in the film, which was also directed by McDermott.
The Mailman is a 1923 American silent melodrama directed by Emory Johnson. FBO released the film in December 1923. The film's "All-Star" cast included Ralph Lewis, Johnnie Walker, and Virginia True Boardman. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. The Mailman was the fourth film in Johnson's eight-picture contract with FBO.
Life's Greatest Game is a 1924 American silent melodrama directed by Emory Johnson. FBO released the film in October 1924. The film's "All-Star" cast included Johnnie Walker, Tom Santschi, Jane Thomas, David Kirby, and Gertrude Olmstead. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. She was inspired by the 1919 World Series Black Sox Scandal scandal. Life's Greatest Game was the sixth film in Johnson's eight-picture contract with FBO.
The Unattainable is a 1916 American Black and White silent drama directed by Lloyd B. Carleton. The film is based on the story by Elwood D. Henning. The photoplay stars Dorothy Davenport and Emory Johnson.
This picture was well liked by all who saw it, and had a good many compliments on same. Print and accessories good.
No special but a very good program picture. Pleased all. Print fair. Advertising good.
A good picture—pleased all. We had several good comments on this one. Would like more like it. Print and advertising good.
{{cite magazine}}
: CS1 maint: multiple names: authors list (link)Seemed to please 90%. A mighty good picture. Little bit deep for some small towns.
Very good picture. Drew well and was liked by almost everyone. Some very fine acting by Hunter and also by the rest of the cast. First Nationals always good.