The Love Revolution: Complete 1968 Italian Tour | |
---|---|
Live album by Ornette Coleman Quartet | |
Released | 2005 |
Recorded | February 5, 1968; February 8, 1968 |
Venue | Milan, Italy; Rome, Italy |
Genre | Free jazz |
Length | 1:40:26 |
Label | Gambit Records 69224 Solar Records 4569963 |
The Love Revolution: Complete 1968 Italian Tour is a two-CD live album by the Ornette Coleman Quartet. Three tracks were recorded on February 5, 1968, in Milan, Italy, while the remaining four tracks were recorded on February 8, 1968, in Rome. The album was released in 2005 by Gambit Records, and was reissued in 2015 by Solar Records. The quartet format is unusual in that it features Coleman with two bassists, Charlie Haden and David Izenzon, along with drummer Ed Blackwell. On the Milan tracks, Coleman is heard on alto saxophone, while on the Rome tracks, he also plays trumpet and, on a track titled "Buddha Blues," shehnai. [1] [2] [3] [4] [5]
All of the music on The Love Revolution was remastered after having been issued in bootleg form by a variety of obscure labels during the 1980s and 1990s. The tracks recorded in Milan were initially released by Jazz Up, a tiny Italian label, with the title Live In Milano 1968, as well as by Moon Records, also a small Italian label, under the name Languages. The tracks recorded in Rome were initially issued by the Italian labels Lotus and Passport, and the Japanese label Joker, with the title The Unprecedented Music of Ornette Coleman. [5] [6] [7]
Review scores | |
---|---|
Source | Rating |
AllMusic Milan tracks | [8] |
AllMusic Rome tracks | [9] |
Jazzwise all tracks | [10] |
The Penguin Guide to Jazz Milan tracks | [11] |
The Penguin Guide to Jazz all tracks | [7] |
The Virgin Encyclopedia of Jazz Milan tracks | [12] |
The Virgin Encyclopedia of Jazz Rome tracks | [12] |
In a review of the Rome tracks for AllMusic, Brandon Burke wrote: "the quartet plays with great care and collective understanding throughout... At first, one may get the impression that Izenzon and Haden are battling each other to be heard, but as the disc rolls on it is clear that the two are indeed partners striving toward a common end... Worth hunting for." [9]
Regarding the Milan tracks, the authors of The Penguin Guide to Jazz Recordings stated that the music "will appeal only to completists" due to the poor quality of the recording, [11] while, concerning the complete collection, they noted that "the two-bass quartet was a fascinating development," and "most listeners will be glad to have" the recording. [7]
Kevin Le Gendre of Jazzwise commented: "this quartet with its twin engine of double basses rates highly on the thrill scale... In Haden and Izenzon there are two players with sufficient contrast in tone and attack to give the music an intriguing sense of push and pull... Blackwell matches them for orchestral richness through his percussive swell on the drums... The leader... improvises magnificently throughout." [10]
Writing for Elsewhere, Graham Reid called The Love Revolution "a revelation," and praised Coleman's performance on shehnai, noting: "You wonder why he didn't explore it more: it has an astringent tone that suits his emotionally affecting music." [13]
Rock Salted's Syd Fabio remarked: "The elasticity provided by the two-bass lineup, along with the concert format, makes for an especially interesting version of 'Lonely Woman'... it is totally worth it for seasoned fans of Coleman's work." [14]
All compositions by Ornette Coleman.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. Building on the work of his predecessor bassists Jimmy Blanton and Charles Mingus, Haden revolutionized the harmonic concept of bass playing in jazz, evolving a way of playing that sometimes complemented the soloist, and sometimes moved independently, to help liberate bass players from a strictly accompanying role, to becoming more direct participants in group improvisation.
Old and New Dreams was an American jazz group that was active from 1976 to 1987. The group was composed of tenor saxophone player Dewey Redman, bassist Charlie Haden, trumpeter Don Cherry and drummer Ed Blackwell. All of the members were former sidemen of free jazz progenitor and alto saxophonist Ornette Coleman, and the group played a mix of Coleman's compositions and originals by the band members.
This Is Our Music is the fifth album by saxophonist Ornette Coleman, recorded in 1960 and released on Atlantic Records in March 1961. It is the first with drummer Ed Blackwell replacing his predecessor Billy Higgins in the Coleman Quartet, and is the only one of Coleman's Atlantic albums to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
Town Hall, 1962 is an album by Ornette Coleman, recorded on December 21, 1962 at New York City's Town Hall and released in 1965 by the ESP-Disk label. It was the first recording to feature Coleman's new trio, which included bassist David Izenzon and drummer Charles Moffett.
David Izenzon was an American jazz double bassist.
Ornette! is the seventh album by alto saxophonist and composer Ornette Coleman, released in February 1962 on Atlantic Records. The album features Scott LaFaro in place of Charlie Haden, who had left the Quartet but would work again with Coleman in the future.
Old and New Dreams is the second album by jazz quartet Old and New Dreams. The record features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell, and was recorded in 1979 for the ECM label. It is not to be confused with their 1977 album of the same name for Black Saint.
Playing is a live album by jazz quartet Old and New Dreams. It features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell and was recorded in 1980 for the ECM label.
A Tribute to Blackwell is a live album by jazz quartet Old and New Dreams. Recorded in 1987, it features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell. It was released on the Italian Black Saint label.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
Science Fiction is an album by the American jazz saxophonist and composer Ornette Coleman, recorded in 1971 and released on the Columbia label.
The Golden Number is an album of duets by the double bassist Charlie Haden recorded in 1976 and released on the Horizon label.
Silence is an album by the American jazz bassist Charlie Haden recorded in 1987 and released on the Italian Soul Note label two years later. The album features West Coast jazz trumpeter Chet Baker, and was recorded six months before Baker's death. Three of the six songs on the album--"My Funny Valentine", "'Round Midnight", and "Conception"—were regular features in Baker's concerts at the time. A fourth song, "Visa", was a bebop composition written by Charlie Parker, a musician Baker played with early in his career. Joining Haden and Baker on the album are drummer Billy Higgins and pianist Enrico Pieranunzi.
In Angel City is an album by the American jazz bassist Charlie Haden's Quartet West, recorded in 1988 and released on the Verve label.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
The Belgrade Concert is a live album by Ornette Coleman. It was recorded in November 1971 in Belgrade, and was released by Jazz Door in 1995. On the album, which was recorded one day after the concert documented on Live in Paris 1971, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.
An Evening with Ornette Coleman is a live album by Ornette Coleman. It was recorded in August 1965 at Fairfield Halls in Croydon, London, and was initially released by Polydor International in 1967. The album opens with a recording of a wind quintet by Coleman performed by London's Virtuoso Ensemble, followed by trio performances featuring Coleman on alto saxophone, violin, and trumpet, accompanied by bassist David Izenzon and drummer Charles Moffett.
Live in Paris 1971 is a live album by Ornette Coleman. It was recorded in November 1971 in Paris, and was released by Jazz Row in 2007. On the album, which was recorded one day before The Belgrade Concert, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.