| The Jazz Workshop | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1957 | |||
| Recorded | March 31, October 17 & December 21, 1956 | |||
| Genre | Cool jazz, modal jazz, post-bop | |||
| Length | 42:29 | |||
| Label | RCA Victor | |||
| George Russell chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz | [2] |
The Jazz Workshop is the debut album by jazz composer George Russell, featuring his "Smalltet", which included Art Farmer, Hal McKusick, Barry Galbraith, and Bill Evans.
"Concerto for Billy the Kid" is a feature for pianist Evans, who starts with two-handed octaves that follow the score, before improvising on the changes of "I'll Remember April". "Ezz-Thetic" is a bop theme using the changes of "Love for Sale". [3]
The Allmusic review by Scott Yanow awarded the album 4½ stars and asserted: "Listening to the music, it is hard to believe that Russell only utilized a sextet... The ensembles are frequently dense, the harmonies quite original and there are often several events occurring at the same time; one would swear there were at least four or five horns being heard in spots... Russell was able to utilize some of the more versatile and technically skilled players of the era, several of whom worked regularly in the studios. Recommended". [4] The Penguin Guide to Jazz gave it a maximum four-star rating and included it in the recommended Core Collection of jazz albums, describing it as "an astonishing collection, including several pieces that stand as almost unique avenues of thought in the jazz language". [2]
All compositions by George Russell
Portrait in Jazz is an album by American jazz pianist Bill Evans, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Hal McKusick was an American jazz alto saxophonist, clarinetist, and flutist who worked with Boyd Raeburn from 1944 to 1945 and Claude Thornhill from 1948 to 1949.
Ezz-thetics is a studio album by the George Russell sextet, released on Riverside Records in mid-1961.
Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Joseph Barry Galbraith was an American jazz guitarist.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until 1980.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Jazz in the Space Age is an album by George Russell originally released on Decca in 1960. The album contains tracks conducted and arranged by Russell performed by Ernie Royal, Bob Brookmeyer, Frank Rehak, Al Kiger, Marky Markowitz, David Baker, Jimmy Buffington, Hal McKusick, Dave Young, Sol Schlinger, Bill Evans, Paul Bley, Barry Galbraith, Howard Collins, Milt Hinton, Don Lamond and Charlie Persip.
Live in an American Time Spiral is a live album by George Russell released on the Italian Soul Note label in 1983, featuring performances by Russell with his New York Band recorded in 1982.
Re: Person I Knew is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1981. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Since We Met (1974). The name of the album is an anagram on the name of Orrin Keepnews, who produced for Evans while he was signed with Riverside Records, and who was one of his earliest champions.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Piano Player is a compilation of recordings featuring jazz pianist Bill Evans released in 1998 on the Columbia label.
In Angel City is an album by the American jazz bassist Charlie Haden's Quartet West recorded in 1988 and released on the Verve label.
Triple Exposure is an album by saxophonist Hal McKusick which was recorded in 1957 and released on the Prestige label.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions by jazz composer, conductor and pianist Gil Evans. The music was arranged by Evans and members of his orchestra. The album was recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
Lee Konitz Meets Jimmy Giuffre is an album by American jazz saxophonist Lee Konitz and saxophonist, composer and arranger Jimmy Giuffre which was released on the Verve label in 1959.
Ideal Scene is an album by the American jazz saxophonist Lee Konitz and his Quartet recorded in 1986, and released on the Italian Soul Note label.
