The Baroque is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.
Pierre-Félix Guattari was a French psychoanalyst, political philosopher, semiotician, social activist, and screenwriter. He co-founded schizoanalysis with Gilles Deleuze, and ecosophy with Arne Næss, and is best known for his literary and philosophical collaborations with Deleuze, most notably Anti-Oedipus (1972) and A Thousand Plateaus (1980), the two volumes of their theoretical work Capitalism and Schizophrenia.
Gottfried Wilhelm Leibniz was a German polymath active as a mathematician, philosopher, scientist and diplomat who is credited, alongside Sir Isaac Newton, with the creation of calculus in addition to many other branches of mathematics, such as binary arithmetic and statistics. Leibniz has been called the "last universal genius" due to his vast expertise across fields, which became a rarity after his lifetime with the coming of the Industrial Revolution and the spread of specialized labor. He is a prominent figure in both the history of philosophy and the history of mathematics. He wrote works on philosophy, theology, ethics, politics, law, history, philology, games, music, and other studies. Leibniz also made major contributions to physics and technology, and anticipated notions that surfaced much later in probability theory, biology, medicine, geology, psychology, linguistics and computer science.
Gilles Louis René Deleuze was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.
Greg Lynn is an American architect, founder and owner of the Greg Lynn FORM office, a Full Professor at the Institute of Architecture at the University of Applied Arts Vienna and a professor at the UCLA School of the Arts and Architecture. He is CEO and co-founder of the Boston based robotics company Piaggio Fast Forward. He won a Golden Lion at the 2008 Venice Biennale of Architecture. In 2010 Lynn was named a fellow by United States Artists. He is a member of the board of trustees of the Canadian Centre for Architecture.
Victor J. Vitanza is a Professor of English at Clemson University. He is the former Director of the interdisciplinary-transdisciplinary Ph.D. program in Rhetorics, Communication, and Information Design, which is situated in the College of Architecture, Arts, and Humanities.
Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, and the paper project or competition entry. Architectural theory is often didactic, and theorists tend to stay close to or work from within schools. It has existed in some form since antiquity, and as publishing became more common, architectural theory gained an increased richness. Books, magazines, and journals published an unprecedented number of works by architects and critics in the 20th century. As a result, styles and movements formed and dissolved much more quickly than the relatively enduring modes in earlier history. It is to be expected that the use of the internet will further the discourse on architecture in the 21st century.
Christine Buci-Glucksmann is a French philosopher and Professor Emeritus from University of Paris VIII specializing in the aesthetics of the Baroque and Japan, and computer art. Her best-known work in English is Baroque Reason: The Aesthetics of Modernity.
The Louvre Colonnade is the easternmost façade of the Louvre Palace in Paris. It has been celebrated as the foremost masterpiece of French Architectural Classicism since its construction, mostly between 1667 and 1674. The design, dominated by two loggias with trabeated colonnades of coupled giant columns, was created by a committee of three, the Petit Conseil, consisting of Louis Le Vau, Charles Le Brun, and Claude Perrault. Louis Le Vau's brother, François Le Vau, also contributed. Cast in a restrained classicizing baroque manner, it interprets rules laid down by the ancient Roman architect Vitruvius, whose works Perrault translated into French (1673). Its flat-roofline design, previously associated with Italy and unprecedented in France, was immensely influential.
Geocriticism is a method of literary analysis and literary theory that incorporates the study of geographic space. The term designates a number of different critical practices. In France, Bertrand Westphal has elaborated the concept of géocritique in several works. In the United States, Robert Tally has argued for a geocriticism as a critical practice suited to the analysis of what he has termed "literary cartography".
Gauvin Alexander Bailey is an American-Canadian author and art historian. He is Professor and Alfred and Isabel Bader Chair in Southern Baroque Art at Queen's University.
Tom Clark Conley is an American philologist. He is Lowell Professor in the Departments of Romance Languages and Visual and Environmental Studies at Harvard University where he studies relations of space and writing in literature, cartography, and cinema. He and his wife Verena are Faculty Deans of Kirkland House.
Colin Gardner is a British film and media studies theorist living in Shaker Heights, Ohio.
Joan Dickinson is a contemporary American artist, writer, director, curator, and educator. Her creative practice combines visual and performance art, photography, writing, farming and environmental restoration, astrology, ceremony, and palliative care. Dickinson holds a master’s in performance from Columbia College and a doctorate (2012) from the Literary Arts program at the University of Denver.
Francis Bacon: The Logic of Sensation is a 1981 book by philosopher Gilles Deleuze, analyzing the work of twentieth-century British figurative painter Francis Bacon. In this biography, Deleuze discusses aesthetics, objects of perception ('percepts'), and sensation.
Cinema 2: The Time-Image (1985) is the second volume of Gilles Deleuze's work on cinema, the first being Cinema 1: The Movement-Image (1983). Cinema 1 and Cinema 2 have become to be known as the Cinema books, and are complementary and interdependent texts.
Neo-Baroque film is a type of film theory that used in film studies to describe certain films, television shows and Hollywood blockbusters characterised by the excessively ornate, carnivalesque fragmentation of the film frame and/or narrative, sometimes to the point of spatial and/or narrative incoherence.
A History of Folding in Mathematics: Mathematizing the Margins is a book in the history of mathematics on the mathematics of paper folding. It was written by Michael Friedman and published in 2018 by Birkhäuser as volume 59 of their Historical Studies series.
Charlotte Schulz is an American visual artist best known for intricate charcoal drawings, sometimes composed of multiple sheets that she tears, folds and distresses in order to disrupt the two-dimensional picture plane. Her work explores personal and collective responses to traumatic, often-public, experiences and events, interweaving vignettes of landscape, interiors, disasters and unexpected elements in dreamlike combinations that upend spatial and temporal conventions. Artillery critic Seph Rodney describes her drawings as works of "elegant and surreal lyricism" that are exquisitely rendered, thick with detail, and perplexing in their mix of fractured visual logic, overlapping realities, and speculative ruminations on space and time.
Charles Joseph Stivale is an American scholar of French literature and critical theory, author, literary critic, and academic. Stivale is particularly known for his work on Gilles Deleuze and Félix Guattari. He is Distinguished Professor Emeritus of French at Wayne State University (WSU).
