The Light in the Dark | |
---|---|
Directed by | Clarence Brown |
Written by |
|
Produced by | Hope Hampton (producer) |
Starring | Lon Chaney Hope Hampton |
Cinematography |
|
Production company | Hope Hampton Productions |
Distributed by | Associated First National Pictures |
Release date |
|
Running time | 63 minutes (7 reels, 7,600 ft.) 33 minutes (edited version) |
Country | United States |
Language | Silent (English intertitles) |
The Light in the Dark (later re-edited into a shorter version called The Light of Faith) is a 1922 American silent drama film directed by Clarence Brown and stars Lon Chaney and Hope Hampton. [1] [2] It is around 50% lost. A still exists showing Lon Chaney in the role of Tony Pantelli. [3] Some scenes (mostly showing the Holy Grail glowing) were filmed in Color.
The original 63-minute feature film was later re-edited into a condensed 33-minute version retitled The Light of Faith, that was circulated to schools and churches in the 1920s. A Rhode Island film distributor specializing in religious subjects acquired the film in the mid-20's and re-edited it to 33 minutes, retitling it THE LIGHT OF FAITH, which emphasized the subplot involving the Holy Grail. Thankfully, state law required that films for schools and churches (the major market for that distributor) be printed on the nonflammable safety stock, so this multi-tinted version exists today. That is the only version that has survived, since the full-length 63-minute version no longer exists. (There is a rumor that the full-length version has been recently found intact, but if it has, it has never been made available on DVD or video.)
Years later, a 70-minute reconstruction was produced by the International Museum of Photography and Film at the George Eastman House.
Coat check girl Bessie MacGregor (Hope Hampton) is struck by the car of wealthy society woman Mrs. Templeton Orrin (Teresa Maxwell-Conover), who takes Bessie into her home while she recovers. Mrs. Orrin's brother, J. Warburton Ashe (E.K. Lincoln), says he loves Bessie and flirts with her, but when she learns he isn't serious about her, she flees the home, heartbroken.
(* This is where the 33-minute version starts: Bessie rents a room in a boarding house with her last dollar, then tries to find a job. Unable to find work, Bessie collapses from hunger one day in the boarding house in which she is staying. The landlady, Mrs. Flaherty (Dorothy Walters) and another boarder, a cheap hood named Tony Pantelli (Lon Chaney) start to nurse Bessie back to health. Tony is in love with Bessie but hides his affections because he feels she is too good for him. A doctor diagnoses Bessie with a heart problem and tells her to remain in bed as much as possible.
Ashe, realizing he was wrong in his treatment of Bessie, has no idea where she has gone so he heads off on a trip to England to try to forget about her. During a hunting expedition, he finds a mysterious chalice in the ruins of a monastery that the locals believe to be the Holy Grail. Mrs. Orrin urges her brother to return home to find Bessie, and he brings the Holy Grail back to New York with him.
(* This segment is not in the condensed version: Seeing Bessie needs medical care, Tony Pantelli tries to raise money by stealing the chalice and selling it to a pawnshop. The police later recover the chalice in a raid on the pawnbroker's shop. News of the cup's mysterious healing powers, and the way it glows in the dark, reaches the newspapers. The police return it to Ashe, who keeps it in his home on a mantle shelf.
(* The edited version picks up again here: From her sick bed, Bessie reads about Ashe finding the Holy Grail in a newspaper. After Bessie tells Tony the legend of the Holy Grail, he steals the chalice, this time planning to use its magical powers to cure Bessie's heart failure. She touches the glowing cup and makes an instant recovery, but Tony is caught with the goods and put on trial for the theft. During the trial, Bessie and Ashe are reunited, and when Ashe has a religious conversion upon seeing the cup glow in the courtroom, he refuses to press charges against Tony who is released from custody. Tony leaves the courthouse heartbroken, after watching Bessie and Ashe embracing. Tony saved Bessie's life and reunited the two lovers, but at the end of the film, he walks out of the courthouse all alone.
(* The following scene was allegedly in the long version of the film: Later, the pawnbroker, now in Sing Sing prison, confesses that the mysterious glow was from some radium he had placed in the chalice.)
(Some of these actors might not appear in the 33-minute version)
The Light in the Dark was filmed in New York City and at the Paragon studio in Fort Lee, New Jersey in December 1921. The world premiere was held at the Strand Theatre in Niagara Falls, NY. [4] [5]
"In introducing the new process of color photography, Associated First National has made doubly secure an offering that from the standpoint of material and treatment promises to give wide satisfaction ... It has a penetrating theme and a symbolic beauty...Lon Chaney has the type of role in which he has proven exceptionally skillful. His is a real sympathetic contribution." ---Moving Picture World [3]
"If its story possessed half the merit of its technical equipment, it might have proved a world-beater. It doesn't, so it isn't ... Mr. Chaney is a somewhat more kindly crook than is his wont, and Mr. Lincoln struggles along in the fat, but unconvincing hero role." ---Variety [3]
"By all means the best picture in which Hope Hampton has ever appeared, The Light in the Dark has A-1 merits as a box-office attraction. Lon Chaney as usual is the crook par excellence and adds another striking portrayal to his gallery of characters." ---Exhibitors Trade Review [6]
"(The film) is better handled by Hope Hampton than anything she has ever done. Lon Chaney, excellent actor that he is, does splendid work as an Italian who in a simple way loves the heroine. His work is very good."---Film Daily [6]
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
The Shock is a 1923 American silent drama film directed by Lambert Hillyer and starring Lon Chaney as a disabled man named Wilse Dilling. The film was written by Arthur Statter and Charles Kenyon, based on a magazine story by William Dudley Pelley. This is one of the rare Lon Chaney films where he gets the girl. The film is readily available on DVD.
A Blind Bargain is a 1922 American silent horror film starring Lon Chaney and Raymond McKee, released through Goldwyn Pictures. The film was directed by Wallace Worsley and is based on Barry Pain's 1897 novel The Octave of Claudius. Lon Chaney played a dual role in the film, as both Dr. Lamb and "the Ape Man", one of Chaney's few "true horror films". The claim that Wallace Beery appeared as an ape-man uncredited has never been proven, but does persist in many sources.
Laugh, Clown, Laugh is a 1928 American silent drama film starring Lon Chaney and Loretta Young. The movie was directed by Herbert Brenon and produced by Irving G. Thalberg for MGM Pictures. A sound version of this film was released in the second half of 1928 and featured a synchronized musical score with sound effects. The film was written by Elizabeth Meehan, based on the 1923 Broadway stage production Laugh, Clown, Laugh by David Belasco and Tom Cushing, which in turn was based on the 1919 play Ridi, Pagliaccio by Fausto Maria Martini.
Danger, Go Slow is a 1918 American silent comedy film directed by Robert Z. Leonard, and starring Mae Murray, Jack Mulhall and Lon Chaney. Robert Z. Leonard and Mae Murray co-wrote the screenplay together. The film is today considered lost.
While the City Sleeps is a 1928 American synchronized sound crime drama film about a tough New York City police detective, played by Lon Chaney, out to catch a murdering gangster. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Western Electric Sound System process. The film was directed by Jack Conway, written by Andrew Percival Younger, and co-starred Anita Page, Carroll Nye, Wheeler Oakman, and Mae Busch.
Daredevil Jack is a 1920 American silent 15-chapter action film serial directed by W. S. Van Dyke and starring heavyweight champion Jack Dempsey and featuring Lon Chaney as a villain. The chapters were shown weekly between February and May 1920. The serial's working titles were Daredevil Durant or Dead or Alive. An incomplete copy of the film is housed in the UCLA Film and Television Archive.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Her Bounty is a 1914 American silent drama film directed by Joe De Grasse and written by his wife Ida May Park, and featuring Lon Chaney and Pauline Bush. This was the first film Chaney worked on with the filmmaking team of Joe De Grasse and Ida May Park, to be followed by many more. The film is now considered to be lost.
Father and the Boys is a 1915 American silent comedy film directed by Joe De Grasse, written by Ida May Park, and co-starring Lon Chaney and Digby Bell. It is based on a popular 1908 Broadway play produced by Charles Frohman, called Father and the Boys by George Ade. This was Louise Lovely's American film debut after emigrating from Australia. She made a total of 8 films with Chaney during this time period.
Fires of Rebellion is a 1917 American silent drama film written and directed by Ida May Park, and starring Lon Chaney, William Stowell, and Dorothy Phillips. The film is today considered lost. A still exists showing Lon Chaney in the role of the lecherous photographer Russell Hanlon. The film's main musical theme was Serenade by R. Czerwonky.
The Rescue is a 1917 American silent drama film written and directed by Ida May Park and starring Lon Chaney, William Stowell and Dorothy Phillips. The screenplay was based on a story by Hugh McNair Kahler. The film is today considered lost. A photo exists showing Lon Chaney in his role as Thomas Holland, a rare occasion when Chaney did not play a villain.
Pay Me! is a 1917 American silent drama film directed by Joe De Grasse and starring Lon Chaney, Dorothy Phillips, and William Stowell. In the United States, the film is also known as The Vengeance of the West. The screenplay was written by Bess Meredith, based on a story by Joe De Grasse. This film was Universal Pictures' first "Jewel Production" release. Once considered to be a lost film, an incomplete (23-minute) print was rediscovered in the Gosfilmofond archive in Russia in 2019. A still exists showing Lon Chaney in the role of the villainous Joe Lawson.
Fast Company is a 1918 American silent comedy film directed by Lynn Reynolds and starring Juanita Hansen, Edward Cecil, Lon Chaney and Franklyn Farnum. The film is today considered lost.
Riddle Gawne is a 1918 American silent Western film directed by William S. Hart and Lambert Hillyer, and featuring William S. Hart, Katherine MacDonald and Lon Chaney. The film was co-produced by William S. Hart and Thomas H. Ince. The screenplay was written by Charles Alden Seltzer from his earlier novel The Vengeance of Jefferson Gawne. Chaney historian Jon C. Mirsalis claims that William S. Hart contributed greatly to the screenplay but all other sources credit the writing of the screenplay solely to Charles Alden Seltzer.
Victory is a surviving 1919 American action film directed by Maurice Tourneur and starring Jack Holt, Seena Owen, Lon Chaney, Wallace Beery and Bull Montana. The film is an adaptation of the 1915 eponymous novel by Joseph Conrad. The screenplay was written by Jules Furthman and Ben Carré was the art director.
Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley, based on the Leroy Scott novel The Night Rose. The film took more than 9 months to be released due to a controversy over the proposed title and the film's abundance of gunplay. The film was retitled Voices of the City and was only released in December 1921, although it had been completed in early March. The film is still listed under The Night Rose in some reference sources.
All the Brothers Were Valiant is a 1923 American silent sea adventure and romantic drama film starring Lon Chaney. The film was produced and distributed by Metro Pictures corporation and directed by Irvin Willat. The cast also features Malcolm McGregor, Billie Dove and Robert McKim. The screenplay was written by Julien Josephson, based on the eponymous novel by Ben Ames Williams. The film was also known as Cold Courage.
When Bearcat Went Dry is a 1919 American silent drama film directed by Oliver L. Sellers from the novel by Charles Neville Buck, and starring Lon Chaney as Kindard Powers. The title refers to a character nicknamed "Bearcat" who promises his girlfriend that he will quit drinking liquor. The plot involving a promise to give up drinking was timely given the passage of the Wartime Prohibition Act, which took effect on June 30, 1919, and banned the sale of alcoholic beverages, and ratification of the Eighteenth Amendment to the United States Constitution in January of the same year.
A Man's Country is a 1919 silent Western drama film directed by Henry Kolker, and starring Alma Rubens, Alan Roscoe, and Lon Chaney. It was written by Richard Schayer based on a screen story by John Lynch. The poster's tagline was "A forceful and spectacular drama of the primitive West in the days of the Gold Rush, when men fought hard, women lived fast and human life was cheap."