|Three Studies for George Dyer|
|Dimensions||28 cm× 36 cm(11 in× 14 in)|
Three Studies for George Dyer is a small-format triptych painted by Francis Bacon in 1964.
The work comprises three portraits of Bacon's lover George Dyer: from left to right, a three-quarter view, a right profile, and a face-on view. It was painted in the first half of 1964, within a year of Bacon first meeting Dyer in late 1963, and was based on photographs of Dyer taken by John Deakin. Bacon painted about 40 triptychs in this small format, with each portrait measuring 11 by 14 inches (28 cm × 36 cm). This is one of five of Dyer in the small format, the others completed in 1963, 1964 (on a pink ground), 1966 and 1969.
Unlike the four other small-format Dyer triptychs, one of which was painted on a pink ground and the others on a dark ground, this version was painted on a light yellowish ground. Bacon used heavy structural brushstrokes in a limited palette of red/orange, black, and white, with a touch of blue.
The painting was included in the Bacon retrospective held at the Grand Palais in Paris: Dyer committed suicide the evening before it opened in 1971. The triptych was held in a private collection from 1970 until it was sold at Sotheby's in London in June 2014 for £26.7m, including buyer's premium.
Sotheby's sold Francis Bacon's 1966 “Three Studies of George Dyer” for $38.6 million following a single telephone bid placed by a collector on 16 November 2017
Francis Bacon was an Irish-born British figurative painter known for his emotionally charged raw imagery and fixation on personal motifs. Best known for his depictions of popes, crucifixions and portraits of close friends, his abstracted figures are typically isolated in geometrical cages which give them vague 3D depth, set against flat, nondescript backgrounds. Bacon said that he saw images "in series", and his work, which numbers c. 590 extant paintings along with many others he destroyed, typically focuses on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including the 1930s Picasso-influenced bio-morphs and Furies, the 1940s male heads isolated in rooms or geometric structures, the 1950s screaming popes, the mid-to-late 1950s animals and lone figures, the early 1960s crucifixions, the mid-to-late 1960s portraits of friends, the 1970s self-portraits, and the cooler, more technical 1980s paintings.
A triptych is a work of art that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.
Triptych, May–June 1973 is a triptych completed in 1973 by the Irish-born artist Francis Bacon (1909–1992). The oil-on-canvas was painted in memory of Bacon's lover George Dyer, who committed suicide on the eve of the artist's retrospective at Paris's Grand Palais on 24 October 1971. The triptych is a portrait of the moments before Dyer's death from an overdose of pills in their hotel room. Bacon was haunted and preoccupied by Dyer's loss for the remaining years of his life and painted many works based on both the actual suicide and the events of its aftermath. He admitted to friends that he never fully recovered, describing the 1973 triptych as an exorcism of his feelings of loss and guilt.
George Dyer may refer to:
Study for a Self-Portrait—Triptych, 1985–86 is a triptych painted between 1985 and 1986 by the Irish born artist Francis Bacon. It is a brutally honest examination of the effect of age and time on the human body and spirit, and was painted in the aftermath of the deaths of many of his close friends.
The Irish-born artist Francis Bacon (1909–1992) painted 28 known triptychs between 1944 and 1986. He began to work in the format in the mid-1940s with a number of smaller scale formats before graduating in 1962 to large examples. He followed the larger style for 30 years, although he painted a number of smaller scale triptychs of friend's heads, and after the death of his former lover George Dyer in 1971, the three Black Triptychs.
The Black Triptychs are a series of three triptychs painted by the British artist Francis Bacon between 1972 and 1974. Bacon admitted that they were created as an exorcism of his sense of loss following the 1971 suicide of his former lover and principal model, George Dyer. Two days before the opening of Bacon's triumphant and career-making retrospective at the Grand Palais, Dyer, then 37, alcoholic, deeply insecure and suffering severe and long-term depression, committed suicide through an overdose of drink and barbiturates in a room at the Paris hotel Bacon had allowed him to share during a brief period of reconciliation following years of bitter recrimination.
Three Studies of Lucian Freud is a 1969 oil-on-canvas triptych by the Irish-born British painter Francis Bacon, depicting artist Lucian Freud. It was sold in November 2013 for US$142.4 million, which at the time was the highest price attained at auction for a work of art when not factoring in inflation. That record was surpassed in May 2015 by Version O of Picasso's Les Femmes d'Alger series.
Three Studies of the Male Back is a 1970 oil-on-canvas triptych by the British painter Francis Bacon. Typical of Bacon's figurative but abstract and distorted style, it depicts male figures isolated within flat nondescript interior spaces. Each figure is a portrait of Bacon's lover George Dyer.
Portrait of George Dyer Talking is an oil painting by Francis Bacon executed in 1966. It is a portrait of his lover George Dyer made at the height of Bacon's creative power. It depicts Dyer sitting on a revolving office stool in a luridly coloured room. His body and face are contorted, and his legs are tightly crossed. His head appears to be framed within a window or door. Above him is a naked hanging lightbulb, a favourite motif of Bacon's. The work contains a number of spatial ambiguities, not least that Dyer's body seems to be positioned both in the fore- and background.
Triptych–August 1972 is an oil on canvas triptych by the British artist Francis Bacon (1909–1992). It was painted in memory of Bacon's lover George Dyer who committed suicide on 24 October 1971, the eve of the artist's retrospective at Paris's Grand Palais, then the highest honour Bacon had received.
Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings. The work has been described as Bacon's first secular triptych.
Triptych, 1976 is a large triptych painted by the British artist Francis Bacon in 1976. It comprises three oil and pastel paintings on canvas. It is the second most expensive Bacon ever sold, after Three Studies of Lucian Freud, being auctioned for US$86 million in 2008.
Head III is an oil painting by Francis Bacon, one of series of works made in 1949 for his first one-man exhibition at the Hanover Gallery, in London. As with the other six paintings in the series, it focuses on the disembodied head of male figure, who looks out with a penetrating gaze, but is fixed against an isolating, flat, nondescript background, while also enfolded by hazy horizontal foreground curtain-like folds which seems to function like a surrounding cage.
Version No. 2 of Lying Figure with Hypodermic Syringe is a 1968 oil on canvas panel painting by the Irish born, English artist Francis Bacon. It is the second of two similarly titled paintings based on nude photographs of his close friend Henrietta Moraes, who is shown in a reclining position on a bed, themselves part of a wider series of collapsed figures on beds that began with the 1963 triptych Lying Figure. This later version is widely considered the more successful of the two panels.
Three Studies of Muriel Belcher is an oil on canvas triptych painting by the Irish born English artist Francis Bacon, completed in 1966. It portrays Muriel Belcher, described by musician George Melly as a "benevolent witch", and the charismatic founder and proprietress of The Colony Room Club, a private drinking house at 41 Dean Street, Soho, London, where Bacon was a regular throughout the late 1940s to late 1960s. The two became friends soon after she opened the club in 1948, and Bacon helped her cultivate its reputation as a seedy but convivial meeting place for artists, writers, musicians, homosexuals and bohemians. At its height, regular patrons included Lucian Freud, Jeffrey Bernard, John Deakin and Henrietta Moraes.
Three Studies for a Self-Portrait is an oil on canvas triptych painting by the Irish born English artist Francis Bacon. Two of paintings are signed and dated 1979, and the third signed and dated 1979–1980. The work can be viewed as a penetrating self-examinations undertaken in the aftermath of the suicide of his lover George Dyer, and as one of a series of inward looking self-portraits completed during the 1970s. Bacon was seventy at the time, but appears as ageless.
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