Author | Lord Dunsany |
---|---|
Language | English |
Genre | Fantasy |
Publisher | G. P. Putnam's Sons |
Publication date | 1924 |
Publication place | United States |
Media type | Print (hardback) |
Pages | 301 pp |
The King of Elfland's Daughter is a 1924 fantasy novel by Anglo-Irish writer Lord Dunsany. It is widely recognized as one of the most influential and acclaimed works in all of fantasy literature. [1] [2] [3] Although the novel faded into relative obscurity following its initial release, it found new longevity and wider critical acclaim when a paperback edition was released in 1969 as the second volume of the Ballantine Adult Fantasy series .
It has also been included in the more recent Fantasy Masterworks series. While seen as highly influential upon the genre as a whole, the novel was particularly formative in the (later-named) subgenres of fairytale fantasy and high fantasy.
The lord of Erl is told by the parliament of his people that they want to be ruled by a magic lord. Obeying the immemorial custom, the lord sends his son Alveric to fetch the King of Elfland's daughter, Lirazel, to be his bride. He makes his way to Elfland, where time passes at a rate far slower than the human world, and wins her. They return to Erl and have a son, Orion, but in the manner of fairy brides of folklore, she fits uneasily with his people. She returns to the waiting arms of her father in Elfland, and her lovesick husband goes searching for her, abandoning the kingdom of Erl and wandering in a now-hopeless quest. However, Lirazel becomes lonesome for her mortal husband and son. Seeing that she is unhappy, the King of Elfland uses a powerful magic to engulf the land of Erl. Erl is transformed into a part of Elfland, and Lirazel and her loved ones are reunited forever in an eternal, enchanted world.
During the course of the novel, the King of Elfland uses up all of the three powerful magic spells (known as runes) that he had been reserving for the defense of his realm.
Although the novel fell into obscurity after its initial release, it found a new readership when Ballantine Books re-issued it as part of their Adult Fantasy series in June 1969. The novel has since become widely recognized as one of the most influential and most praised of the genre. Many critics, [1] including L. Sprague de Camp, described it as being on par with The Lord of the Rings in terms of its quality and influence. [4] Arthur C. Clarke felt that the novel helped cement Dunsany as "one of the greatest writers of this century".[ citation needed ]
The novel's reputation has continued to grow in the ensuing decades. In his review of the 1999 edition for The Magazine of Fantasy & Science Fiction , Charles de Lint praised the novel as superlative: "It's not simply the beauty of the language, the astute eye for character, the hint of humor, or even the spell of legendry and wonder, but Dunsany's unique combination of all of the above. Even read today, with all the fantasy novels I've read, his work remains fresh and exuberant". [5] Gahan Wilson also praised Elfland's Daughter lavishly, calling it "likely Dunsany's masterpiece" and concluding "that may well be the same as saying it could be the very best fairy story ever written". [6]
Other reviewers have been more guarded in their praise. E. F. Bleiler wrote that the novel included "many stylistic brilliances, but the story suffers from too many shifts of attention". [7] Jo Walton commented that it "is probably best described as good but odd. [Dunsany] isn't at his best writing characters, which gets peculiar at novel length. What he could do, what he did better than anyone, was to take poetic images and airy tissues of imagination and weight them down at the corners with perfect details to craft a net to catch dreams in. It's not surprising he couldn't make this work for whole novels, when as far as I know, nobody else has ever quite made it work in prose". [8]
Two members of Steeleye Span (Bob Johnson and Pete Knight) wrote and produced a 1977 concept album The King of Elfland's Daughter , inspired by the book. The singing talents of Frankie Miller (as Alveric), Mary Hopkin (as Lirazel), P. P. Arnold (as the Witch), and Alexis Korner (as a troll) are featured on the album, and the voice of Christopher Lee as the narrator and the King of Elfland. The musicians included Nigel Pegrum, Herbie Flowers, Ray Cooper and Chris Spedding. [9]
The game designer Gavin Norman cites Dunsany's novel as one of the inspirational media behind his creation of the Dolmenwood fantasy role-playing game. It seems to be at least one of his sources for the Hunter class, and Runes (a type of Fairy Magic within the game), both of which are described in The Player's Book. Furthermore, Norman's Dolmenwood adventure module Winter's Daughter contains a quest possibility that parallels Alveric's quest to journey to Elfland to find his wife Lirazel. [10]
Fantasy comedy or comic fantasy is a subgenre of fantasy that is primarily humorous in intent and tone. Typically set in imaginary worlds, fantasy comedy often involves puns on, and parodies of, other works of fantasy.
Edward John Moreton Drax Plunkett, 18th Baron Dunsany, commonly known as Lord Dunsany, was an Anglo-Irish writer and dramatist. He published more than 90 books during his lifetime, and his output consisted of hundreds of short stories, plays, novels, and essays; further works were published posthumously. Having gained a name in the 1910s as a writer in the English-speaking world, he is best known today for the 1924 fantasy novel The King of Elfland's Daughter, and his first book, The Gods of Pegāna, which depicts a fictional pantheon. Many critics feel his early work laid grounds for the fantasy genre.
A half-elf is a mythological or fictional being, the offspring of an immortal elf and a mortal man. They are often depicted as very beautiful and endowed with magical powers; they may be presented as torn between the two worlds that they inhabit. Half-elves became known in modern times mainly through J. R. R. Tolkien's Middle-earth writings but have origins in Norse mythology. A half-elf appeared in Lord Dunsany's 1924 book The King of Elfland's Daughter.
The title Baron of Dunsany or, more commonly, Lord Dunsany, is one of the oldest dignities in the Peerage of Ireland, one of just a handful of 13th- to 15th-century titles still extant, having had 21 holders, of the Plunkett name, to date. Other surviving medieval baronies include Kerry, Kingsale, Trimlestown (1469), Baron Louth, and Dunboyne.
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
A fantasy trope is a specific type of literary trope that occurs in fantasy fiction. Worldbuilding, plot, and characterization have many common conventions, many of them having ultimately originated in myth and folklore. J. R. R. Tolkien's legendarium for example, was inspired from a variety of different sources including Germanic, Finnish, Greek, Celtic and Slavic myths. Literary fantasy works operate using these tropes, while others use them in a revisionist manner, making the tropes over for various reasons such as for comic effect, and to create something fresh.
In European folklore and myth, the Erlking is a sinister elf who lingers in the woods. He stalks children who stay in the woods for too long, and kills them with a single touch.
Childe Rowland is a fairy tale, the most popular version written by Joseph Jacobs in his English Fairy Tales, published in 1890, based on an earlier version published in 1814 by Robert Jamieson. Jamieson's was repeating a "Scottish ballad", which he had heard from a tailor.
Terri Windling is an American editor, artist, essayist, and the author of books for both children and adults. She has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, and the Bram Stoker Award, and her collection The Armless Maiden appeared on the short-list for the James Tiptree, Jr. Award.
In many works of modern fantasy, elves are depicted as a race or species of pointy-eared humanoid beings. These depictions arise from the álfar of Norse mythology influencing elves in fantasy as being semi-divine and of human stature, whose key traits are being friendly with nature and animals. However, this differs from Norse and the traditional elves found in Middle Ages folklore and Victorian era literature.
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern fantasy genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
Everett Franklin Bleiler was an American editor, bibliographer, and scholar of science fiction, detective fiction, and fantasy literature. In the late 1940s and early 1950s, he co-edited the first "year's best" series of science fiction anthologies, and his Checklist of Fantastic Literature has been called "the foundation of modern SF bibliography". Among his other scholarly works are two Hugo Award–nominated volumes concerning early science fiction—Science-Fiction: The Early Years and Science-Fiction: The Gernsback Years—and the massive Guide to Supernatural Fiction.
The Charwoman's Shadow is a 1926 fantasy novel by Anglo-Irish writer Lord Dunsany. It is among the pioneering works in the field, published before the genre was named "fantasy".
Beyond the Fields We Know is a collection of fantasy short stories by Irish writer Lord Dunsany, and edited by Lin Carter. The title is derived from a description of the location of the border of Elfland used over one hundred times in Lord Dunsany's best-known novel, The King of Elfland's Daughter. It was first published in paperback by Ballantine Books as the forty-seventh volume of its Ballantine Adult Fantasy series in May 1972. It was the series' fourth Dunsany volume, and the second collection of his shorter fantasies assembled by Carter.
The Sword of Welleran and Other Stories is the third book by Anglo-Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It was first published in hardcover by George Allen & Sons in October 1908, and has been reprinted a number of times since. Issued by the Modern Library in a combined edition with A Dreamer's Tales as A Dreamer's Tales and Other Stories in 1917.
Fifty Poems is a collection of poetry by fantasy author Lord Dunsany. His first poetry collection, it was first published in hardcover simultaneously in London and New York City by G. P. Putnam's Sons in October 1929.
The Books of Faerie is a series of three mini-series spun off from Vertigo Comics' series The Books of Magic written by Bronwyn Carlton and John Ney Rieber. It featured characters used predominantly in the parent series – Titania, Auberon and Molly O'Reilly – to tell stories set in the realm of Faerie prior to the start of The Books of Magic, and later in the present era.
Policeman Bluejay or Babes in Birdland is a children's novel written by L. Frank Baum and illustrated by Maginel Wright Enright. First published in 1907, Jack Snow considered it one of the best of Baum's works.
The King of Elfland's Daughter is a 1977 concept album by former Steeleye Span members Bob Johnson and Peter Knight. It was based on the 1924 fantasy novel of the same name by Lord Dunsany. The cover illustration is by Jimmy Cauty.