The Jazz Age (1929) | |
---|---|
Directed by | Lynn Shores |
Written by | Paul Gangelin (script) Randolph Bartlett (intertitles) |
Starring | Douglas Fairbanks Jr. Marceline Day Henry B. Walthall Joel McCrea |
Cinematography | Ted Pahle |
Edited by | Ann McKnight |
Music by | Josiah Zuro |
Production company | |
Distributed by | Film Booking Offices of America |
Release date |
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Running time | 64 minutes (7 reels; 6246 ft.) |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
The Jazz Age (1929) is a sound part-talkie film starring Douglas Fairbanks Jr., Marceline Day, and Joel McCrea in his first leading role. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film, directed by Lynn Shores and written by Randolph Bartlett, was released by RKO Radio Pictures soon after RKO was created from Film Booking Offices of America, RCA, and the Keith-Albee-Orpheum theater chain.
Steve Maxwell (Fairbanks) and Sue Randall (Day), during an escapade, wreck one of her father's streetcars. The elder Randall uses this incident to stop the elder Maxwell (Walthall) from opposing Randall's illegal contract with the city. When Steve tells all to the city council, Mr. Randall (Ratcliffe) threatens Steve with arrest, Sue admits her culpability, and announces her intentions of marrying Steve. [1]
Like the majority of early sound films, RKO released The Jazz Age in a cut-down edited silent version for those theatres not yet equipped for sound. The sound part-talkie version was recorded using the RCA Photophone sound system. [4]
There was a later documentary film produced by NBC News Project 20, narrated by Fred Allen also titled The Jazz Age (1956), and a 15-episode TV series of the same name on the BBC (1968). Both the IMDB and TCM websites, for the 1929 film, show the 1956 film as available on DVD for purchase. No info is given about the availability of the 1929 title.
Blackmail is a 1929 British sound all-talking thriller film directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Herbert Banemann Rawlinson was an English-born stage, film, radio, and television actor. A leading man during Hollywood's silent film era, Rawlinson transitioned to character roles after the advent of sound films.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue.
The Single Standard is a 1929 American sound romantic drama film from Metro-Goldwyn-Mayer directed by veteran John S. Robertson and starring Greta Garbo, Nils Asther and Johnny Mack Brown. The film has no audible dialogue but featured a synchronized musical score and sound effects. The soundtrack was recorded using the Western Electric Sound System sound-on-film process. The soundtrack was also transferred to discs for those theatres that were wired with sound-on-disc sound systems.
The Phantom in the House is a 1929 American pre-Code talking film directed by Phil Rosen and starring Ricardo Cortez. A silent version was prepared for release in theatres not yet equipped for sound.
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The Taming of the Shrew is a 1929 American pre-Code comedy film directed by Sam Taylor and starring Mary Pickford and her husband Douglas Fairbanks. It was the first sound film adaptation of the Shakespearean play of the same name. The film was adapted by Taylor from William Shakespeare's play.
Mr. Fix-It is a 1918 American silent comedy film starring Douglas Fairbanks, Marjorie Daw, and Wanda Hawley, directed by Allan Dwan.
Penrod and Sam is a 1923 American silent comedy-drama film directed by William Beaudine and starring Ben Alexander, Joe Butterworth, and Buddy Messinger. Wendy L. Marshall stated that "Beaudine had the Midas touch when it came to directing children" in films like this and Boy of Mine. In 1931, Beaudine directed a sound adaptation of the novel.
Brotherly Love is a 1928 sound part-talkie comedy film produced and distributed by MGM and directed by Charles Reisner. It is a starring vehicle for the comedy team of Karl Dane and George K. Arthur. Young Jean Arthur supports the comedy duo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system.
Under the Black Eagle is a 1928 American silent World War I drama film directed by W. S. Van Dyke, written by Norman Houston, Bradley King, and Madeleine Ruthven, and starring Ralph Forbes, Marceline Day, Bert Roach, William Fairbanks, and Marc McDermott. The film was released on March 24, 1928, by Metro-Goldwyn-Mayer.
The Bellamy Trial is a 1929 sound part-talkie American drama film directed by Monta Bell and written by Monta Bell and Joseph Farnham. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film stars Leatrice Joy, Betty Bronson, Edward J. Nugent, George Barraud, and Margaret Livingston. The film was released on January 23, 1929, by Metro-Goldwyn-Mayer.
The Toilers is a 1928 American drama film starring Douglas Fairbanks, Jr. and Jobyna Ralston and directed by Reginald Barker. Fairbanks plays one of the toilers, while Ralston plays his sweetheart. It is a silent film with synchronized music and special effects.
Classified is a 1925 American silent drama film directed by Alfred Santell and produced by and starring Corinne Griffith. It was based on a novel by Edna Ferber and distributed through First National Pictures.
Captain Swagger is a 1928 American sound crime drama film directed by Edward H. Griffith and stars Rod La Rocque. While the film has no audible dialog, it was released with a synchronized musical score with sound effects utilizing the RCA Photophone sound-on-film sound system. The film was released with both the sound-on-disc and sound-on-film formats. The film was produced and distributed by the Pathé Exchange company.
No Defense is a 1929 American sound part-talkie romantic drama film directed by Lloyd Bacon and starring Monte Blue. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was distributed by Warner Brothers.
Is Zat So? is a lost 1927 American silent comedy film directed by Alfred E. Green and starring George O'Brien, Edmund Lowe, and Douglas Fairbanks Jr. It was produced and distributed by the Fox Film Corporation.
Saturday's Children is a 1929 American sound part-talkie romantic-comedy film directed by Gregory La Cava, and starring Corinne Griffith, Grant Withers, Albert Conti, Alma Tell, Lucien Littlefield. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The film was released by Warner Bros. on April 14, 1929. The film is based on the 1927 play Saturday's Children by Maxwell Anderson.
From Headquarters is a 1929 American sound part-talkie adventure drama film directed by Howard Bretherton and starring Monte Blue, Guinn "Big Boy" Williams, Gladys Brockwell, Lionel Belmore, and Henry B. Walthall. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was released by Warner Bros. on April 27, 1929.