Ruritania

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Ruritania is a fictional country, originally located in Central Europe as a setting for novels by Anthony Hope, such as The Prisoner of Zenda (1894). [1] [2] Nowadays, the term connotes a quaint minor European country or is used as a placeholder name for an unspecified country in academic discussions. The first known use of the demonym Ruritanian was in 1896. [3]

Contents

Hope's setting lent its name to a literary genre involving fictional countries, which is known as Ruritanian romance.

Fictional country

Jurists specialising in international law and private international law use Ruritania and other fictional countries when describing a hypothetical case illustrating some legal point. Examples include:

″[t]he question whether A obtained good title to a camera which he bought in Ruritania is governed by Ruritanian law, even if the camera had been delivered on hire purchase terms, or under a conditional sale to A’s seller in England.″ [4]
"We do not need to have a security agreement with Indonesia so both of us will fight off the “Ruritanians”. That's not what the relationship is about," he said. "It is all about working together on the threats that we have to deal with, which are different types of threats."[ citation needed ]

[6]

M. Rothbard – a former student of von Mises – similarly used the fictional country in his own works. [lower-alpha 1]

Central and southeastern Europe

Ruritania has also been used to describe the stereotypical development of nationalism in 19th-century Eastern Europe, by Ernest Gellner in Nations and Nationalism, in a pastiche of the historical narratives of nationalist movements among Poles, Czechs, Serbians, Romanians, etc. In this story, peasant Ruritanians living in the "Empire of Megalomania" developed national consciousness through the elaboration of a Ruritanian high culture by a small group of intellectuals responding to industrialization and labor migration.

Author and royal historian Theo Aronson, in his book Crowns in Conflict (1986), used the term to describe the semi-romantic and even tribal-like conditions of the Balkan and Romanian cultures before World War I. Walter Lippmann used the word to describe the stereotype that characterized the vision of international relations during and after the War. [11]

Vesna Goldsworthy of Kingston University, in her book Inventing Ruritania: the imperialism of the imagination (Yale University Press, 1998), addresses the question of the impact of the work of novelists and film-makers in shaping international perceptions of the Balkans in the framework of an anti-Western type of modernism which has received much criticism from other academics. Goldsworthy's theories consider stories and movies about Ruritania to be a form of "literary exploitation" or "narrative colonization" of the peoples of the Balkans.

While discussing how new revolutionary leadership consciously or unconsciously may inherit certain elements of the previous regime, Benedict Anderson, in his book Imagined Communities , mentions among other examples "Josip Broz's revival of Ruritanian pomp and ceremony." [12]

Footnotes

  1. "One method of the birth of a State may be illustrated as follows: In the hills of southern “Ruritania”, a bandit group manages to obtain physical control over the territory, and finally the bandit chieftain proclaims himself “King of the sovereign and independent government of South Ruritania”; and, if he and his men have the force to maintain this rule for a while, lo and behold! a new State has joined the “family of nations,” and the former bandit leaders have been transformed into the lawful nobility of the realm." — Rothbard (2009) [9]

See also

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References

  1. Manguel, Alberto; Guadalupi, Gianni (1987). The Dictionary of Imaginary Places. Harcourt Brace Jovanovich. pp. 336–337. ISBN   0156260549.
  2. Daly, Nicholas (2020). Ruritania: A Cultural History, from the Prisoner of Zenda to the Princess Diaries. Oxford University Press. ISBN   978-0198836605.[ page needed ]
  3. "Definition of RURITANIAN". www.merriam-webster.com. Retrieved 2020-12-06.
  4. Briggs, Adrian (2019). The Conflict of Laws (4th ed.). Oxford, UK: Oxford University Press. p. 286. ISBN   9780198838500.
  5. Mortensen, Reid; Garnett, Richard; Keyes, Mary (24 January 2023). Private International Law in Australia (textbook) (5th, print ed.). Sydney, AU: LexisNexis / Butterworths. ISBN   978-040935537-6.e-Book: ISBN   978-040935538-3
  6. Cobain, Ian (11 October 2014). "Ex-wife of well-known performer obtains injunction against book to protect son". Culture / books / publishing. The Guardian . Retrieved 11 October 2014.
  7. von Mises, Ludwig (1912). The Theory of Money and Credit (expanded ed.). chapter 23.
  8. von Mises, Ludwig (2010) [1949, 1998]. Human Action: A treatise on economics (reprint ed.). Yale University Press (1949) / Ludwig von Mises Institute (1998, 2010). chapter 23. ISBN   978-086597631-3. OCLC   730271204. ISBN   978-161016145-9 (1998 ed.)
  9. Rothbard, Murray (2009). Anatomy of the State. Ludwig von Mises Institute. pp. 16–17. ISBN   978-1-933550-48-0.
  10. "[title not cited]". Any Questions? . Event occurs at Begins 08m 15s. BBC Radio 4 . Retrieved 2024-04-09.{{cite episode}}: CS1 maint: url-status (link)
  11. Lippmann, Walter (1921). Public Opinion. See Chapter X.
  12. Benedict Anderson (1991). Imagined Communities . New York & London: Verso Books. p. 160. ISBN   0-86091-329-5.