Child Bride | |
---|---|
Directed by | Harry Revier |
Written by | Harry Revier |
Produced by | Raymond L. Friedgen |
Starring | Shirley Mills Angelo Rossitto Warner Richmond |
Cinematography | Marcel Le Picard |
Edited by | Helene Turner |
Music by | Felix Mills |
Production company | |
Distributed by | Astor Pictures |
Release date |
|
Running time | 62 minutes |
Country | United States |
Language | English |
Budget | $24,000 (est.) |
Child Bride, also known as Child Brides, Child Bride of the Ozarks and Dust to Dust (US reissue titles),[ citation needed ] is a 1938 [1] American drama film written and directed by Harry Revier, and produced by Raymond L. Friedgen. It was promoted as educational in an attempt to draw attention to the lack of laws banning child marriage in many states.
Set in a remote town in the Ozarks, the film was very controversial at the time—both for its theme and because of a topless and nude swimming scene by then-12 year old Shirley Mills. The film bypassed the onscreen nudity ban under the Hays Code by being produced and distributed independently of the studio system, and by claiming to be educational. Although the film was banned in many areas, its controversial nature gave it a certain infamy and it played on the so-called exploitation circuit for many years.
Child Bride was one of Revier's last. His previous work included a variety of low-budget, independent features including The Lost City series and Lash of the Penitentes.
Miss Carol (Diana Durrell) is an idealistic teacher in a remote one-room schoolhouse. A native of the Ozarks herself, she is determined to stop the practice of child marriage, in which older men marry teen or preteen girls. Her campaign raises the ire of some local men, led by Jake Bolby (Warner Richmond), who one night drags her into the woods and ties her to a tree, with the intention of tarring and feathering her. Before this can be done, however, Angelo the dwarf (Angelo Rossitto) and Mr. Colton (George Humphreys) arrive with a shotgun to save the day.
Following this, Jake Bolby comes across young Jennie Colton (Shirley Mills) swimming naked. When her father dies, Bolby decides to take advantage of the opportunity to blackmail her mother into letting him marry the girl, threatening that otherwise he will see her hanged for murder. After he "courts" Jennie by giving her a doll, the two are married. It later turns out that this ceremony was illegal, as child marriage had been banned several days prior, but this point quickly becomes moot. Before Bolby can consummate the union, he is gunned down by Angelo. Jennie leaves his house with Freddie Nulty (Bob Bollinger).
Cast notes:
The movie is perhaps best known for the topless and lengthy nude swimming scene by 12-year-old Jennie, which begins with Jennie and Freddie, her closest friend, sneaking slyly to a secluded pond in the woods, where they had swum naked many times in the past. Freddie tells Jennie that he will "beat [her] undressed", but Jennie tells him that they can no longer swim naked together. Freddie asks her why, and Jennie replies "because we're not what we used to be" because she is now grown up. She repeats what she has been told by her teacher, Miss Carol. [2]
Freddie asks how they are different, pointing out that he had seen her many times in the nude, and Jennie turns to answer him, briefly exposing her breasts and nipples to the camera. The film then cuts to a lengthy long shot showing Jennie and Freddie, both topless and separated by a stand of trees, as they discuss how these changes will affect their relationship. Freddie asks if he can still kiss Jennie; she replies that he can but only when she is wearing her clothes.
Jennie then removes her dress entirely, runs naked through the woods and dives into the water. The next two minutes consist of shots of Jennie swimming nude and frolicking with her dog. Jake Bolby appears on a ridge above the pond, and watches the naked girl. An old woman sees what Bolby is doing, and says to him, "Purty, ain't she?" Freddie hears this and alerts Jennie to the fact that someone is watching her, and she swims for cover. She asks Freddie to bring her clothes to her, without looking at her. He uses a long stick to pass her the dress. She pulls the dress on, unseen to the camera, and climbs out of the water.
Some prints and screenings of the film have cut out the topless scene, leaving only the long shot nude swim sequence.
Child Bride was the first film produced by noted exploitation film producer and promoter Kroger Babb, who marketed it as an educational film and who would reissue it under various titles, including Child Brides, Child Bride of the Ozarks and Dust to Dust. The movie is perhaps best known for the lengthy nude child swimming scene, which Allmovie described as "completely gratuitous" and "obviously Child Bride's main selling point and the reason for its longevity on the exploitation circuit." [3]
The film had been submitted to the Production Code Administration for a certificate of approval, but was denied because of its subject matter, which was said to be "a sexually abhorrent abnormality which violates all moral principles", and because of the onscreen child nudity. The censors also objected to the murderer never being punished for his deeds. [4]
The production of the film in 1938 followed shortly after mass media coverage of the 1937 marriage of 9-year-old Eunice Winstead to Charlie Johns, [5] causing the film to be compared to it. [6]
Alpha Video's DVD release presents the film in its uncensored form, while Mill Creek Entertainment included a censored version of the film in its 20 Movie Pack Cult Classics collection. The film is now in the public domain.
According to an interview with Mystery Science Theater 3000 writers Michael J. Nelson and Kevin Murphy, Child Bride was screened for potential use, but was considered too awful and disturbing, with Murphy saying that he needed "a good cry and a shower" afterwards. [7] In a separate interview with staff writer Frank Conniff, who was responsible for selecting films for riffing, Child Bride was cited as the worst film watched as a potential selection—alongside Manos: The Hands of Fate , which was used on the series in January 1993. [8]
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Harry Jack Revier was an independent American director, producer and first generation exploitation film maker best known for his sound films The Lost City (1935), Lash of the Penitentes (1936), and Child Bride (1938).
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The marriage of 22-year-old Charlie Johns and nine-year-old Eunice Winstead was a child marriage that took place in the state of Tennessee, United States, in January 1937. The event received national attention after Life magazine published an article about the union the following month.
In January 1937, 22-year-old Charlie Johns married his 9-year-old neighbor, Eunice Winstead. Johns was a quiet, tobacco farmer in Hancock County, Tennessee. The couple falsified Winstead's age in order to get a marriage license. At the time, however, there was no minimum marriage age in Tennessee and minors did not need parental permission. News of their union prompted outrage around the country. National magazines and newspapers jumped to report the story. In a photo essay entitled, "The Case of the Child Bride" published in LIFE magazine, Winstead smiled tentatively next to her lanky, six-foot tall husband.
If, as the census demonstrated, the largest number of child brides were among the native born (and of native born parents, to boot) then the Winsteads' status as "white trash" explained their consent to Eunice's marriage and exemplified backward backwoods sexuality more generally. I also focus on the film, Child Bride, which itself makes the "old stock" whiteness of the Tennesseans a key issue. I argue that the film, released at the height of the Great Depression, spoke to anxieties about falling marriage and birth rates and single women's supposed promiscuity. By displacing these fears on to the forced child marriage depicted in the film, which itself bore little resemblance to Eunice Winstead's adamant declaration of her own choice to marry Charlie Johns, Americans could ignore what were perceived as real threats to the institution of marriage in favor of an imagined sex exploitation hidden in the hills of Appalachia.
Note: The 1943 date cited refers to the copyright/release/re-release date. It was filmed in 1938/1939 because Shirley Mills was born in 1926, and it is widely known that she was 12 at that time, and not 17.