Ezz-thetics | ||||
---|---|---|---|---|
Studio album by George Russell Sextet | ||||
Released | June or July 1961 [1] [2] | |||
Recorded | May 1961 | |||
Genre | Avant-garde jazz, post-bop | |||
Length | 42:29 | |||
Label | Riverside | |||
Producer | Orrin Keepnews | |||
George Russell Sextet chronology | ||||
|
Ezz-thetics is a studio album by the George Russell sextet, released on Riverside Records in mid-1961. [1] [2]
The album was recorded in May 1961. [3] In addition to himself on piano, Russell's sextet contained trumpeter Don Ellis, trombonist Dave Baker, Eric Dolphy on alto sax and bass clarinet, Steve Swallow on bass, and Joe Hunt on drums. [3] Three of the tracks were written by Russell. [4] It features a radical reworking of Thelonious Monk's standard "Round Midnight" with an extended solo by Eric Dolphy. [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
The Rolling Stone Jazz Record Guide | [5] |
The Penguin Guide to Jazz | [3] |
The AllMusic reviewer described the album as "a true classic", and added that, "although using ideas from avant-garde jazz, it does not fall into any simple category". [4] The Penguin Guide to Jazz suggested that it was a good place in Russell's discography for a listener to start. [3]
* Bonus tracks, issued for the first time on 2007 CD remaster:
Eric Allan Dolphy Jr. was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Mingus Mingus Mingus Mingus Mingus is a studio album by the American jazz composer and bassist Charles Mingus which was released on January 9, 1964.
Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.
Eric Dolphy at the Five Spot, Vols. 1 and 2, is a pair of jazz albums documenting one night from the end of Eric Dolphy and Booker Little's two-week residency at the Five Spot in New York. This was the only night to be recorded. The engineer was Rudy Van Gelder.
Miles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, recorded in 1958 and 1963 and released in June 1964 by Columbia records. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.
The Jazz Workshop is the debut album by jazz composer George Russell, featuring his "Smalltet", which included Art Farmer, Hal McKusick, Barry Galbraith, and Bill Evans.
Twins is an album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1971. The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for The Shape of Jazz to Come, This Is Our Music, Free Jazz: A Collective Improvisation, and Ornette! Sessions for "Monk and the Nun" took place at Radio Recorders in Hollywood, California; for "First Take" at A&R Studios in New York City, and all others at Atlantic Studios also in Manhattan. The track "First Take" was a first attempt at "Free Jazz" from the album of the same name.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
The Stratus Seekers is an album by George Russell released in May or June 1962 on Riverside Records. The album contains performances by Russell with John Pierce, David Baker, Paul Plummer, Don Ellis, Steve Swallow and Joe Hunt.
Far Cry is the third album by jazz musician Eric Dolphy, released in 1962 on New Jazz Featuring a quintet co-led with trumpeter Booker Little, it is one of the few recordings of their partnership. Pianist Jaki Byard, bassist Ron Carter and drummer Roy Haynes all return from earlier Dolphy albums. This was a busy time for Dolphy- he took part in Ornette Coleman's Free Jazz session and recorded this album on the same day, and had participated in the Jazz Abstractions project the previous day.
Here and There is a jazz album by multi-instrumentalist Eric Dolphy. It was originally released in 1966 on the Prestige label as PRLP 7382. It contains tracks recorded on three separate dates, in different locations. Mal Waldron's "Status Seeking" and Dolphy's solo bass clarinet version of Billie Holiday's "God Bless the Child" were recorded on July 16, 1961 at the Five Spot in New York City as part of the concert that was documented on the At the Five Spot recordings. "April Fool" and "G.W. " were recorded on April 1, 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey as part of the session that yielded Outward Bound, Dolphy's first album as a leader. "Don't Blame Me" was recorded on September 6, 1961 in Berlingske Has, Copenhagen, Denmark during Dolphy's second European tour, as part of the sessions that produced Eric Dolphy in Europe Volumes 1-3.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
Screamin' the Blues is an album by American saxophonist Oliver Nelson, originally released in 1961 on New Jazz Records.
Mingus is an album by the jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York and released in late 1961 on Nat Hentoff's Candid label.
Big Top is the second album by American jazz drummer Whit Dickey, which was recorded in 1999 and released on Wobbly Rail, a short-lived imprint started by Merge Records/Superchunk principal Mac McCaughan. For this record, Dickey expanded to a quartet consisting of the trio with whom he recorded Transonic, with the addition of guitarist Joe Morris. They played Eric Dolphy composition "The Prophet", from the album At the Five Spot, and Thelonious Monk's "Skippy".
The Complete Uppsala Concert is a double-CD live album by Eric Dolphy. It was recorded on September 4, 1961, at Västmanlands-Dala Nation, Uppsala, Sweden, and was released by Gambit Records in 2005. The album, which features one original tune plus eight performances of standards, was recorded during Dolphy's second visit to Europe, and showcases local musicians Rony Johansson on piano, Kurt Lindgren on bass, and Rune Carlsson on drums.
Stockholm Sessions is an album by Eric Dolphy. It was recorded in September and November 1961 at the Swedish Broadcast station in Stockholm, Sweden, and was released by Inner City Records and Enja Records in 1981. The album was recorded during Dolphy's second visit to Europe.
The Berlin Concerts is a two-LP live album by Eric Dolphy. It was recorded on August 30, 1961, at two separate venues in Berlin, Germany, and was released by Inner City Records and Enja Records in 1978.
Vintage Dolphy is a live album by multi-instrumentalist Eric Dolphy. Side A was recorded at Carnegie Hall in New York City on April 18, 1963, and features Dolphy in a quartet format with trumpeter Edward Armour, bassist Richard Davis, and drummer J. C. Moses. Side B contains three pieces by Gunther Schuller, with varying instrumentation, one of which was recorded at the Everson Museum of Art in Syracuse, New York with the Syracuse Friends of Chamber Music on March 10, 1962, the other two of which were recorded at Carnegie Hall on March 14, 1963. The remaining track is a rendition of Charlie Parker's "Donna Lee" by an all-star ensemble recorded at Carnegie Hall on April 18, 1963.