The Hounds of Spring is a concert overture for concert band, written by the American composer Alfred Reed in 1980. [1]
Reed was inspired by the poem Atalanta in Calydon [2] (1865) by Victorian era English poet Algernon Charles Swinburne, a recreation in modern English verse of an ancient Greek tragedy. According to Reed himself, the poem's magical picture of young love in springtime, forms the basis for his musical setting in traditional three-part overture form. It was Reed's desire to capture the dual elements of the poem - high-spirited youthful jauntiness and the innocence of tender love. [3]
The Hounds of Spring was commissioned by, and dedicated to, the John L. Forster Secondary School Concert Band of Windsor, Ontario, Canada, and its director, Gerald Brown. [4] The world premiere was in Windsor on May 8, 1980, conducted by the composer, and has remained a staple of the wind band literature since. [5]
The piece is scored for:
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Overture is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme".
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term Tondichtung appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term Symphonische Dichtung to his 13 works in this vein, which commenced in 1848.
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Alfred Reed was an American neoclassical composer, with more than two hundred published works for concert band, orchestra, chorus, and chamber ensemble to his name. He also traveled extensively as a guest conductor and served as a professor at the University of Miami School of Music.
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Cyril Bradley Rootham was an English composer, educator and organist. His work at Cambridge University made him an influential figure in English music life. A Fellow of St John's College, where he was also organist, Rootham ran the Cambridge University Musical Society, whose innovative concert programming helped form English musical tastes of the time. One of his students was the younger composer Arthur Bliss, who valued his tuition in orchestration. Rootham's own compositions include two symphonies and several smaller orchestral pieces, an opera, chamber music, and many choral settings. Among his solo songs are some settings of verses by Siegfried Sassoon which were made in co-operation with the poet.
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Algernon Charles Swinburne was an English poet, playwright, novelist and critic. He wrote many plays - all tragedies - and collections of poetry such as Poems and Ballads, and contributed to the Eleventh Edition of the Encyclopædia Britannica.
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Peterloo, Op. 97, is a concert overture by Malcolm Arnold written in 1968 to commemorate the centenary of the first meeting of the Trades Union Congress. It is a programme piece which depicts the Peterloo Massacre of 1819. It was given a mixed reception by critics, but has nevertheless become one of Arnold's best-known works, being arranged several times for wind or brass band, recorded many times, and played twice at the Proms, once in its original form and once in a choral arrangement to words by Sir Tim Rice.