Sundown is a 1924 American silent Western film directed by Laurence Trimble and Harry O. Hoyt, produced and distributed by First National Pictures, and starring Bessie Love. Frances Marion, Marion Fairfax, and Kenneth B. Clarke wrote the screenplay based on an original screen story by Earl Hudson. This film was the only production cinematographer David Thompson ever worked on. This film is presumed lost.
American Manners is a 1924 American silent drama film directed by James W. Horne. It was produced by Richard Talmadge, who also stars, and was distributed by FBO.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
Trimmed in Scarlet is a 1923 American silent drama film directed by Jack Conway and produced and distributed by Universal Pictures. It is based on the 1920 Broadway play, Trimmed in Scarlet, by William Hurlbut and starring Broadway's Maxine Elliott. This play marked the last time Maxine Elliott appeared on Broadway. Her role in the film is played by veteran cinema star Kathlyn Williams. All prints of this film are believed lost.
The Last of the Duanes is a lost 1919 silent film western directed by J. Gordon Edwards and starring William Farnum. It is based on the 1914 novel Last of the Duanes by author Zane Grey. The Fox Film Corporation produced and distributed the film.
Behold This Woman is a 1924 American silent drama film directed by J. Stuart Blackton and starring Irene Rich, Marguerite De La Motte and Charles A. Post.
Fifth Avenue is a lost 1926 American silent drama film directed by Robert G. Vignola and starring Marguerite De La Motte, Allan Forrest, and Louise Dresser.
The Beautiful Cheat is a 1926 American silent comedy film directed by Edward Sloman and starring Laura La Plante, Alexander Carr, and Harry Myers.
The Social Buccaneer is a 1916 American silent drama film directed by Jack Conway and starring J. Warren Kerrigan, Louise Lovely and Maude George.
Golden Shackles is a 1928 American silent drama film directed by Dallas M. Fitzgerald and starring Grant Withers, Priscilla Bonner and LeRoy Mason.
The Empty Cradle is a 1923 American silent drama film directed by Burton L. King and starring Mary Alden, Harry T. Morey, and Mickey Bennett.
I Am Guilty is a 1921 American silent drama film directed by Jack Nelson and starring Louise Glaum, Mahlon Hamilton, and Claire Du Brey.
A Motion to Adjourn is a 1921 American silent comedy film directed by Roy Clements and starring Harry L. Rattenberry, Roy Stewart and Marjorie Daw.
The Poverty of Riches is a lost 1921 American silent drama film directed by Reginald Barker and starring Richard Dix, Leatrice Joy and Louise Lovely. It was based on a 1914 short story by Leroy Scott.
Burning Words is a 1923 American silent Western film directed by Stuart Paton and starring Roy Stewart, Laura La Plante, and Harold Goodwin.
Pure Grit is a 1923 American silent Western film directed by Nat Ross and starring Roy Stewart, Esther Ralston, and Jack Mower. It is based on the 1911 novel A Texas Ranger by William MacLeod Raine.
The Butterfly Man is a 1920 American silent drama film directed by Ida May Park, starring Lew Cody, Louise Lovely, and Lila Leslie, and produced by Louis J. Gasnier.
Lights Out is a 1923 American silent crime drama film directed by Alfred Santell and starring Ruth Stonehouse, Walter McGrail and Theodore von Eltz. It is based on the 1922 play Lights Out by Paul Dickey and Mann Page, later adapted into the 1938 film Crashing Hollywood. The remake was more light-hearted than the melodramatic tone of the original.
A Law Unto Herself is a 1918 American silent drama film directed by Wallace Worsley and starring Louise Glaum, Sam De Grasse and Joseph J. Dowling.
Judge Her Not is a 1921 American silent Western film directed by George Edwardes-Hall and starring Jack Livingston, Pauline Curley and Harry von Meter.
