The Invisible Ray | |
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Directed by | Lambert Hillyer |
Screenplay by | John Colton [2] |
Story by |
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Produced by | Edmund Grainger [2] |
Starring | |
Cinematography | George Robinson [2] |
Edited by | Bernard Burton [2] |
Music by | Franz Waxman [2] |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Running time | 79 minutes [2] |
Country | United States [3] |
Language | English |
The Invisible Ray is a 1936 American science-fiction horror film directed by Lambert Hillyer. It stars Boris Karloff as Dr. Janos Rukh, a scientist who comes in contact with a meteorite composed of an element known as "Radium X". After exposure to its rays begins to make him glow in the dark, his touch becomes deadly, and he begins to be slowly driven mad. Alongside Karloff, the film's cast includes Bela Lugosi, Frances Drake, Frank Lawton, Walter Kingsford, Beulah Bondi, Violet Kemble Cooper, and Nydia Westman.
Prior to production, Universal Pictures was originally developing the film Bluebeard for Karloff and Lugosi. When that production did not start, Universal wanted a release by the end of 1935 with Karloff and Lugosi, and hired director Stuart Walker and screenwriter John Colton to make the film The Invisible Ray. As Walker was dissatisfied with Colton's script, he requested a three-day delay before production was set to begin and after being denied this, he left the production and was replaced with Lambert Hillyer. Hillyer began and completed the film over-budget and over the originally set production time.
A visionary astronomer, Dr. Janos Rukh, has invented a telescope that can look far out into deep space, into the Andromeda Galaxy, and photograph light rays that will show the Earth's past. He has theorized about this being possible for some years, much to his discredit among his fellow scientist-colleagues. Looking at the remote past on a planetarium-like dome in his lab, two of those ardently skeptical scientists, Dr. Benet and Sir Francis Stevens, watch a large meteorite smash into the Earth a billion years ago, in what is now the continent of Africa. Amazed by Rukh's demonstration, the pair invite him to go on an expedition to locate the impact site.
Rukh finds the meteorite, but is exposed to its unknown radiation, now dubbed "Radium X". This causes him to glow in the dark and to make his mere touch instantaneously deadly to any living thing. The exposure also begins to warp his mind. Returning to the base camp, he entreats Dr. Benet to devise a means of neutralizing Radium X's poisoning effect. Benet develops a serum that holds the lethal element's toxicity at bay, but Rukh must take regular doses of the antidote or he will revert to being a luminous killing machine. Rukh returns to his jungle base and learns from Benet that this situation has been complicated by the romantic relationship between Rukh's wife, Diana, and Ronald Drake, the nephew of Lady Arabella Stevens, Dr. Stevens' wife.
Benet takes a piece of the meteorite back to Europe, where he modifies its effects to help people, including curing the blind. Working along similar lines, Rukh cures his mother's blindness, but in spite of her warning, he goes to Paris to confront Benet and the others. There, he pretends to acknowledge his wife's new relationship with Drake, but in reality, it is the first step in his plan for revenge. Rukh murders a Frenchman he closely resembles, making it appear that he has died and been rendered unrecognizable due to an accident with Radium X.
Believing the deception, Diana marries Ronald. Rukh now begins to use his radiation poisoning to kill off the expedition members. He marks each death by disintegrating a single statue on the exterior of a church across from where he is hiding. Each time, he focuses the radiation through a window using a raygun-like device. He manages to kill both Stevenses before the police realize what is happening. Dr. Benet helps them set a trap by convening a scientific conference at his home to discuss Radium X, but Rukh secretly gains access and kills Benet. He has saved his revenge on Ronald and Diana for last but finds himself unable to kill his former wife. This hesitation brings him to a confrontation with his mother, the most important woman in his life. She has foreseen her son's growing madness and smashes the last of his antidote bottles in order to stop him. As the Radium X begins to consume him from within, Rukh jumps from a window. He disappears in an explosive flame, having been vaporized before reaching the ground.
Credits adapted from the book Universal Horrors: [4]
Nydia Westman, though billed on the film's poster, appears in an uncredited role as Briggs. [5]
Producer David Diamond, who teamed up actors Bela Lugosi and Boris Karloff for the 1935 film The Raven (1935), had plans to reunite the two actors in an upcoming Karloff film Bluebeard. The script for Bluebeard did not proceed as expected, leading the studio executives at Universal Pictures to put that film on hold and put Lugosi and Karloff in a different film. [4] In August 1935, the studio announced that production on The Invisible Ray would commence with producer Edmund Grainger. [4]
At the time of production, Universal Pictures was among reports that the studio was going to be sold. [4] Pressure was put on the first initial director Stuart Walker who was not happy with the original script written by John Colton. [4] Walker requested a three-day delay on the production to work on the script which was refused by Universal Studios which led to Walker leaving the production. [4] [6] Walker responded to trade papers on leaving the picture stating that he was enthusiastic about the film's story and the cast but he "did not feel that [he] could do the studio or [himself] justice under their conditions that came up suddenly". [6] Walker declared that he "suggested that some other director would be better for the assignment. It was not a matter of "walking out...."" [6] Lambert Hillyer ended up the director of the film. [6] The film's score by Franz Waxman is predominantly original material, but includes cues from The Bride of Frankenstein (1935). [7]
The film was initially given a budget of $166,875, an amount described in the book Universal Horrors as "a fairly lavish budget" for an "upper-class B" film. [6] Filming began on September 17. Filming concluded on October 25 which was over-schedule and $68,000 over-budget.Walker later responded to this, retorting that "the director who did the picture started nine or ten days after I was ordered to start and finished 25 or more days after I was ordered to finish". [6]
The Invisible Ray was distributed by Universal Pictures on January 20, 1936. [3] Marguerite Tazelaar of the New York Herald Tribune commented on the audiences response to the film on their viewing, stating the audience "composed largely of men, gave to the picture their respectful attention, finding the laboratories especially absorbing, and the climax vastly exciting". [7]
The film was released on DVD as part of the Bela Lugosi Collection in 2005 along with Murders in the Rue Morgue (1932), The Black Cat (1934), The Raven (1935), and Black Friday (1940). [8] The film was released on Blu-ray by Shout Factory as part of their "Universal Horror Collection: Vol 1" which included The Black Cat, The Raven, and Black Friday. [9]
From contemporary reviews, "Char." of Variety declared that the film was not "as blood-curdling to the point achieved in some Hollywoodian efforts, but it is different and fairly entertaining". [7] Frank Nugent of The New York Times stated that Universal had "made its newest penny dreadful with technical ingenuity and the pious hope of frightening the children... Boo right back at you, Mr. Laemmle!" [7]
From retrospective reviews, Kevin Thomas of The Los Angeles Times stated in 2005 that the film was "[s]ometimes amusingly dated" as well as that it was "also surprisingly poignant, building to a tense and dramatic climax... [A] handsome, ambitious production in which some stilted acting and dialogue add to, rather than detract from the fun". [10]
Footage of The Invisible Ray, specifically the scenes where a scientist descends into a fiery pit, was re-used in the Universal Pictures film serial The Phantom Creeps . [11]
Béla Ferenc Dezső Blaskó, known professionally as Bela Lugosi, was a Hungarian–American actor. He was best remembered for portraying Count Dracula in the horror film classic Dracula (1931), Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956.
Abbott and Costello Meet Frankenstein is a 1948 American horror comedy film directed by Charles Barton. The film features Count Dracula, who has partnered with Dr. Sandra Mornay in order to find a brain to reactivate Frankenstein's monster, and they find Wilbur Grey, the ideal candidate.
Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.
The Invisible Man is a 1933 pre-Code American science fiction horror film directed by James Whale loosely based on H. G. Wells's 1897 novel, The Invisible Man, produced by Universal Pictures, and starring Gloria Stuart, Claude Rains and William Harrigan. The film involves a stranger named Dr. Jack Griffin (Rains) who is covered in bandages and has his eyes obscured by dark glasses, the result of a secret experiment that makes him invisible, taking lodging in the village of Iping. Never leaving his quarters, the stranger demands that the staff leave him completely alone until his landlady and the villagers discover he is invisible. Griffin goes to the house of his colleague, Dr. Kemp and tells him of his plans to create a reign of terror. His fiancée Flora Cranley, the daughter of his employer Dr. Cranley, soon learn that Griffin's discovery has driven him insane, leading him to prove his superiority over other people by performing harmless pranks at first and eventually turning to murder.
Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker's Dracula in 1931, performed in many films during the course of his 39-year film career. He appeared in films made in his native Hungary, Germany and New York before re-locating to Hollywood in 1928. Films are listed in order of release.
The Black Cat is a 1934 American pre-Code horror film directed by Edgar G. Ulmer and starring Boris Karloff and Béla Lugosi. It was Universal Pictures' biggest box office hit of the year, and was the first of eight films to feature both Karloff and Lugosi. In 1941, Lugosi appeared in a comedy horror mystery film with the same title, which was also named after and ostensibly "suggested by" Edgar Allan Poe's short story.
Son of Frankenstein is a 1939 American horror film directed by Rowland V. Lee and starring Basil Rathbone, Boris Karloff and Bela Lugosi. The film is the third in Universal Pictures' Frankenstein series and is the follow-up to the 1935 film Bride of Frankenstein. Son of Frankenstein stars Rathbone as Baron Wolf von Frankenstein who, with his wife Elsa and son Peter, returns to his late father's estate. Near the castle lives Ygor, a crazed blacksmith whose neck was broken in an unsuccessful hanging attempt. Among the castle's remains, Frankenstein discovers the remains of the Monster and decides to try to save his family name by resurrecting the creature to prove his father was correct. He finds, however, the Monster only responds to Ygor's commands.
Invisible Ghost is a 1941 American horror film directed by Joseph H. Lewis, produced by Sam Katzman and starring Bela Lugosi.
Black Friday is a 1940 American science fiction horror film starring Boris Karloff and Bela Lugosi.
The Invisible Man Returns is a 1940 American horror science fiction film directed by Joe May. The film stars Cedric Hardwicke, Vincent Price, Nan Grey and John Sutton. The film is a sequel to the 1933 film The Invisible Man, and the second film in the Invisible Man film series, loosely based on the novel by H. G. Wells. The film is about Sir Geoffrey Radcliffe (Price) who is condemned for a murder he did not commit, which leads to him begging Dr. Frank Griffin (Sutton) to inject him with the invisibility serum despite Griffin's warning that the serum will drive him mad.
The Ghost of Frankenstein is a 1942 American horror film directed by Erle C. Kenton and starring Cedric Hardwicke, Lon Chaney Jr. and Bela Lugosi. It is the fourth film in the Frankenstein series by Universal Pictures, and the follow-up to Son of Frankenstein (1939). The film's plot follows the previous film's plot: Frankenstein's Monster and his companion Ygor are chased out of town. They go to another small town to encourage the younger son of Henry Frankenstein to continue his father's experiments, so that Ygor can have revenge against his enemies and his brain transplanted into the Monster's skull.
House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. It was directed by Erle C. Kenton and produced by Universal Pictures. Based on Curt Siodmak's story "The Devil's Brood", the film is about Dr. Gustav Niemann, who escapes from prison and promises to create a new body for his assistant Daniel. Over the course of the film, they encounter Count Dracula, the Wolf Man and Frankenstein's monster. The film is a sequel to Frankenstein Meets the Wolf Man (1943).
House of Dracula is a 1945 American horror film released and distributed by Universal Pictures. Directed by Erle C. Kenton, the film features several Universal Horror properties meeting as they had done in the 1944 film House of Frankenstein. The film is set at the castle home of Dr. Franz Edelmann, who is visited first by Count Dracula and later by Larry Talbot, the Wolf Man, who are trying to cure their vampirism and lycanthropy, respectively. Talbot is eventually cured, which leads him to discover the body of Frankenstein's monster in a cave below the base of the castle. Edelemann takes the monster's body back to his laboratory but finds Count Dracula has awakened and by attacking his assistants, he captures Edelmann and forces a reverse blood transfusion, which gives Edelmann a split personality and makes him a killer.
The Raven is a 1935 American horror film directed by Louis Friedlander and starring Boris Karloff and Béla Lugosi. Billed as having been "suggested by" Edgar Allan Poe's 1845 poem of the same title, excerpts of which are quoted at a few points in the film, it was adapted from an original screenplay by David Boehm. Lugosi stars as a neurosurgeon obsessed with Poe who has a torture chamber in his basement, and Karloff plays an escaped murderer on the run from the police who Lugosi manipulates into doing his dirty work.
The Universal Monsters media franchise includes characters based on a series of horror films produced by Universal Pictures and released between 1913–1956.
Murders in the Rue Morgue is a 1932 American horror film directed by Robert Florey, based on Edgar Allan Poe's 1841 short story "The Murders in the Rue Morgue". The plot is about Doctor Mirakle, a carnival sideshow entertainer and scientist who kidnaps Parisian women to mix their blood with that of his gorilla, Erik. As his experiments fail because of the quality of his victims' blood, Mirakle meets with Camille L'Espanye, and has her kidnapped and her mother murdered, leading to suspicion falling on Camille's fiance, Pierre Dupin, a medical student who has already become interested in the earlier murders.
The Ape Man is a 1943 American horror film directed by William Beaudine. The film is based on "They Creep in the Dark" by Karl Brown, which was published in The Saturday Evening Post. It stars Bela Lugosi as Dr. James Brewster who is aided by his colleague Dr. Randall. The doctor manages to transform himself into a ape man hybrid and desperately seeks a cure. Brewster believes that only the injection of human spinal fluid will prove effective as a cure. As Randall refuses to help him, Brewster and his captive gorilla seek involuntary donors.
Man-Made Monster is a 1941 American science-fiction horror film directed by George Waggner and produced by Jack Bernhard for Universal Pictures. Filmed in black-and-white, it stars Lon Chaney Jr. and Lionel Atwill. Man-Made Monster was re-released under various titles including Electric Man and The Mysterious Dr. R. Realart Pictures re-released the film in 1953 under the title The Atomic Monster as a double feature with The Flying Saucer (1950). On the film's original main title, there is no hyphen; it's simply Man Made Monster.
Frankenstein is a film series of horror films from Universal Pictures based on the play version by Peggy Webling and the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. The series follow the story of a monster created by Henry Frankenstein who is made from body parts of corpses and brought back to life. The rest of the series generally follows the monster continuously being revived and eventually focuses on a series of cross overs with other Universal horror film characters such as The Wolf Man. The series consists of the following films: Frankenstein (1931), Bride of Frankenstein (1935), Son of Frankenstein (1939), The Ghost of Frankenstein (1942), Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945) and Abbott and Costello Meet Frankenstein (1948).
Dracula is a film series of horror films from Universal Pictures based on the 1897 novel Dracula by Bram Stoker and its 1927 play adaptation. Film historians have had various interpretations over which projects constitute being in the film series; academics and historians finding narrative continuation between Dracula (1931) and Dracula's Daughter (1936), while holding varying opinions on whether Son of Dracula (1943), House of Frankenstein (1944) and House of Dracula (1945) are part of the series. Author and academic Gary Don Rhodes stated the all the mentioned films would require an audience to be familiar with Count Dracula, portrayed by Bela Lugosi, and the various character traits the actor established in the original 1931 film.