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The Infant Saint John the Baptist is a c.1521 oil on panel painting by Rosso Fiorentino, now in a private collection in Florence [1] . Stylistically close to the artist's Volterra Deposition , its nervy contour lines and gaunt brushstrokes are also similar to his Holy Family with the Infant Saint John the Baptist (Walters Art Museum).
Domenico di Pace Beccafumi was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Franciabigio was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano, however he also is referred to as either Marcantonio Franciabigio or Francia Bigio.
Giovanni Battista di Jacopo, known as Rosso Fiorentino, or Il Rosso, was an Italian Mannerist painter, in oil and fresco, belonging to the Florentine school.
The Madonna and Child with the Infant Saint John the Baptist is a lost composition by Leonardo da Vinci. The composition is known through a handful of paintings attributed to artists in Leonardo's circle. An original underdrawing by Leonardo may be preserved in a version in a private collection in Moscow, Russia.
San Donnino is a Romanesque-style, Roman Catholic pieve church located in the frazione of Villamagna, in the territory of the commune of Bagno a Ripoli in the metropolitan city of Florence, region of Tuscany, Italy. The church was founded in the 8th century and rebuilt prior to the 14th century.
Holy Family with the Infant Saint John the Baptist may refer to:
Holy Family with the Infant Saint John the Baptist is an unfinished c.1521 oil on panel painting by Rosso Fiorentino, produced early in his stay in Volterra. The Christ Child's pose is influenced by that in Andrea del Sarto's Madonna of the Harpies (1517). The work is now in the Walters Art Museum in Baltimore.
The Spedalingo Altarpiece' or Ognissanti Altarpiece is a 1518 oil on panel painting by Rosso Fiorentino, now in the Uffizi in Florence, which acquired it in 1900. It was commissioned by Leonardo Buonafede, "spedalingo" of the Hospital of Santa Maria Nuova in Florence. The contract was dated 30 January 1518. The painting was intended for the St John the Baptist chapel in Ognissanti according to the will of Francesca de Ripoi, a Catalan widow.
The Risen Christ in Glory is a 1528-1530 oil on panel painting by Rosso Fiorentino, now in the Diocesan Museum in the Città di Castello. It shows the risen Christ with Mary Magdalene, the Virgin Mary, Saint Anne and Mary of Egypt.
Elijah in the Desert is a 1543-1547 oil on panel painting by Daniele Ricciarelli da Volterra. With Massacre of the Innocents and Madonna and Child with the Infant St John the Baptist and Saint Barbara, it is one of a number of paintings by the artist now in the Uffizi Gallery in Florence.
Nativity of Saint John the Baptist is a 1526 oil on panel desco da parto painting by Pontormo, now in the Uffizi, where it has been since at least 1704. There is a copy in the Fogg Art Museum. Its status as an autograph work is accepted by most art critics, but was disputed by Philippe Costamagna.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
Villamagna Altarpiece is a 1521 oil on panel painting by Rosso Fiorentino, produced for Pieve dei Santi Giovanni Battista e Felicita, Villamagna's parish church, where it remained until the mid 1860s. It is now in the Diocesan Museum in Volterra. The artist's second commission in Volterra after Deposition, it is signed and dated in the lower left-hand corner. To the left of the Madonna and Child is John the Baptist in his camel-skin tunic and holding a cross, whilst to the left is Saint Bartholomew holding an open book and the knife used to flay him.
Portrait of a Man is a c.1522 oil on panel painting by Rosso Fiorentino, now in the National Gallery of Art in Washington.
Adoration of the Magi is a c.1522-1523 oil on panel painting by Pontormo, produced for the antechamber of Giovan Maria Benitendi's palazzo in Florence and now in the Galleria Palatina in the same city.
Saint John the Baptist as a Boy is a oil on panel painting by Andrea del Sarto, executed c. 1525, now in the Palatine Gallery of the Palazzo Pitti in Florence.
Saint John the Baptist as a Boy may refer to:
Madonna and Child with the Infant Saint John the Baptist is an oil on panel painting by Pontormo, now in the Uffizi, whose Gabinetto dei Disegni e delle Stampe also houses a preparatory drawing for the work. The two theories on its dating are 1534-1536 and Antonio Natali's theory of 1529–1530.
Holy Family with the Infant Saint John the Baptist is a c.1522-1523 oil on panel painting by Pontormo, produced early in his career. It now hangs in the Hermitage Museum, which acquired it with countess E. I. Mordvinova's collection. A preparatory drawing survives in the Uffizi's Gabinetto dei Disegni e delle Stampe.
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