The Docks of New York is a 1928 American silent drama film directed by Josef von Sternberg and starring George Bancroft, Betty Compson, and Olga Baclanova. The movie was adapted by Jules Furthman from the John Monk Saunders story The Dock Walloper.
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Lane That Had No Turning is a lost 1922 American silent drama film that was directed by Victor Fleming. It was produced by Famous Players–Lasky and released through Paramount Pictures. It is based on the short novel with the same title by Gilbert Parker, which is included as the title story of Parker's 1900 collection The Lane that Had No Turning, and Other Tales Concerning the People of Pontiac.
Mahlon Preston Hamilton, Jr., was an American stage and screen actor. He was the son of a bartender born in Baltimore, Maryland, the eldest of four children, with the rest of the siblings being girls. Census records indicate his mother died sometime around 1899.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
For Those We Love is a 1921 American silent romantic drama film produced by and starring Betty Compson, and featuring Lon Chaney and Richard Rosson. Written and directed by Arthur Rosson, the film was based on a story by Perley Poore Sheehan (who later co-wrote the script for Chaney's The Hunchback of Notre Dame. The film was distributed by Goldwyn Pictures. Some sources list the release date as being in March 1921. This is unlikely since the film was only copyrighted in July, but the exact release date has not been confirmed. It is now considered a lost film. A still exists showing Chaney holding the heroine.
To Have and to Hold is a 1922 American silent historical drama film. Based on the 1899 novel of the same name, the film was directed by George Fitzmaurice and starred Bert Lytell and Betty Compson.
Ladies Must Live is a 1921 American silent societal drama film directed by George Loane Tucker and released by Paramount Pictures. It was the last directorial effort of George Loane Tucker and was released four months after his death. Betty Compson stars along with Leatrice Joy, John Gilbert and Mahlon Hamilton. It was one of the few instances where future husband and wife Joy and Gilbert appeared in the same film.
The Bonded Woman is an extant 1922 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Phil Rosen and stars Betty Compson, John Bowers, and Richard Dix.
The Law and the Woman is a lost 1922 American silent drama film directed by Penrhyn Stanlaws and starring Betty Compson. This film is a version of Clyde Fitch's play The Woman in the Case and a remake of a 1916 silent version The Woman in the Case starring Pauline Frederick. Jesse Lasky produced.
Always the Woman is a 1922 American silent romance drama film produced by and starring Betty Compson and directed by Arthur Rosson.
The Rustle of Silk is a 1923 American silent romantic drama film directed by Herbert Brenon and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on the 1922 novel by writer Cosmo Hamilton.
Locked Doors is a 1925 American silent romantic drama film directed by William C. deMille and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
New Lives for Old is a 1925 American silent drama film that was produced by Famous Players–Lasky, directed by Clarence G. Badger, and starred Betty Compson.
The Soul of Youth is a 1920 American silent drama film directed by William Desmond Taylor, produced and distributed by Realart Pictures. Produced under the working title The Boy, it stars Lewis Sargent and Lila Lee.
Beggar on Horseback is a 1925 American silent comedy film based upon the 1924 play written by Marc Connelly and George S. Kaufman. It was adapted for the screen by Walter Woods and directed by James Cruze. It stars Edward Everett Horton, Esther Ralston, Erwin Connelly, Gertrude Short, Ethel Wales, Theodore Kosloff, and Betty Compson. It was released on August 24, 1925, by Paramount Pictures.
Skin Deep is a 1929 American pre-Code drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills.
Temptations of a Shop Girl is a lost 1927 silent crime drama directed by Tom Terriss, with Betty Compson and Pauline Garon leading the cast. B-movie studio Chadwick Pictures was the production company.
A Fool There Was is a 1922 American drama film directed by Emmett J. Flynn and written by Bernard McConville. It is based on the 1909 play A Fool There Was by Porter Emerson Browne. The film stars Estelle Taylor, Lewis Stone, Irene Rich, Muriel Frances Dana, Marjorie Daw and Mahlon Hamilton. It was released on June 18, 1922, by Fox Film Corporation and is considered a lost film.
