"The Fortress Unvanquishable, Save for Sacnoth" | |
---|---|
Short story by Lord Dunsany | |
Genre(s) | Fantasy |
Publication | |
Published in | The Sword of Welleran and Other Stories |
Publication type | Short story collection |
Publisher | George Allen & Sons |
Publication date | 1908 |
"The Fortress Unvanquishable, Save for Sacnoth" is a fantasy short story by Lord Dunsany, first published in his 1908 collection The Sword of Welleran and Other Stories . It describes the hero Leothric's quest to free his people from bad dreams the evil sorcerer Gaznak has set on them, by first finding the sword Sacnoth and then venturing into Gaznak's fortress.
The story has been described as one of Dunsany's best and a major influence on sword and sorcery fiction.
The story begins in the village of Allathurion, where the people are having bad dreams. Their wizard announces that his best spell could not dispel the dreams, which must be the work of the powerful wizard Gaznak, who can only be defeated with the sword Sacnoth. Leothric, the son of the local lord vows to obtain it: the yet unmade sword, to be forged from the rod protecting the spine of the metallic dragon-crocodile Tharagavverug.
Leothric finds Tharagavverug and kills it by beating its soft lead nose every time it tries to eat, which makes it recoil in pain without eating. After three days it starves; a smith smelts out the sword-piece, sharpening an edge with the dragon-croc's eye, putting its other eye in the sword's hilt.
Leothric reaches Gaznak's fortress, thanks to Tharagavverug's eye navigating a path through the swamps. Inside he encounters camel-riders armed with scimitars, a giant spider spinning obstructive ropes, queens and princes dining, and dream spirits that resemble beautiful women but have fire in their eye sockets. Many flee when they hear the name Sacnoth. He crosses a path between two great abysses, killing a dragon who serves Gaznak, before slaying another, Wong Bongerok, with Sacnoth's help.
Leothric enters Gaznak's chamber and sees the wizard's dreams. Magical musicians cast a death spell at him, but Sacnoth turns it aside. Gaznak and Leothric fight; Sacnoth cannot pierce his armour, but when Leothric strikes at Gaznak's neck, Gaznak pulls his own head off to evade the blow. When Leothric cuts Gaznak's hand off, the wizard dies and the fortress and dreams vanish. Leothric returns home, and the story ends with a note that not everyone believes this story.
Dunsany's greatest strength as a short story writer was his evocative power; plot and character were in the service of image and atmosphere, [1] and "The Fortress Unvanquishable, Save for Sacnoth" makes full use of this ability. It piles up fantastic images which acquire an overwhelming power. [2] The story contrasts familiar images such as woods, hills, and villages with the magical, heightening the effect of both. [3]
The style of the story is deliberately poetic and archaic, in both word choice (such as using "fell" for "deadly" and "ere" for "before") and grammar. It often inverts normal sentence order or uses long sentences held together with many "and"s to heighten the flow of images. It also uses repetition, alliteration, and assonance. [3]
"The Fortress Unvanquishable, Save for Sacnoth" makes frequent references to Hell, Satan, and other Christian themes. This is a break from Dunsany's earlier stories (such as The Gods of Pegāna ), which centre on the imagined mythology of Pegāna; it anticipates his later work set in the real world. [1] Despite this serious theme, there are humorous elements such as Wong Bongerok "slobbering" Gaznak's hand. [3] The fight with Tharagavverug may be ridiculous, but has been described as "probably the most original method of dragonslaying ever devised". [1]
"The Fortress Unvanquishable, Save for Sacnoth" was first published in Dunsany's collection The Sword of Welleran and Other Stories , printed by George Allen & Sons in 1908. [4] In 1910, it was republished as a chapbook, [5] with "decorations" by William F. Northend. [4] [6]
"The Fortress Unvanquishable, Save for Sacnoth" has been called one of Dunsany's best stories, [7] "his first indisputable masterpiece", [1] and "one of the finest short pieces of its type in English". [2]
The story was a major influence and inspiration for writers such as J. R. R. Tolkien, H. P. Lovecraft, Fritz Leiber, Clark Ashton Smith, and Jack Vance, but Dunsany was unaware of this until nearly the end of his life. It has been called "perhaps the first sword and sorcery story ever written", with almost all the usual elements of the type present, [1] [8] and The Encyclopedia of Fantasy states that it "almost singlehandedly created the Sword and Sorcery genre"; [5] in his introduction to In the Land of Time, and Other Fantasy Tales , S. T. Joshi noted it as one of several of Dunsany's stories which might be said to have created the subgenre. [9] However, the sensible Leothric is more like a fairy-tale hero than a Conanesque barbarian, [1] and the tale does not have the thrills and excitement of typical sword and sorcery. [2] [10]
Sacnoth is the first sentient sword in fantasy fiction, and an influence on the sword Caudimordax in Tolkien's story Farmer Giles of Ham and Stormbringer in Michael Moorcock's Elric novels. [1]
Edward John Moreton Drax Plunkett, 18th Baron of Dunsany,, commonly known as Lord Dunsany, was an Anglo-Irish writer and dramatist. He published more than 90 books during his lifetime, and his output consisted of hundreds of short stories, plays, novels, and essays. He gained a name in the 1910s as a great writer in the English-speaking world. Best known today are the 1924 fantasy novel, The King of Elfland's Daughter, and his first book, The Gods of Pegāna, which depicts a fictional pantheon. Many critics feel his early work laid grounds for the fantasy genre.
Sword and sorcery (S&S) or heroic fantasy is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. Sword and sorcery commonly overlaps with heroic fantasy. The genre originated from the early-1930s works of Robert E. Howard. The term "sword and sorcery" was coined by Fritz Leiber In the May 1961 issue of the fantasy fanzine Amra, to describe Howard and the stories that were influenced by his works. In parallel with "sword and sorcery", the term "heroic fantasy" is used, although it is a more loosely defined genre.
A Fantasy trope is a specific type of literary tropes that occurs in fantasy fiction. Worldbuilding, plot, and characterization have many common conventions, many of them having ultimately originated in myth and folklore. J. R. R. Tolkien's legendarium for example, was inspired from a variety of different sources including Germanic, Finnish, Greek, Celtic and Slavic myths. Literary fantasy works operate using these tropes, while others use them in a revisionist manner, making the tropes over for various reasons such as for comic effect, and to create something fresh.
The Dream-Quest of Unknown Kadath is a novella by American writer H. P. Lovecraft. Begun probably in the autumn of 1926, the draft was completed on January 22, 1927 and it remained unrevised and unpublished in his lifetime. It is both the longest of the stories that make up his Dream Cycle and the longest Lovecraft work to feature protagonist Randolph Carter. Along with his 1927 novel The Case of Charles Dexter Ward, it can be considered one of the significant achievements of that period of Lovecraft's writing. The Dream-Quest combines elements of horror and fantasy into an epic tale that illustrates the scope and wonder of humankind's ability to dream.
The Gods of Pegāna is the first book by Anglo-Irish writer Lord Dunsany, published in 1905. The fantasy book was reviewed favourably but as an unusual piece. One of the more influential reviews was by Edward Thomas in the London Daily Chronicle.
The Fantastic Swordsmen is a 1967 anthology of fantasy short stories in the sword and sorcery subgenre, edited by American writer L. Sprague de Camp. It was first published in paperback by Pyramid Books. It was the third such anthology assembled by de Camp, following his earlier Swords and Sorcery (1963) and The Spell of Seven (1965). It has also been translated into German.
The Fourth Book of Jorkens is a collection of fantasy short stories, narrated by Mr. Joseph Jorkens, by writer Lord Dunsany. It was first published by Jarrolds in 1947. It was the fourth collection of Dunsany's Jorkens tales to be published. It has also been issued in combination with the third book, Jorkens Has a Large Whiskey, and two uncollected short stories, in the omnibus edition The Collected Jorkens, Volume Two, published by Night Shade Books in 2004.
At the Edge of the World is a collection of fantasy short stories by Irish writer Lord Dunsany, edited by Lin Carter. It was first published in paperback by Ballantine Books as the thirteenth volume of its Ballantine Adult Fantasy series in March 1970. It was the series' second Dunsany volume, and the first collection of his shorter fantasies assembled by Carter.
Over the Hills and Far Away is a collection of fantasy short stories by Lord Dunsany, edited by Lin Carter. It was first published in paperback by Ballantine Books as the sixty-fifth volume of its celebrated Ballantine Adult Fantasy series in April 1974. It was the series' sixth Dunsany volume, and the third collection of his shorter fantasies assembled by Carter.
Beyond the Fields We Know is a collection of fantasy short stories by Irish writer Lord Dunsany, and edited by Lin Carter. The title is derived from a description of the location of the border of Elfland used over one hundred times in Lord Dunsany's best-known novel, The King of Elfland's Daughter. It was first published in paperback by Ballantine Books as the forty-seventh volume of its Ballantine Adult Fantasy series in May 1972. It was the series' fourth Dunsany volume, and the second collection of his shorter fantasies assembled by Carter.
Time and the Gods is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It is a collection of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegāna. It was preceded by his earlier collection The Gods of Pegāna and followed by some stories in The Sword of Welleran and Other Stories. Dunsany included a brief preface in the original edition and added a new introduction to the 1922 edition.
The Sword of Welleran and Other Stories is the third book by Anglo-Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It was first published in hardcover by George Allen & Sons in October 1908, and has been reprinted a number of times since. Issued by the Modern Library in a combined edition with A Dreamer's Tales as A Dreamer's Tales and Other Stories in 1917.
A Dreamer's Tales is the fourth book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. Like most of Dunsany's early books, A Dreamer's Tales is a collection of fantasy short stories.
The Book of Wonder is the seventh book and fifth original short story collection of Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It was first published in hardcover by William Heinemann in November 1912, and has been reprinted a number of times since. A 1918 edition from the Modern Library was actually a combined edition with Time and the Gods.
The Last Book of Wonder, originally published as Tales of Wonder, is the tenth book and sixth original short story collection of Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin and others.
In the Land of Time and Other Fantasy Tales is a posthumous collection of short stories by the writer Lord Dunsany in the Penguin Classics series. Edited and with an introduction by S. T. Joshi, it assembles material from across Dunsany's long career. The cover illustration is a colourised version of a classic illustration for an early Dunsany story by his preferred artist, Sidney Sime.
Time and the Gods is an omnibus collection of fantasy stories by Anglo-Irish writer Lord Dunsany. It was first published by Orion Books in 2000 as the second volume of their Fantasy Masterworks series. This omnibus contains all the stories from Dunsany's earlier collections: The Gods of Pegāna (1905), Time and the Gods (1906), The Sword of Welleran and Other Stories (1908), A Dreamer's Tales (1910), The Book of Wonder (1912), and The Last Book of Wonder (1916).
Lin Carter's Simrana Cycle is a collection of fantasy short stories by American writer Lin Carter, selected and edited by Robert M. Price. It was first published in hardcover, trade paperback and ebook by Celaeno Press in February 2018.