 | |
| Discipline | Musicology |
|---|---|
| Language | English |
| Edited by | Andrew Hicks, Elaine Kelly |
| Publication details | |
| History | 1982-present |
| Publisher | |
| Frequency | Quarterly |
| Standard abbreviations | |
| ISO 4 | J. Musicol. |
| Indexing | |
| ISSN | 0277-9269 (print) 1533-8347 (web) |
| LCCN | 2001-214627 |
| JSTOR | 02779269 |
| OCLC no. | 45918209 |
| Links | |
The Journal of Musicology is a quarterly peer-reviewed academic journal of musicology published by University of California Press. The journal was established in 1982 by Marian C. Green.
Musicology is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus. Some geographers and anthropologists have an interest in musicology, so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist.
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music. In practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music".
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology of the early 20th century and postwar era. Many of the procedures of new musicology are considered standard, although the name more often refers to the historical turn rather than to any single set of ideas or principles. Indeed, although it was notably influenced by feminism, gender studies, queer theory, postcolonial studies, and critical theory, new musicology has primarily been characterized by a wide-ranging eclecticism.
The Central Conservatory of Music is a prestigious leading public music school of China and a member of Double First Class University Plan and former Project 211. Its campus is in the Xicheng District of Beijing, China, near Fuxingmen Station. It is a Chinese state Double First Class University, identified by the Ministry of Education.
Eero Aarne Pekka Tarasti, is a Finnish musicologist and semiologist, currently serving as Professor Emeritus of Musicology at the University of Helsinki.
The American Musicological Society (AMS) is a musicological organization which researches, promotes and produces publications on music. Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline.
Richard Filler Taruskin was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives, has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including The New York Times. He researched a wide variety of areas, but a central topic was the Russian music of the 18th century to present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume Oxford History of Western Music. He received several awards, including the first Noah Greenberg Award from the American Musicological Society in 1978, and the Kyoto Prize in Arts and Philosophy in 2017.
Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern music psychology is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human attitude, skill, performance, intelligence, creativity, and social behavior.
Joseph Wilfred Kerman was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book Contemplating Music: Challenges to Musicology was described by Philip Brett in The Grove Dictionary of Music and Musicians as "a defining moment in the field". He was Professor Emeritus of Musicology at the University of California, Berkeley.
The Society for Ethnomusicology is, with the International Council for Traditional Music and the British Forum for Ethnomusicology, one of three major international associations for ethnomusicology. Its mission is "to promote the research, study, and performance of music in all historical periods and cultural contexts."
The Journal of the American Musicological Society is a peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press and covers all aspects of musicology.
Sociomusicology, also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music, as well as a subfield of musicology that focuses on social aspects of musical behavior and the role of music in society.
Systematic musicology is an umbrella term, used mainly in Central Europe, for several subdisciplines and paradigms of musicology. "Systematic musicology has traditionally been conceived of as an interdisciplinary science, whose aim it is to explore the foundations of music from different points of view, such as acoustics, physiology, psychology, anthropology, music theory, sociology, and aesthetics." The most important subdisciplines today are music psychology, sociomusicology, philosophy of music, music acoustics, cognitive neuroscience of music, and the computer sciences of music. These subdisciplines and paradigms tend to address questions about music in general, rather than specific manifestations of music. In the Springer Handbook of Systematic Musicology, "(the) sections follow the main topics in the field, Musical Acoustics, Signal Processing, Music Psychology, Psychophysics/Psychoacoustics, and Music Ethnology while also taking recent research trends into consideration, like Embodied Music Cognition and Media Applications. Other topics, like Music Theory or Philosophy of Music are incorporated in the respective sections."
Music & Letters is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music field.
Cognitive musicology is a branch of cognitive science concerned with computationally modeling musical knowledge with the goal of understanding both music and cognition.
S.R.Janakiraman is a Carnatic vocalist and a musicologist. He is a recipient of several awards including the Sangita Kala Acharya, Kalaimamani from the Tamil Nadu Government and the Sangeet Natak Academy Award of the Government of India and the Padma Shri.
Journal of the Royal Musical Association is a peer-reviewed academic journal covering fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal is published by Routledge on behalf of the Royal Musical Association and the editor-in-chief is Freya Jarman.
Acta Musicologica is the official peer-reviewed journal of the International Musicological Society, which has its headquarters in Basel, Switzerland. It contains articles on musicological research of international importance in five different languages and is published semiannually by Bärenreiter.
The Archiv für Musikwissenschaft is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars.
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the Corpus mensurabilis musicae (CMM), Corpus Scriptorum de Musica (CSM) and Corpus of Early Keyboard Music (CEKM). In CMM specifically, the AIM has published the entire surviving oeuvres of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music.
