Author | Gilles Deleuze |
---|---|
Original title | Francis Bacon: Logique de la sensation |
Translator | Daniel W. Smith |
Language | French |
Subject | Francis Bacon |
Published |
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Publication place | France |
Media type | |
Pages | 209 pages (Continuum edition, 2003) |
ISBN | 978-0816643424 |
Francis Bacon: The Logic of Sensation (French : Francis Bacon: Logique de la sensation) is a 1981 book by philosopher Gilles Deleuze, analyzing the work of twentieth-century British figurative painter Francis Bacon. In this biography, Deleuze discusses aesthetics, objects of perception ('percepts'), and sensation. [1]
While The Logic of Sensation is sometimes viewed as a work of art history, Deleuze's wrote that the primary motivation for creating the work was to explore the philosophy of art. He also sought to explore the conceptualization of art beyond the representation of an image. The text was translated into English by Daniel W. Smith in 2003. [2]
Deleuze states that Bacon's art, with its bodies as figures, and spaces as "round areas," exists in the zone of indiscernibility, a parallel to the plane of immanence that artistically follows lines of flight in "the act of fleeing or eluding." [3] However, the book is intended to be built on a slow intensification of its titular viewpoint, "a general logic of sensation," which progresses gradually in complexity. [4] Deleuze's concept of becoming, which he had explored in detail a year earlier with Félix Guattari in A Thousand Plateaus (1980), is the theoretical foundation for his interpretation of Francis Bacon's art.
Deleuze's concept of art goes beyond the representation of an image. According to Ronald Bogue in "Gilles Deleuze: The Aesthetics of Force", Deleuze emphasizes a common problem across various art forms. He focuses not on reproducing or inventing different forms of representation in art, but on "harnessing forces." [5]
In an earlier work, The Logic of Sense (1969), Deleuze explored a comprehensive logic of sensation in response to Bacon's provocative use of smearing, detachment, and the destruction of signifiers about bodies, contemporary myths, and portraiture. Here, Deleuze remarks in the final preface of Francis Bacon that Bacon's art is "of a very special violence." [4] : x In saying this, he analyses the content of Bacon's paintings set on fields of color with little visual depth that make "use of spectacles of horror, crucifixions, prostheses and mutilations, monsters." [6]
Deleuze attempts to understand the wider literary and semiotic context of Bacon's art through employing the rhizomatic, or nonlinear mode of analysis, which he and psychoanalyst Félix Guattari had popularized in their work A Thousand Plateaus published one year before. This form of analysis seeks to disentangle the socio-cultural roots of a given subject, through the use of a dialectical comparison. For Bacon's art, Deleuze makes prominent use of Samuel Beckett's novella "The Lost Ones" (1966–1970) as one of his main literary examples. [7]
Pierre-Félix Guattari was a French psychoanalyst, political philosopher, semiotician, social activist, and screenwriter. He co-founded schizoanalysis with Gilles Deleuze, and ecosophy with Arne Næss, and is best known for his literary and philosophical collaborations with Deleuze, most notably Anti-Oedipus (1972) and A Thousand Plateaus (1980), the two volumes of their theoretical work Capitalism and Schizophrenia.
Gilles Louis René Deleuze was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.
Schizoanalysis is a set of theories and techniques developed by philosopher Gilles Deleuze and psychoanalyst Félix Guattari, first expounded in their book Anti-Oedipus (1972) and continued in their follow-up work, A Thousand Plateaus (1980).
A Thousand Plateaus: Capitalism and Schizophrenia is a 1980 book by the French philosopher Gilles Deleuze and the French psychoanalyst Félix Guattari. It is the second and final volume of their collaborative work Capitalism and Schizophrenia. While the first volume, Anti-Oedipus (1972), was a critique of contemporary uses of psychoanalysis and Marxism, A Thousand Plateaus was developed as an experimental work of philosophy covering a far wider range of topics, serving as a "positive exercise" in what Deleuze and Guattari refer to as rhizomatic thought.
Anti-Oedipus: Capitalism and Schizophrenia is a 1972 book by French authors Gilles Deleuze and Félix Guattari, the former a philosopher and the latter a psychoanalyst. It is the first volume of their collaborative work Capitalism and Schizophrenia, the second being A Thousand Plateaus (1980).
Affect is a concept, used in the philosophy of Baruch Spinoza and elaborated by Henri Bergson, Gilles Deleuze and Félix Guattari, that places emphasis on bodily or embodied experience. The word affect takes on a different meaning in psychology and other fields.
Minority is a philosophical concept developed by Gilles Deleuze and Félix Guattari in their books Kafka: Towards a Minor Literature (1975), A Thousand Plateaus (1980), and elsewhere. In these texts, they criticize the concept of "majority". For Deleuze and Guattari, "becoming-minor(itarian)" is primarily an ethical action, one of the becomings one is affected by when avoiding "becoming-fascist". They argued further that the concept of a "people", when invoked by subordinate groups or those aligned with them, always refers to a minority, whatever its numerical power might be.
The body without organs is a fuzzy concept used in the work of French philosophers Gilles Deleuze and Félix Guattari. The concept describes the unregulated potential of a body—not necessarily human— without organizational structures imposed on its constituent parts, operating freely. The term was first used by French writer Antonin Artaud in his 1947 play To Have Done With the Judgment of God, later adapted by Deleuze in his book The Logic of Sense, and ambiguously expanded upon by himself and Guattari in both volumes of their work Capitalism and Schizophrenia.
Desiring-production is a term coined by the French thinkers Gilles Deleuze and Félix Guattari in their book Anti-Oedipus (1972).
Plane of immanence is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze.
A rhizome is a concept in post-structuralism describing a nonlinear network. It appears in the work of French theorists Deleuze and Guattari, who used the term in their book A Thousand Plateaus to refer to networks that establish "connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences and social struggles" with no apparent order or coherency. A rhizome is purely a network of multiplicities that are not arborescent with properties similar to lattices. Deleuze referred to it as extending from his concept of an "image of thought" that he had previously discussed in Difference and Repetition.
Marcel Arland was a French novelist, literary critic, and journalist.
A line of flight or a line of escape is a concept developed by Gilles Deleuze and Félix Guattari in their work Capitalism and Schizophrenia. It describes one out of three lines forming what Deleuze and Guattari call assemblages, and serves as a factor in an assemblage that ultimately allows it to change and adapt to said changes, which can be associated with new sociological, political and psychological factors. Translator Brian Massumi notes that in French, "Fuite covers not only the act of fleeing or eluding but also flowing, leaking, and disappearing into the distance. It has no relation to flying."
Nietzsche and Philosophy is a 1962 book about Friedrich Nietzsche by the philosopher Gilles Deleuze, in which the author treats Nietzsche as a systematically coherent philosopher, discussing concepts such as the will to power and the eternal return. Nietzsche and Philosophy is a celebrated and influential work. Its publication has been seen as a significant turning-point in French philosophy, which had previously given little consideration to Nietzsche as a serious philosopher.
What is Philosophy? is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari. The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia and Kafka: Towards a Minority Literature (1975). In this, the last book they co-signed, philosophy, science, and art are treated as three modes of thought.
In semiotics, signified and signifier are the two main components of a sign, where signified is what the sign represents or refers to, known as the "plane of content", and signifier which is the "plane of expression" or the observable aspects of the sign itself. The idea was first proposed in the work of Swiss linguist Ferdinand de Saussure, one of the two founders of semiotics.
Assemblage is a philosophical approach for studying the ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives. Also known as assemblage theory or assemblage thinking, this philosophical approach frames social complexity through fluidity, exchangeability, and their connectivity. The central thesis is that people do not act predominantly according to personal agency; rather, human action requires material interdependencies and a network of discursive devices distributed across legal, geographical, cultural, or economic infrastructures.
Daniel W. Smith is an American philosopher, academic, researcher, and translator. He is a professor in the Department of Philosophy at Purdue University, where his work is focused on 19th and 20th century continental philosophy.
Charles Joseph Stivale is an American scholar of French literature and critical theory, author, literary critic, and academic. Stivale is particularly known for his work on Gilles Deleuze and Félix Guattari. He is Distinguished Professor Emeritus of French at Wayne State University (WSU).
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