Author | Gilles Deleuze |
---|---|
Original title | Logique du sens |
Translators | Mark Lester, Charles Stivale |
Language | French |
Series | European Perspectives |
Subject | Meaning |
Published |
|
Publication place | France |
Media type | Print (hardcover and paperback) |
Pages | 392 (French edition) 393 (Columbia University Press edition) |
ISBN | 978-0231059831 |
The Logic of Sense (French : Logique du sens) is a 1969 book by the French philosopher Gilles Deleuze. The English edition was translated by Mark Lester and Charles Stivale, and edited by Constantin V. Boundas. [1]
An exploration of meaning and meaninglessness or "commonsense" and "nonsense" through metaphysics, epistemology, grammar, and eventually psychoanalysis, The Logic of Sense consists of a series of thirty-four paradoxes followed by an appendix that contains five previously published essays, including a brief overview of Deleuze's ontology entitled "Plato and the Simulacrum". The Deleuzian understanding of nonsense considers that there is a "surface level" of nonsense which creates innocent, childlike preoccupations with contradictions (represented by Lewis Carroll), and the inner space of nonsense which deals with strong and violent contradictions (represented by Antonin Artaud). Leading on from Deleuze's ontology in his 1968 book Difference and Repetition , sense can only itself be understood as a constant set of correlations and associations. Nonsense, especially through the literature he analyzes, intrinsically avoids being defined, and can only be seen as "that which has no sense," but "is opposed to the absence of sense".
The book introduces Deleuze's philosophy of the event and of becoming as well as the emergence of the plane of immanence and the body without organs, mythic conceptions of time (Chronos and Aion), the structure of games, and textual analyses of works by Lewis Carroll, Seneca, Pierre Klossowski, Michel Tournier, Antonin Artaud, F. Scott Fitzgerald, Melanie Klein, Friedrich Nietzsche, Stéphane Mallarmé, Malcolm Lowry, Émile Zola and Sigmund Freud.
The philosopher Michel Foucault wrote that The Logic of Sense "should be read as the boldest and most insolent of metaphysical treatises – on the simple condition that instead of denouncing metaphysics as the neglect of being, we force it to speak of extrabeing". [2] The philosopher Christopher Norris believes that, like Difference and Repetition (1968), The Logic of Sense comes as near as possible to offering a full-scale programmatic statement of Deleuze's post-philosophical, anti-systematic, ultra-nominalist or resolutely "non-totalizing" mode of thought. [3]
The physicists Alan Sokal and Jean Bricmont write in Fashionable Nonsense (1997) that The Logic of Sense prefigures the style of works that Deleuze later wrote in collaboration with Félix Guattari, and that, like them, it contains passages in which Deleuze misuses technical scientific terms. [4] Josuha Ramey describes The Logic of Sense as Deleuze's "most sustained ethical reflection". [5] Timothy Laurie argues that Deleuze presents "sense" as wrapped up in a problematic, and that a problematic cannot be evaluated according to truth and error, nor is it ever exhausted through one single solution. [6]
Gilles Louis René Deleuze was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.
The Sokal affair, additionally known as the Sokal hoax, was a demonstrative scholarly hoax performed by Alan Sokal, a physics professor at New York University and University College London. In 1996, Sokal submitted an article to Social Text, an academic journal of cultural studies. The submission was an experiment to test the journal's intellectual rigor, specifically to investigate whether "a leading North American journal of cultural studies—whose editorial collective includes such luminaries as Fredric Jameson and Andrew Ross—[would] publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions."
Continental philosophy is an umbrella term for philosophies prominent in continental Europe. Michael E. Rosen has ventured to identify common themes that typically characterize continental philosophy. These themes proposed by Rosen derive from a broadly Kantian thesis that knowledge, experience, and reality are bound and shaped by conditions best understood through philosophical reflection rather than exclusively empirical inquiry.
In philosophy and the arts, a fundamental distinction is between things that are abstract and things that are concrete. While there is no general consensus as to how to precisely define the two, examples include that things like numbers, sets, and ideas are abstract objects, while plants, dogs, and planets are concrete objects. Popular suggestions for a definition include that the distinction between concreteness versus abstractness is, respectively: between (1) existence inside versus outside space-time; (2) having causes and effects versus not; 3) being related, in metaphysics, to particulars versus universals; and (4) belonging to either the physical versus the mental realm. Another view is that it is the distinction between contingent existence versus necessary existence; however, philosophers differ on which type of existence here defines abstractness, as opposed to concreteness. Despite this diversity of views, there is broad agreement concerning most objects as to whether they are abstract or concrete, such that most interpretations agree, for example, that rocks are concrete objects while numbers are abstract objects.
Jean Bricmont is a Belgian theoretical physicist and philosopher of science. Professor at the Catholic University of Louvain (UCLouvain), he works on renormalization group and nonlinear differential equations. Since 2004, He is a member of the Division of Sciences of the Royal Academy of Belgium.
Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science, first published in French in 1997 as Impostures intellectuelles, is a book by physicists Alan Sokal and Jean Bricmont. As part of the so-called science wars, Sokal and Bricmont criticize postmodernism in academia for the misuse of scientific and mathematical concepts in postmodern writing.
Alain Badiou is a French philosopher, formerly chair of Philosophy at the École normale supérieure (ENS) and founder of the faculty of Philosophy of the Université de Paris VIII with Gilles Deleuze, Michel Foucault and Jean-François Lyotard. Badiou's work is heavily informed by philosophical applications of mathematics, in particular set theory and category theory. Badiou's "Being and Event" project considers the concepts of being, truth, event and the subject defined by a rejection of linguistic relativism seen as typical of postwar French thought. Unlike his peers, Badiou openly believes in the idea of universalism and truth. His work is notable for his widespread applications of various conceptions of indifference. Badiou has been involved in a number of political organisations, and regularly comments on political events. Badiou argues for a return of communism as a political force.
The science wars were a series of scholarly and public discussions in the 1990s over the social place of science in making authoritative claims about the world. Encyclopedia.com, citing the Encyclopedia of Science and Religion, describes the science wars as the
A Thousand Plateaus: Capitalism and Schizophrenia is a 1980 book by the French philosopher Gilles Deleuze and the French psychoanalyst Félix Guattari. It is the second and final volume of their collaborative work Capitalism and Schizophrenia. While the first volume, Anti-Oedipus (1972), was a critique of contemporary uses of psychoanalysis and Marxism, A Thousand Plateaus was developed as an experimental work of philosophy covering a far wider range of topics, serving as a "positive exercise" in what Deleuze and Guattari refer to as rhizomatic thought.
Anti-Oedipus: Capitalism and Schizophrenia is a 1972 book by French authors Gilles Deleuze and Félix Guattari, the former a philosopher and the latter a psychoanalyst. It is the first volume of their collaborative work Capitalism and Schizophrenia, the second being A Thousand Plateaus (1980).
Difference and Repetition is a 1968 book by French philosopher Gilles Deleuze. Originally published in France, it was translated into English by Paul Patton in 1994.
The body without organs is a fuzzy concept used in the work of French philosophers Gilles Deleuze and Félix Guattari. The concept describes the unregulated potential of a body—not necessarily human— without organizational structures imposed on its constituent parts, operating freely. The term was first used by French writer Antonin Artaud in his 1947 play To Have Done With the Judgment of God, later adapted by Deleuze in his book The Logic of Sense, and ambiguously expanded upon by himself and Guattari in both volumes of their work Capitalism and Schizophrenia.
French philosophy, here taken to mean philosophy in the French language, has been extremely diverse and has influenced Western philosophy as a whole for centuries, from the medieval scholasticism of Peter Abelard, through the founding of modern philosophy by René Descartes, to 20th century philosophy of science, existentialism, phenomenology, structuralism, and postmodernism.
20th-century French philosophy is a strand of contemporary philosophy generally associated with post-World War II French thinkers, although it is directly influenced by previous philosophical movements.
Factual relativism argues that truth is relative. According to factual relativism, facts used to justify claims are understood to be relative and subjective to the perspective of those proving or falsifying the proposition.
Criticism of postmodernism is intellectually diverse, reflecting various critical attitudes toward postmodernity, postmodern philosophy, postmodern art, and postmodern architecture. Postmodernism is generally defined by an attitude of skepticism, irony, or rejection towards what it describes as the grand narratives and ideologies associated with modernism, especially those associated with Enlightenment rationality. Thus, while common targets of postmodern criticism include universalist ideas of objective reality, morality, truth, human nature, reason, science, language, and social progress, critics of postmodernism often defend such concepts.
What is Philosophy? is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari. The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia and Kafka: Towards a Minority Literature (1975). In this, the last book they co-signed, philosophy, science, and art are treated as three modes of thought.
Mathematicism is 'the effort to employ the formal structure and rigorous method of mathematics as a model for the conduct of philosophy', or the epistemological view that reality is fundamentally mathematical. The term has been applied to a number of philosophers, including Pythagoras and René Descartes although the term was not used by themselves.
Daniel W. Smith is an American philosopher, academic, researcher, and translator. He is a professor in the Department of Philosophy at Purdue University, where his work is focused on 19th and 20th century continental philosophy.
Fuoco B. Fann, is a post-structuralist and cultural theorist. He is noted for synthesizing Post-structuralism with American Literary Criticism, Intercultural Philosophy, and Material Culture Studies. He taught at Lanzhou Jiaotong University, China before moving in 1989 to the United States, where he guest-lectured at California State University, East Bay and UC Davis, and has since resided in California. Fann currently guest lectures at UC Berkeley. Fann’s monograph on post-structuralism and intercultural philosophy, This Self We Deserve: A Quest after Modernity, was published in 2020.