The Madwoman of Chaillot | |
---|---|
![]() Film poster | |
Directed by | Bryan Forbes |
Written by | Edward Anhalt |
Based on | La Folle de Chaillot by Jean Giraudoux, adapted by Maurice Valency |
Produced by | Ely Landau Anthony B. Unger |
Starring | Katharine Hepburn Paul Henreid Oskar Homolka Yul Brynner Richard Chamberlain Edith Evans |
Cinematography | Burnett Guffey Claude Renoir |
Edited by | Roger Dwyre |
Music by | Michael J. Lewis |
Production company | Commonwealth United Entertainment |
Distributed by | Warner Bros.-Seven Arts |
Release date |
|
Running time | 132 minutes |
Country | United States |
Language | English |
The Madwoman of Chaillot is a 1969 American satirical film made by Commonwealth United Entertainment and distributed by Warner Bros.-Seven Arts. [1] It was directed by Bryan Forbes and produced by Ely A. Landau with Anthony B. Unger as associate producer. [2] The screenplay was by Edward Anhalt, based on The Madwoman of Chaillot , Maurice Valency's adaption of La Folle de Chaillot by Jean Giraudoux. [1] The music score was by Michael J. Lewis and the cinematography by Burnett Guffey and Claude Renoir. [3] It was shot at the Victorine Studios in Nice and on location in Paris. The film's sets were designed by the art director Ray Simm.
The film stars Katharine Hepburn with Paul Henreid, Oskar Homolka, Yul Brynner, Richard Chamberlain, Edith Evans and Donald Pleasence. [4]
A musical version of the play titled Dear World with music and lyrics by Jerry Herman, and starring Angela Lansbury, opened with little success on Broadway in 1969. [5] [6]
The story is of a modern society endangered by power and greed and the rebellion of the "little people" against corrupt and soulless authority.
A group of four prominent men – The General (Paul Henreid), The Commissar (Oskar Homolka), The Chairman (Yul Brynner) and The Prospector (Donald Pleasence) – discuss how they can increase their fortunes. The Prospector tells them that there is oil in the middle of Paris and they resolve to acquire the rights with or without the consent of the people of Paris. Countess Aurelia (Katharine Hepburn), the "madwoman" of the title, learns of this plan to drill for oil under the very streets of her district from Roderick (Richard Chamberlain) – an activist – and The Ragpicker (Danny Kaye). She enlists the help of her friends, a motley crew of "little people" who include Constance (Margaret Leighton) and Gabrielle (Giulietta Masina). A trial takes place in the Countess's cellar presided over by Aurelia's friend Josephine (Edith Evans) as judge and the Ragpicker as the lawyer for the defense. [7]
The film had its premiere at The Plaza in New York City on Sunday, October 12, 1969. [8]
In The New York Times , Vincent Canby wrote "Forbes, who persists in making conventional films of unconventional properties ("Whistle Down The Wind", "The Wrong Box") moves his cameras around quite a lot, but there is really little he can do to hide the fact that "The Madwoman of Chaillot" is—as it was 20 years ago—an incredibly precious theatrical conceit, just the sort of thing somebody might think would make a great Broadway musical comedy. As we all know, it didn't." [9]
Katharine Houghton Hepburn was an American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, which earned her various accolades, including four Academy Awards for Best Actress—a record for any performer.
Yuliy Borisovich Briner, known professionally as Yul Brynner, was a Russian-born actor. He was known for his portrayal of King Mongkut in the Rodgers and Hammerstein stage musical The King and I, for which he won two Tony Awards, and later an Academy Award for Best Actor for the film adaptation. He played the role 4,625 times on stage and became known for his shaved head, which he maintained as a personal trademark long after adopting it for The King and I. Considered one of the first Russian-American film stars, he was honored with a ceremony to put his handprints in front of Grauman's Chinese Theatre in Hollywood in 1956, and also received a star on the Hollywood Walk of Fame in 1960.
Charles Boyer was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Oscar nominations for Best Actor. He also appeared as himself on the CBS sitcom I Love Lucy.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Geraldine Sue Page was an American actress. With a career which spanned four decades across film, stage, and television, Page was the recipient of numerous accolades, including an Academy Award, a British Academy Film Award, two Primetime Emmy Awards, two Golden Globe Awards, and four nominations for the Tony Award.
George Richard Chamberlain is an American actor and singer who became a teen idol in the title role of the television show Dr. Kildare (1961–1966). He subsequently appeared in several miniseries, such as Shōgun (1980) and The Thorn Birds (1983) and was the first to play Jason Bourne in the 1988 television film The Bourne Identity. Chamberlain has also performed classical stage roles and worked in musical theatre.
Dear World is a musical with music and lyrics by Jerry Herman and book by Jerome Lawrence and Robert E. Lee. With its opening, Herman became the first composer-lyricist in history to have three productions running simultaneously on Broadway. It starred Angela Lansbury, who won the Tony Award for Leading Actress in a Musical in 1969 for her performance as the Countess Aurelia.
Paul Henreid was an Austrian-American actor, director, producer, and writer. He is best remembered for two film roles: Victor Laszlo in Casablanca and Jerry Durrance in Now, Voyager, both released between 1942 and 1943.
Inga Swenson was an American actress and singer. She appeared in multiple Broadway productions and was nominated twice for the Tony Award for Best Actress in a Musical for her performances as Lizzie Curry in 110 in the Shade and Irene Adler in Baker Street. She also spent seven years portraying Gretchen Kraus in the ABC comedy series Benson.
Mary Beth Peil is an American actress and soprano. She began her career as an opera singer in 1962 with the Goldovsky Opera Theater. In 1964 she won two major singing competitions, the Young Concert Artists International Auditions and the Metropolitan Opera National Council Auditions; the latter of which earned her a contract with the Metropolitan Opera National Company with whom she performed in two seasons of national tours as a leading soprano from 1965 to 1967. She continued to perform in operas through the 1970s, notably creating the role of Alma in the world premiere of Lee Hoiby's Summer and Smoke at the Minnesota Opera in 1971. She later recorded that role for American television in 1982. With that same opera company she transitioned into musical theatre, performing the title role of Cole Porter's Kiss Me, Kate in 1983. Later that year she joined the national tour of Rodgers and Hammerstein's The King and I as Anna Leonowens opposite Yul Brynner, and continued with that production when it opened on Broadway on January 7, 1985. She was nominated for a Tony Award for her portrayal.
Martita Edith Hunt was an Argentine-born British theatre and film actress. She had a dominant stage presence and played a wide range of powerful characters. She is best remembered for her performance as Miss Havisham in David Lean's Great Expectations (1946).
Oskar Homolka was an Austrian film and theatre actor, who went on to work in Germany, Britain, and America. Both his voice and his appearance fitted him for roles as communist spies or Soviet officials, for which he was in regular demand. By the age of 30, he had appeared in more than 400 plays; his film career covered at least 100 films and TV shows.
Giulia Anna "Giulietta" Masina was an Italian film actress best known for her performances as Gelsomina in La Strada (1954) and Cabiria in Nights of Cabiria (1957), for which she won the Cannes Film Festival Award for Best Actress at the 1957 Cannes Film Festival.
Barbara Rush was an American actress. In 1954, Rush won the Golden Globe Award as most promising female newcomer for her role in the 1953 American science-fiction film It Came from Outer Space. Later in her career, Rush became a regular performer in the television series Peyton Place, and appeared in TV movies, miniseries, and a variety of other programs, including the soap opera All My Children and family drama 7th Heaven, as well as starring in films, including The Young Philadelphians, The Young Lions, Robin and the 7 Hoods, and Hombre.
Coco is a 1969 Broadway musical with a book and lyrics by Alan Jay Lerner and music by André Previn, inspired by the life of Coco Chanel. Katharine Hepburn starred in the title role, her first and only in a stage musical.
Blanche Yurka was an American stage and film actress and director. She was an opera singer with minor roles at the Metropolitan Opera and later became a stage actress, making her Broadway debut in 1906 and established herself as a character actor of the classical stage, also appearing in several films of the 1930s and 1940s.
The Madwoman of Chaillot is a play, a poetic satire, by French dramatist Jean Giraudoux, written in 1943 and first performed in 1945, after his death. The play is in two acts. The story concerns an eccentric woman who lives in Paris and her struggles against the straitlaced authority figures in her life.
Ely Abraham Landau was an American film producer and production executive best remembered for films of plays in the American Film Theatre series.
Oliver A. Unger was an American film producer, distributor, and exhibitor. In a 45-year career, he was also a television producer and owner of movie theaters and television stations throughout the United States.
Michael John Lewis is a Welsh-born composer of film, theatre, television, and choral music. He studied harmony, counterpoint and composition at the Guildhall School of Music and Drama. After a brief teaching career in North London he became a full time composer at the age of 24.