The Great Texas Dynamite Chase

Last updated
The Great Texas Dynamite Chase
Great Texas Dynamite Chase, The (1976) poster.jpg
Theatrical release poster
Directed by Michael Pressman
Screenplay byDavid Kirkpatrick
Story byMark Rosin
Produced by David Irving
Starring
CinematographyJamie Anderson
Edited byMillie Moore
Music by Craig Safan
Production
company
Yasny Talking Pictures II
Distributed by New World Pictures
Release date
  • August 18, 1976 (1976-08-18) [1]
Running time
90 minutes
CountryUnited States
LanguageEnglish
Budget$200,000 [2] [3]

The Great Texas Dynamite Chase (also known as Dynamite Women [4] ) is a 1976 American crime comedy film [5] [6] directed by Michael Pressman (in his directorial debut).

Contents

Plot

Busting out of prison, Candy Morgan gets out of her jumpsuit and robs a small Texas bank, with lighted sticks of dynamite. She is assisted by bank teller Ellie-Jo Turner, who has just been fired for persistent lateness and "total lack of character." Later, Candy picks up Ellie-Jo hitchhiking. The two tightly outfitted women decide to team-up and become a modern-day "Bonnie and Clyde". They meet Slim robbing a convenience store, and take him hostage. Knowing good gigs when he sees them, he makes the dynamite duo a threesome.

Cast

Production

Producer David Irving and director Michael Pressmen succeeded in getting a distribution guarantee from Roger Corman at New World Pictures which helped them raise the $200,000 budget. "He wanted a R rated film with lots of sex and violence so we had to go along with that," said Irving. [7]

Filming took place in 1976. At one stage the title was Dynamite Women. [2]

Director Michael Pressman recalled Jennings "was a favorite of Roger Corman’s". He said she was “a very complicated lady, [who] appeared to be in a lot of emotional turmoil... she was going through a lot personally but, basically, she was up for the fun of making a movie.” [8]

Jennings was injured while filming a minor stunt and the movie had to be shut down for two weeks. She relied on painkillers to get through the rest of the film. [8]

The director, producer and writer all knew each other from Cal Arts in Valencia. Pressman said the film "is not me. Perhaps the angle, bent and humour is but I want to make more personal films. I’m semi-uncomfortable with the violence in my film. It’s a mistake but I did it out of insecurity, to touch all the bases... Hollywood is a tough place that’s going through a strong exploitation trend and I needed to get into the arena." [3]

Reception

Roger Corman later recalled the film "was quite successful, again because the action was treated with humor... Both leading ladies were good, and the film was well made of its type." [9]

Variety called it "a good example of a well-made exploitation film which works on two levels, providing kicks for the ozoner crowd and tongue-in-cheek humor for the more sophisticated." [4]

Vincent Canby of The New York Times wrote, "Like every other low-budget, regional melodrama of this kind, the movie is virtually constructed of automobile chases in which every shot of the lead car turning a corner, hitting a bump or swerving to avoid a truck must be repeated by a shot of the pursuing car dealing with the same set of circumstances." [10]

Linda Gross of the Los Angeles Times stated, "Producer David Irving makes an auspicious first feature debut in this stylish and enjoyable fantasy about friendship among thieves." [11]

Danny Peary wrote the film "is surprisingly disappointing. One of the countless low-budgeted cops-chaseheroes/heroines-on-dusty-southern-backroads pictures that have been made since Thunder Road (1958) and the peak drive-in era, it lacks the excitement, humor, and even the sweaty rednecks that can be found in most films of the genre. Worse, Jennings gives an uncharacteristically lackluster performance." [12]

Related Research Articles

<span class="mw-page-title-main">Roger Corman</span> American film director, producer, and actor (1926–2024)

Roger William Corman was an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.

<i>Grand Theft Auto</i> (film) 1977 American film by Ron Howard

Grand Theft Auto is a 1977 American road action comedy film starring and directed by Ron Howard, in his feature film directorial debut. Howard also wrote the screenplay with his real-life father Rance Howard, who also co-starred in the film. As of 2023, this is the only film that Howard has both directed and starred in. The film takes its title from the crime grand theft auto, which is committed a number of times by several different characters.

<i>Dementia 13</i> 1963 film by Francis Ford Coppola

Dementia 13, known in the United Kingdom as The Haunted and the Hunted, is a 1963 independently made black-and-white horror-thriller film produced by Roger Corman, and written and directed by Francis Ford Coppola in his feature film directorial debut. The film stars William Campbell and Luana Anders with Bart Patton, Mary Mitchell, and Patrick Magee. It was released in the United States by American International Pictures during the fall of 1963 as the bottom half of a double feature with Corman's X: The Man with the X-ray Eyes.

<span class="mw-page-title-main">Monte Hellman</span> American film director, film producer, and film editor (1929–2021)

Monte Hellman was an American film director, producer, writer, and editor. Hellman began his career as an editor's apprentice at ABC TV, and made his directorial debut with the horror film Beast from Haunted Cave (1959), produced by Gene Corman, Roger Corman's brother.

<i>Hollywood Boulevard</i> (1976 film) 1976 film by Allan Arkush and Joe Dante

Hollywood Boulevard is a 1976 American satirical exploitation film directed by Allan Arkush and Joe Dante, and starring Candice Rialson, Paul Bartel, and Mary Woronov. It follows an aspiring actress who has just arrived in Los Angeles, only to be hired by a reckless B movie film studio where she bears witness to a series of gruesome and fatal on-set accidents. The film blends elements of the comedy, thriller, and slasher film genres.

<span class="mw-page-title-main">Charles B. Griffith</span> American screenwriter (1930–2007)

Charles Byron Griffith was an American screenwriter, actor, and film director. He was the son of Donna Dameral, radio star of Myrt and Marge, along with Charles' grandmother, Myrtle Vail, and was best known for writing Roger Corman productions such as A Bucket of Blood (1959), The Little Shop of Horrors (1960), and Death Race 2000 (1975).

<i>The Hunt for Eagle One</i> 2006 film

The Hunt for Eagle One is a 2006 direct-to-video war film directed by Brian Clyde and produced by Roger Corman, starring Mark Dacascos, Theresa Randle, Ricardo Cepeda, Rutger Hauer, Joe Suba, and Zach McGowan. Set during Operation Enduring Freedom in the Philippines, the film follows a team of U.S. Marines who attempt to rescue a captured U.S. Marine Corps captain and an Armed Forces of the Philippines major, while tracking down a group of al-Qaeda terrorists intent on launching biological weapons.

Tara Lorraine Strohmeier is an American former actress who appeared in memorable B-movies in the 1970s, many of them made for drive-in theater business and have since acquired large cult followings.

<i>Harry and Walter Go to New York</i> 1976 American comedy film

Harry and Walter Go to New York is a 1976 American period comedy film written by John Byrum and Robert Kaufman, directed by Mark Rydell, and starring James Caan, Elliott Gould, Michael Caine, Diane Keaton, Charles Durning and Lesley Ann Warren. In the film, two dimwitted con-men try to pull off the biggest heist ever seen in late nineteenth-century New York City. They are opposed by the greatest bank robber of the day, and aided by a crusading newspaper editor.

<i>Machine-Gun Kelly</i> (film) 1958 film by Roger Corman

Machine-Gun Kelly is a 1958 film noir directed by Roger Corman that chronicles the criminal activities of the real-life gangster George "Machine Gun" Kelly. Despite its small budget, the film received positive critical reviews.

<i>Sweet Kill</i> 1973 film by Curtis Hanson

Sweet Kill is a 1973 B-movie written and directed by future Academy Award winner Curtis Hanson. The film was Hanson's directorial debut and was executive-produced by Roger Corman. It stars 1950s heartthrob Tab Hunter and was the last film of actress Isabel Jewell.

<i>The Student Teachers</i> 1973 film by Jonathan Kaplan

The Student Teachers is a 1973 film directed by Jonathan Kaplan. It was inspired by the "nurse" cycle of pictures starting with The Student Nurses (1970). Roger Corman says it was one of the best of the cycle. It was made by the same team who had done Night Call Nurses.

<i>Crazy Mama</i> 1975 film by Jonathan Demme

Crazy Mama is a 1975 American action comedy film, directed by Jonathan Demme, produced by Julie Corman and starring Cloris Leachman. It marked the film debuts of Bill Paxton and Dennis Quaid.

Steve Carver was an American film director, producer, and photographer.

<span class="mw-page-title-main">Julie Corman</span> American film producer (born 1942)

Julie Ann Corman is an American film producer. She is the widow of film producer and director Roger Corman.

<i>Eat My Dust!</i> 1976 film by Charles B. Griffith

Eat My Dust! is a 1976 American action comedy film written and directed by Charles B. Griffith, and starring Ron Howard.

<i>Love Letters</i> (1984 film) 1983 film by Amy Holden Jones

Love Letters is a 1984 American romantic drama film starring Jamie Lee Curtis and James Keach. The film is written and directed by Amy Holden Jones, whom Roger Corman agreed to finance following her success with The Slumber Party Massacre (1982).

<i>Moonshine County Express</i> 1977 film by Gus Trikonis

Moonshine County Express is a 1977 action film from New World Pictures.

<i>Machete Maidens Unleashed!</i> 2010 Australian documentary film by Mark Hartley

Machete Maidens Unleashed! is a 2010 Australian documentary film directed by Mark Hartley.

<i>Cult Movies 2</i> 1983 book by Danny Peary

Cult Movies 2 is a 1983 book by Danny Peary, a follow-up to his 1980 book Cult Movies. Just like its predecessor it consists of a series of essays regarding what Peary described as the most representative examples of the cult film phenomenon. This book covered fifty films not among the hundred in the first volume.

References

  1. "'Texas Dynamite Chase' Breaks Big in Houston". BoxOffice . August 30, 1976. SW-1.
  2. 1 2 "The Great Texas Dynamite Chase". American Film Institute.
  3. 1 2 Grant, Lee (23 October 1976). "Pressmans Dynamite Chase". The Los Angeles Times. p. 39.
  4. 1 2 "Film Reviews: The Great Texas Dynamite Chase". Variety . August 18, 1976. 24.
  5. "The Great Texas Dynamite Chase". www.allmovie.com. Retrieved 1 September 2019.
  6. "The Great Texas Dynamite Chase". www.rottentomatoes.com. Retrieved 1 September 2019.
  7. "Certain conditions went along with producer's debut". The San Francisco Examiner. 22 September 1976. p. 45.
  8. 1 2 Bass p 51
  9. Corman, Roger (1979). The movie world of Roger Corman. p. 222.
  10. Canby, Vincent (March 12, 1977). "2 Kinds of Pursuits in Films". The New York Times . 25.
  11. Gross, Linda (October 20, 1976). "Bank Robbing, Female-Style". Los Angeles Times . Part IV, p. 15.
  12. Peary, Danny (1989). Cult movies 2 : 50 more of the classics, the sleepers, the weird, and the wonderful. p. 68.

Notes