Twee pop is a subgenre of indie pop that originates from the 1986 NME compilation C86. Twee pop gets its name from the aesthetic of twee, which is known for its simplicity and childlike innocence. Some of its defining features are boy-girl harmonies, catchy melodies, and lyrics about love. For many years, prominent independent record labels associated with twee pop were Sarah Records and K Records.
Sarah Records was a British independent record label active in Bristol between 1987 and 1995, best known for its recordings of indie pop, which it released mostly on 7" singles. On reaching the catalogue number SARAH 100, the label celebrated its 100th release by throwing a party and shutting itself down. In March 2015, NME declared Sarah to be the second greatest indie label of all time.
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
Even As We Speak is an Australian indie band from Sydney. Formed in the mid-1980s, founding members Matthew Love and Mary Wyer were later joined by Rob Irwin (bass) Anita Rayner, Paul Clarke and Julian Knowles.
The Wake are a British post-punk, synth-pop and later indie pop band, formed in Glasgow in 1981 by Gerard "Caesar" McInulty, Steven Allen (drums) and Joe Donnelly (bass), the latter replaced by Bobby Gillespie. Steven's sister Carolyn Allen also joined on keyboards, and remained in the band thereafter. Gillespie left the band in 1983, replaced by Martin Cunning and then by Alexander 'Mac' Macpherson.
14 Iced Bears are a British indie pop band associated with the C86 music scene. Formed in Brighton in 1985, by Robert Sekula and Nick Emery the band featured a shifting line-up of musicians across their seven-year existence, centred on songwriter and vocalist Rob Sekula and guitarist/songwriter Kevin Canham. Their jangly indie pop was characterised by a fuzzy protopunk-influenced guitar sound, and saw them receive modest critical acclaim in Britain's music press as well as prompting disc jockey John Peel to recruit them to record a couple of sessions for his programme on BBC radio. The group released a handful of singles, including "Come Get Me" on the influential Sarah label, and two full-length albums: the eponymous 14 Iced Bears (1988), and Wonder (1991).
Baby Calendar is an American three-piece indie pop band from Miami, Florida. In 2006, Baby Calendar was signed to Happy Happy Birthday To Me Records based in Athens, Georgia and known for releasing mostly indie pop and twee-pop bands, working with bands such as Of Montreal, Casper & the Cookies, and Bunnygrunt, and hosting the annual Athens Popfest.
Mighty Mighty are a British indie band formed in Birmingham, England, in the mid-1980s.
Close Lobsters are a Scottish indie pop rock band.
Tullycraft is an American indie pop band from Seattle, Washington, that formed in 1995. They have been associated with the genre of twee pop; in fact, they are considered to be one of the true pioneers of the American twee pop movement. They are known for their DIY ethic, only releasing albums on independently owned and operated record labels.
Cath Carroll is a British musician
Los Campesinos! are a seven-piece indie pop band from Cardiff, Wales, formed in early 2006 at Cardiff University. The band has seen several lineup changes– lead vocalist Gareth David Paisey and guitarists Neil Turner and Tom Bromley are the only remaining original members, now joined by guitarist Rob Taylor, keyboardist Kim Paisey, bassist Matt Fidler and drummer Jason Adelinia.
The Chesterfields are an English indie pop band from Yeovil, Somerset, England. Hardcore fans tended to refer to them as "The Chesterf!elds", with an exclamation mark replacing the "i", following the example of the band's logo.
The Siddeleys were a London-based indie pop band, active during the late 1980s. Although they were relatively short-lived, they were influential.
Rocketship is an American indie pop band formed in Sacramento, California, United States, in 1993. Led by singer-songwriter and guitarist Dustin Reske with bassist Verna Brock, keyboardist Heidi Barney and drummer Jim Rivas, the group released the single "Hey, Hey, Girl" in 1994 and the album A Certain Smile, a Certain Sadness in 1996. After the album's release, the original line-up dissolved and Reske continued Rocketship essentially as a solo project, releasing the singles "Honey, I Need You" and "Get on the Floor " in 1997 and the albums Garden of Delights in 1999, Here Comes... Rocketship in 2006, and Thanks to You in 2019.
The Sea Urchins were an indie pop band from West Bromwich, England formed in 1986. They were the first band to release a single on Sarah Records.
Formed in the mid-1980s by two brothers, Martin and Paul Kelly, East Village were an indie pop band from Princes Risborough, England.
CD86: 48 Tracks from the Birth of Indie Pop is a compilation album of artists from the original C86 era, released in 2006 by Sanctuary Records. It is compiled by Bob Stanley of Saint Etienne.
The Besties were an American indie pop band from Brooklyn, New York. Their sound can best be described indie pop or "twee", although at shows they were known to introduce themselves as a punk band. TimeOut Chicago describes the band as sounding like "the Go-Go's on Epitaph Records", and Allmusic compares them to Cub and the All Girl Summer Fun Band.
C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based music genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. In 2014, the original compilation was reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor.
