Bronski Beat were a British synth-pop band formed in 1983 in London, England. The initial lineup, which recorded the majority of their hits, consisted of Jimmy Somerville (vocals), Steve Bronski and Larry Steinbachek. Simon Davolls contributed backing vocals to many songs.
François Kevorkian, also known by the stage name François K, is a French-born, U.S.-based DJ, producer, remixer and label owner of Armenian descent, who started his career DJing in clubs such as the Paradise Garage and Studio 54. Kevorkian has produced and remixed work by a diverse range of musicians including the Smiths, Adam Ant, Kraftwerk, Pet Shop Boys, Depeche Mode, Diana Ross, Gloria Estefan and U2, and is considered one of the forefathers of house music.
Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" and "Jam on It" (1984), which began as an anti-rap joke, according to founding member DJ and producer Ben Cenac.
At the time (1981) we were going by the name Positive Messenger and were making music that had a purpose, either messages of love or faith or talking about the conditions of the world. However, we were still doing lots of Hip-Hop jams with our DJ crew Jam-On Productions. So, one of our DJs, Salvador Smooth, kept nagging me to do a Rap song. Having come out of Hip-Hop street battles in Brooklyn in the ’70s, I didn't really think much of the Rap records that were playing on the radio, so I figured as a joke I would make a parody jam ... I threw in an idea from an [event] that actually had happened in the ’70s, when a DJ who we had just blown out in a battle said to me "Yeah, you guys are bad, but you can't do this… wikki wikki wikki wikki," meaning how we didn't scratch on the turntables.
I used to play "Jam-On's Revenge" at our parties and it would fill the dance floor, so even though I had never planned to release it, when I was shopping Positive Messenger for a deal I put it on the tape just to fill out space at the end. Turned out it ended up being the track that drove everybody crazy! So, we went with it and changed our names to Newcleus."
The 2 Live Crew Is What We Are is the debut studio album by hip-hop group the 2 Live Crew. It was released in 1986 on Luke Records to a great deal of controversy and promptly was certified gold by the RIAA. It includes the hits "We Want Some Pussy", "Throw the 'D'", and "Cuttin' It Up". Bob Rosenberg, a south Florida DJ who would later form the dance-pop group Will to Power, remixed and edited the song "Beat Box". In Florida, it was deemed obscene, and one store clerk was charged with felony "corruption of a minor" for selling it to a 14-year-old girl. The clerk was later acquitted.
"Cruel Summer" is a song by English girl group Bananarama. It was written by Bananarama and Steve Jolley, Tony Swain, and produced by Jolley and Swain. Released in 1983, it was initially a stand-alone single but was subsequently included on their self-titled second album a year later. The song reached number eight on the UK Singles Chart in 1983 and the group performed it live on the BBC's Top of the Pops that summer, and after its inclusion in the 1984 film The Karate Kid, it reached number nine on the US Billboard Hot 100.
Disco is the first remix album by English synth-pop duo Pet Shop Boys, released on 17 November 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. Disco consists of remixes of tracks from the band's debut album Please and its respective B-sides. The album includes remixes by Arthur Baker, Shep Pettibone and the Pet Shop Boys themselves.
Melvin Glover, better known by his stage name Grandmaster Melle Mel or simply Melle Mel, is an American rapper who was the lead vocalist and songwriter of Grandmaster Flash and the Furious Five.
Koto was an Italo disco group that originally consisted of Anfrando Maiola and Stefano Cundari, later with the Dutch composer Michiel van der Kuy.
"Rapture" is a song by American rock band Blondie from their fifth studio album Autoamerican (1980). Written by band members Debbie Harry and Chris Stein, and produced by Mike Chapman, the song was released as the second and final single from Autoamerican on January 12, 1981, by Chrysalis Records. Musically, "Rapture" is a combination of new wave, disco and hip hop with a rap section forming an extended coda.
Peter Slaghuis was a Dutch DJ, record producer and remixer, whose work was mostly released under the name Hithouse.
Groovy Decay was the second solo album by Robyn Hitchcock, released in 1982. His backing band for the record featured Sara Lee of Gang of Four on bass and Anthony Thistlethwaite of the Waterboys on saxophone.
"Forever Young" is a song by German synth-pop band Alphaville from their 1984 debut studio album of the same name. The single was successful in Scandinavia and in the European German-speaking countries in the same year.
"Paninaro" is a song by English synth-pop duo Pet Shop Boys, originally a B-side to the 1986 single "Suburbia". In 1995, a re-recording titled "Paninaro '95" was released to a wider market, to promote the duo's B-side compilation album Alternative, though only the original version was included on the compilation.
"Self Control" is a song by Italian singer Raf, released in 1984. It was written by Giancarlo Bigazzi, Steve Piccolo and Raf, and arranged by Celso Valli. The track topped the charts in Italy and Switzerland, and started the explosion and dominance of Italo disco-style recordings in continental European charts during the 1980s.
VideoKids were a 1980s Euro disco duo from the Netherlands, formed in 1984 and consisting of Peter Slaghuis (1961-1991) and Bianca Bonelli (1964-1995). The band's members also had solo careers on their own, such as Peter being a famous DJ and remixer, and Bianca having a solo single called "Je Veux L'amour ". They released two albums, The Invasion of the Spacepeckers in 1984 and On Satellite in 1985. All of their songs were produced and written by Catapult musicians Aart Mol, Cees Bergman, Elmer Veerhoff, Erwin van Prehn and Geertjan Hessing, and recorded at Cat Music.
"I Wonder If I Take You Home" is a song recorded by Lisa Lisa and Cult Jam with Full Force in 1984. Record Producer Kenny Beck discovered the song in a "discard bin" at Personal Records while looking for songs to include on his debut album with the label. He was so impressed that he created a compilation break-dancing album, CBS/SuzyQ, just to include the song. He released the album in Europe on CBS Records, and it immediately gained popularity as a dance hit with club DJs there. Soon American DJs began playing the song in the United States on Columbia Records. After the song received heavy play from these DJs, "I Wonder If I Take You Home" reached No. 1 on the Billboard Hot Dance Club Play chart for one week in June 1985. On other US charts, it peaked at No. 6 on the R&B chart and reached No. 34 on the Hot 100. In 1991, the single was certified gold in the US by the RIAA. Overseas, it charted at No. 12 on the UK Singles Chart and number 41 in the Netherlands.
"Luv' Hitpack" is the seventeenth single by the Dutch girl group Luv' released in 1989 by Mercury/Phonogram Records and is a megamix conceived by Peter Slaghuis. It appears on the compilation Greatest Hits. The long version of this medley is included as a bonus track on the box set Completely in Luv'.
Café Society was a South African group from the 1980s best known for their two cover songs "Somebody to Love" and "Woodpeckers from Space".
"Fresh" is a song by the American group Kool & the Gang. Released as a single in 1984 from the album Emergency, the song peaked at #9 on the U.S. Hot 100 chart, and #11 on the UK chart. It also reached number one on both the U.S. R&B chart and U.S. Dance chart.
"Woodpeckers from Space" is a song by the Dutch eurodisco duo VideoKids. A synth-pop cover of "The Woody Woodpecker Song", it was released in 1984 by Boni Records through their sublabel Break Records as the duo's debut single, as well as the sixth track from their debut studio album, The Invasion of the Spacepeckers (1984).
