Discipline | Computer science, Optics, Imaging |
---|---|
Language | English |
Edited by | Ricardo Vardasca |
Publication details | |
Former name(s) | The Journal of Photographic Science |
History | 1953–present |
Publisher | Taylor & Francis (United Kingdom) |
Frequency | Bimonthly |
0.871 (2020) | |
Standard abbreviations | |
ISO 4 | Imaging Sci. J. |
Indexing | |
ISSN | 1368-2199 |
Links | |
The Imaging Science Journal, formerly The Journal of Photographic Science, is a bimonthly peer-reviewed scientific journal covering both fundamental and applied aspects of imaging, including conventional, analogue chemical, electronic, digital and hybrid imaging systems. It is an official journal of the Royal Photographic Society and published by Taylor & Francis, previously published by Maney Publishing. [1] The journal was established in 1953. The current editor-in-chief is Professor Ricardo Vardasca, from ISLA Santarém, Portugal.
The Photographic Society of London, which became the Royal Photographic Society in 1894, was formed in 1853 ‘to promote the art and science of photography’ and it delivered on this through its membership, external engagement, public exhibitions, meetings and a printed journal. In the nineteenth century the RPS’s Journal reported on developments in new chemistry usually from amateur experimenters, and in areas such as optics and technology. Later in the century, as the Society itself moved away from art photography and gave a greater focus on photographic science, through the influence of a series of ‘science’ orientated Presidents, the Journal grew as a means of reporting on developments in this area.
After the second world war, as the RPS’s membership grew and became more general in its interests, there was a perceived need to separate the scientific content from the more general papers in the main Journal. In 1944 the decision was taken to separate the scientific matter into a new Section B of the Journal, with the first number appearing from Jan/Feb 1945. Section A continued to publish more general features on pictorial photography, reports of members’ meetings, and Society business. An editorial note in the first issue of Section B stated: For some time it has been apparent that the inclusion in The Photographic Journal of purely scientific papers with papers of pictorial or general interest is unsatisfactory both to the pictorial photographer and to the photographic technologist. It has therefore been decided to divide the Journal into two parts: Section A which will contain articles on pictorial and general subjects, and Section B which will contain papers and other matter of purely scientific and technical application. [2]
Section B became a separate publication and was renamed the Journal of Photographic Science in 1953, published by the RPS. This remained the case until the 1990s when the Society subcontracted publication to a third party. Today, this role is undertaken by Taylor and Francis, coincidentally the original printer of the RPS’s 1853 Journal. [3]
The RPS maintains a run of the Imaging Science Journal and its predecessors at its headquarters in Bristol which are available for public consultation. [4] The Imaging Science Journal has been digitised and is available to subscribers.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus, is printed in one or more colors other than black-and-white and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.
The Ethnological Society of London (ESL) was a learned society founded in 1843 as an offshoot of the Aborigines' Protection Society (APS). The meaning of ethnology as a discipline was not then fixed: approaches and attitudes to it changed over its lifetime, with the rise of a more scientific approach to human diversity. Over three decades the ESL had a chequered existence, with periods of low activity and a major schism contributing to a patchy continuity of its meetings and publications. It provided a forum for discussion of what would now be classed as pioneering scientific anthropology from the changing perspectives of the period, though also with wider geographical, archaeological and linguistic interests.
Scientific literature comprises academic papers that report original empirical and theoretical work in the natural and social sciences. Within a field of research, relevant papers are often referred to as "the literature". Academic publishing is the process of contributing the results of one's research into the literature, which often requires a peer-review process.
Sergey Mikhaylovich Prokudin-Gorsky was a Russian chemist and photographer. He is best known for his pioneering work in colour photography and his effort to document early 20th-century Russia.
Physical Review Letters (PRL), established in 1958, is a peer-reviewed, scientific journal that is published 52 times per year by the American Physical Society. As also confirmed by various measurement standards, which include the Journal Citation Reports impact factor and the journal h-index proposed by Google Scholar, many physicists and other scientists consider Physical Review Letters to be one of the most prestigious journals in the field of physics.
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The Royal Photographic Society of Great Britain, commonly known as the Royal Photographic Society (RPS), is one of the world's oldest photographic societies. It was founded in London, England, in 1853 as the Photographic Society of London with the objective of promoting the art and science of photography, and in 1853 received royal patronage from Queen Victoria and Prince Albert.
Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences is a fortnightly peer-reviewed scientific journal published by the Royal Society. It publishes original research and review content in a wide range of physical scientific disciplines. Articles can be accessed online a few months prior to the printed journal. All articles become freely accessible two years after their publication date. The current editor-in-chief is John Dainton.
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Gianni Forte is an Italian artist, born in Rome (Italy). He works in visual media, mainly photography and he is a member of the Royal Photographic Society (ARPS).
The Photographic Alliance of Great Britain is the umbrella organisation that provides benefits and co-ordinates specific events for the majority of photographic clubs and societies in England, Scotland, Wales & Northern Ireland.
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The Journal of the Photographic Society, later the Royal Photographic Society, was first published on 3 March 1853 and it has been published continuously ever since. The magazine's title was changed with volume 5 (1859) when it was renamed The Photographic Journal and this was recently updated to the RPS Journal. The publication is the oldest photographic periodical in the world. For much of the magazine's history it had an influence that went far beyond the society and a print run considerably in excess of the society's membership. The magazine has had its circulation ABC audited since 2010. From June 2014 Think Publishing took on responsibility for publishing the journal on the society's behalf. The Photographic Journal is not affiliated with ThePhotographicJournal.com, which is an online publication that began in 2013.
Karl Maria Udo Remmes was a German photographer and physician. He has become known especially for his work in backstage photography specializing in opera, ballet and musicals. The leading idea of Remmes' photographic work is not the documentation – he wants to capture the moments when the hard work of acting transmutes into art.
The Camera was a monthly magazine, for long being Ireland's only photography journal, which was printed and published in Dublin between 1921 and 1940.
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