The Last Train from Madrid | |
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Directed by | James P. Hogan |
Screenplay by | Louis Stevens Robert Wyler |
Based on | Paul Hervey Fox Elsie Fox |
Produced by | George M. Arthur Hugh Bennett |
Starring | Dorothy Lamour Lew Ayres Gilbert Roland |
Cinematography | Harry Fischbeck |
Edited by | Everett Douglas |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 85 minutes |
Country | United States |
Language | English |
The Last Train from Madrid is a 1937 American war drama film directed by James P. Hogan and starring Dorothy Lamour, Lew Ayres and Gilbert Roland. It is set during the Spanish Civil War. [1] The film was one of the few contemporary Hollywood films made about the war. [2]
The plot revolves around the story of seven peoples' lives and love affairs in Madrid during the Spanish Civil War. The film is set during one day, a train leaving from Madrid to Valencia being bound to leave at midnight, allowing the protagonists, including prisoners who agreed to fight in exchange for their release, to escape the city under intense bombing.
In 1936, it was reported that Paramount had acquired the property as a vehicle for Cary Grant. However, Grant did not sign a new contract and left the studio later that year.
As with Love Under Fire , another film about the Spanish Civil War in production at the time, the filmmakers were careful not to take sides. Paramount executives described it as a "sort of a Grand Hotel theme." [4] The production experienced several issues with the Hays Office because of the political aspects of the subject. [2]
Filming took place in April and May 1937, [5] mainly at Paramount's studios and at the Iverson Ranch, although some secondary location shooting took place in Palencia in Castille. [6] The sets were designed by the art directors Earl Hedrick and Hans Dreier. Additional filming of background scenes took place at Cecil B. DeMille ’Spanish’ bungalow on the Paramount lot; DeMille himself appears in a crowd scene in the film. [6]
Writing for Night and Day magazine in 1937, Graham Greene offered an unfavorable review, describing The Last Train from Madrid as "probably the worst film of the decade." Greene criticized the film's acting and noted that rather than experiencing the dialogue's intended "emotional and uplifting" message, he found it humorous. [7]
The New York Times suggested that the film should not be seriously regarded: "True, it treats of the Spanish Revolution, but merely as Hollywood has in the past regarded the turmoils of Ruritania and Zenda." [2]
The Greatest Show on Earth is a 1952 American drama film produced and directed by Cecil B. DeMille, shot in Technicolor and released by Paramount Pictures. Set in the Ringling Bros. and Barnum & Bailey Circus, the film stars Betty Hutton and Cornel Wilde as trapeze artists competing for the center ring and Charlton Heston as the circus manager. James Stewart also stars as a mysterious clown who never removes his makeup, and Dorothy Lamour and Gloria Grahame also play supporting roles.
Lewis Frederick Ayres III was an American actor whose film and television career spanned 65 years. He is best known for starring as German soldier Paul Bäumer in the film All Quiet on the Western Front (1930) and for playing Dr. Kildare in nine films. He was nominated for an Academy Award for Best Actor for his performance in Johnny Belinda (1948).
Dorothy Lamour was an American actress and singer. She is best remembered for having appeared in the Road to... movies, a series of successful comedies starring Bing Crosby and Bob Hope.
Evelyn Brent was an American film and stage actress.
John Howard was an American actor. He is best remembered for his roles in the films Lost Horizon (1937) and The Philadelphia Story (1940).
Billy Lee was an American child actor who appeared in many films from the mid-1930s through the early 1940s. He is probably best remembered for his performance in The Biscuit Eater.
Road to Bali is a 1952 American comedy film directed by Hal Walker and starring Bing Crosby, Bob Hope, and Dorothy Lamour. Released by Paramount Pictures on November 19, 1952, the film is the sixth of the seven Road to ... movies. It was the only entry in the series filmed in Technicolor and was the first to feature surprise cameo appearances from other well-known stars of the day.
The Big Broadcast of 1938 is a Paramount Pictures musical comedy film starring W. C. Fields and featuring Bob Hope. Directed by Mitchell Leisen, the film is the last in a series of Big Broadcast movies that were variety show anthologies. This film featured the debut of Hope's signature song, "Thanks for the Memory" by Ralph Rainger.
Agnes Ayres was an American actress who rose to fame during the period of silent films. She was known for her role as Lady Diana Mayo in The Sheik opposite Rudolph Valentino.
The Road to Hong Kong is a 1962 British semi-musical comedy film directed by Norman Panama and starring Bing Crosby and Bob Hope, as well as Joan Collins, with an extended cameo featuring Dorothy Lamour in the setting of Hong Kong under British Rule. This was the seventh and final installment in the Road to ... series and the only one made without the involvement of Paramount Pictures, though references to the others in the series are made in the film and shown in Maurice Binder's opening title sequence.
High, Wide and Handsome is a 1937 American musical western film starring Irene Dunne, Randolph Scott, Alan Hale Sr., Charles Bickford and Dorothy Lamour. The film was directed by Rouben Mamoulian and written by Oscar Hammerstein II and George O'Neil, with lyrics by Hammerstein and music by Jerome Kern. It was released by Paramount Pictures.
The Plainsman is a 1936 American Western film directed by Cecil B. DeMille and starring Gary Cooper and Jean Arthur. The film presents a highly fictionalized account of the adventures and relationships between Wild Bill Hickok, Calamity Jane, Buffalo Bill Cody, and General George Custer, with a gun-runner named Lattimer as the main villain. The film is notorious for mixing timelines and even has an opening scene with Abraham Lincoln setting the stage for Hickok's adventures. Anthony Quinn has an early acting role as an Indian. A remake using the same title was released in 1966.
Star Spangled Rhythm is a 1942 American all-star cast musical film made by Paramount Pictures during World War II as a morale booster. Many of the Hollywood studios produced such films during the war, with the intent of entertaining the troops overseas and civilians back home and to encourage fundraising – as well as to show the studios' patriotism. This film was also the first released by Paramount to be shown for 8 weeks.
Iron Man is a 1931 American pre-Code sports drama film directed by Tod Browning and starring Lew Ayres and Jean Harlow. In 1951, Universal remade the film with Jeff Chandler, Evelyn Keyes and Rock Hudson, directed by Joseph Pevney.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Interference is a 1928 American pre-Code drama film directed by Lothar Mendes, as Paramount Pictures' first feature-length all-talking motion picture. It stars Clive Brook, William Powell, Evelyn Brent, and Doris Kenyon, all making their sound film debuts. In England, when a first husband turns out not to be dead, blackmail leads to murder.
Aloma of the South Seas is a 1941 American romantic adventure drama film directed by Alfred Santell and starring Dorothy Lamour and Jon Hall. The film was shot in Technicolor and distributed by Paramount Pictures.
Touchdown, Army retitled Generals of Tomorrow in the UK is a 1938 American comedy film directed by Kurt Neumann, written by Lloyd Corrigan and Erwin S. Gelsey, and starring John Howard, Mary Carlisle, Robert Cummings, William Frawley, Owen Davis Jr., and Benny Baker. It was released on October 7, 1938, by Paramount Pictures.
Helen Margarite Burgess was an American film and stage actress. Discovered by Cecil B. DeMille, she began her acting career in 1936 at age nineteen, playing Louisa Cody in DeMille's Western biopic The Plainsman. She would appear in four films as a contract player for Paramount Pictures before dying at age twenty from pneumonia.
Everett Douglas (1902–1967) was an American film editor. He was under contract to Paramount Pictures for many years. At the end of his career he edited numerous episodes of the western television series Bonanza.