Ruritania is a fictional country, originally located in central Europe as a setting for novels by Anthony Hope, such as The Prisoner of Zenda (1894). [1] [2] Nowadays the term connotes a quaint minor European country, or is used as a placeholder name for an unspecified country in academic discussions. The first known use of the demonym Ruritanian was in 1896. [3]
Hope's setting lent its name to a literary genre involving fictional countries, which is known as Ruritanian romance.
Jurists specialising in international law and private international law use Ruritania and other fictional countries when describing a hypothetical case illustrating some legal point. [4] Australian foreign minister Alexander Downer cited Ruritania as a fictional enemy when illustrating a security treaty between Australia and Indonesia signed on 8 November 2006: "We do not need to have a security agreement with Indonesia so both of us will fight off the Ruritanians. That's not what the relationship is about," he said. "It is all about working together on the threats that we have to deal with, which are different types of threats." Similarly, a British court, when contemplating a publication ban relating to a childhood sexual assault case, referred to the country of origin of the child as "Ruritania", further explaining, "The boy was described in the judgment as having 'dual British and Ruritanian nationality'." [5]
Economist Ludwig von Mises discussed currency reform for Ruritania and its "rurs" in the expanded edition of The Theory of Money and Credit (1912), chapter 23. He also references it in Human Action . Murray Rothbard, a former student of von Mises, also mentions the fictional country in his own works. [6]
Ruritania has also been used to describe the stereotypical development of nationalism in 19th-century Eastern Europe, by Ernest Gellner in Nations and Nationalism, in a pastiche of the historical narratives of nationalist movements among Poles, Czechs, Serbians, Romanians, etc. In this story, peasant Ruritanians living in the "Empire of Megalomania" developed national consciousness through the elaboration of a Ruritanian high culture by a small group of intellectuals responding to industrialization and labor migration.
Author and royal historian Theo Aronson, in his book Crowns in Conflict (1986), used the term to describe the semi-romantic and even tribal-like conditions of the Balkan and Romanian cultures before World War I. Walter Lippmann used the word to describe the stereotype that characterized the vision of international relations during and after the War. [7]
Vesna Goldsworthy of Kingston University, in her book Inventing Ruritania: the imperialism of the imagination (Yale University Press, 1998), addresses the question of the impact of the work of novelists and film-makers in shaping international perceptions of the Balkans in the framework of an anti-Western type of modernism which has received much criticism from other academics. Goldsworthy's theories consider stories and movies about Ruritania to be a form of "literary exploitation" or "narrative colonization" of the peoples of the Balkans.
While discussing how new revolutionary leadership consciously or unconsciously may inherit certain elements of the previous regime Benedict Anderson in his book the Imagined Communities mentions among others examples " Josip Broz's revival of Ruritanian pomp and ceremony." [8]
During the Suez Crisis in 1956 'Ruritania' was used as a euphemism for Egypt during discussions of the crisis on BBC Radio 4's programme Any Questions?, in order to circumvent the terms of an agreement preventing the broadcast of details of events prior to their discussion in parliament. [9]
The Austrian School is a heterodox school of economic thought that advocates strict adherence to methodological individualism, the concept that social phenomena result exclusively from the motivations and actions of individuals. Austrian school theorists hold that economic theory should be exclusively derived from basic principles of human action.
Friedrich August von Hayek, often referred to by his initials F. A. Hayek, was an Austrian–British economist, legal theorist and philosopher who is best known for his defense of classical liberalism. Hayek shared the 1974 Nobel Memorial Prize in Economic Sciences with Gunnar Myrdal for their work on money and economic fluctuations, and the interdependence of economic, social and institutional phenomena. His account of how changing prices communicate information that helps individuals coordinate their plans is widely regarded as an important achievement in economics, leading to his prize.
Murray Newton Rothbard was an American economist of the Austrian School, economic historian, political theorist, and activist. Rothbard was a central figure in the 20th-century American libertarian movement and a founder and leading theoretician of anarcho-capitalism. He wrote over twenty books on political theory, history, economics, and other subjects.
A nation is a community of people formed on the basis of a combination of shared features such as language, history, ethnicity, culture and/or society. A nation is thus the collective identity of a group of people understood as defined by those features. Some nations are equated with ethnic groups and some are equated with affiliation to a social and political constitution. A nation is generally more overtly political than an ethnic group. A nation has also been defined as a cultural-political community that has become conscious of its autonomy, unity and particular interests.
The Prisoner of Zenda is an 1894 adventure novel by Anthony Hope, in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania who resembles the monarch is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum.
Sir Anthony Hope Hawkins, better known as Anthony Hope, was a British novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance, books set in fictional European locales similar to the novels. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name and the 1952 version.
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Man, Economy, and State: A treatise on economic principles is a 1962 book of Austrian School economics by Murray Rothbard.
Rupert of Hentzau is a sequel by Anthony Hope to The Prisoner of Zenda, written in 1895 but not published in book form until 1898.
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Ludwig Heinrich Edler von Mises was an Austrian School economist, historian, logician, and sociologist. Mises wrote and lectured extensively on the societal contributions of classical liberalism. He is best known for his work on praxeology studies comparing communism and capitalism. He is considered one of the most influential economic and political thinkers of the 20th century.
Ruritanian romance is a genre of literature, film and theatre comprising novels, stories, plays and films set in a fictional country, usually in Central or Eastern Europe, such as the "Ruritania" that gave the genre its name.
The Lost Prince is a novel by British-American author Frances Hodgson Burnett, first published in 1915.
The Prisoner of Zenda is a 1952 Technicolor film version of the 1894 novel of the same name by Anthony Hope and a remake of the 1937 sound version and the 1922 silent. This first color version, made by Loew's and Metro-Goldwyn-Mayer, was directed by Richard Thorpe and produced by Pandro S. Berman. The film stars Stewart Granger, Deborah Kerr, and James Mason, with Louis Calhern, Robert Douglas, Jane Greer, and Robert Coote in supporting roles. The screenplay, attributed to Noel Langley, was nearly word-for-word identical to the 1937 Ronald Colman version. It was written by John L. Balderston, adapted by Wells Root, from the Hope novel and the stage play by Edward Rose. Additional dialogue was written by Donald Ogden Stewart. Alfred Newman's 1937 music score was adapted by Conrad Salinger; Newman was unavailable to work on this version. The cinematography was by Joseph Ruttenberg, the art direction was by Cedric Gibbons and Hans Peters, while the costume design was by Walter Plunkett.
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Amy Violet Needham, was the author of 19 popular novels for children, a number of which, during the 1940s, were made widely available to the British public by BBC's The Children's Hour radio programme.
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Richard von Strigl (1891–1942) was an Austrian economist. He was considered by his colleagues one of the most brilliant Austrian economists of the interwar period. As a professor at the University of Vienna he had a decisive influence on F. A. Hayek, Fritz Machlup, Gottfried von Haberler, Oskar Morgenstern and other fourth-generation Austrian economists.