 Front view from Colchester High Street | |
  Location within Essex | |
| Established | 1956 |
|---|---|
| Location | Colchester, Essex, England |
| Coordinates | 51°53′20″N0°54′22″E / 51.889°N 0.906°E |
| Website | www |
The Minories is a Grade II listed building [1] and gardens situated at the east end of High Street in Colchester, Essex, England, near Hollytrees, Gate House and Colchester Castle. It currently houses The Minories Galleries. [2]
The house is believed to have been built in the Tudor period. [3] In 1731 it was purchased by the baize manufacturer Isaac Boggis for £420. [4] His son, Thomas Boggis, inherited the house, and employed an architect, probably John Alefounder (1732–1787) to remodel the building, turning parts of it into an elegant Georgian residence. [4] The Boggis family lived in the house for almost 200 years. From 1821 to 1915 the building had several owners and tenants, one of whom was Dr. Becker, [4] a general practitioner (GP) whose son, Harry Becker, lived there for a time while he learned his trade as a landscape painter and went on to become one of East Anglia's best known artists. [5]
In 1915 [6] Geoffrey Crawford Bensusan-Butt and his wife Dr. Ruth Crawford took over the lease, [7] purchasing the property along with a portion of land that included the Gothic Folly, a summer house built in 1830. Crawford later had three exhibitions of his artwork shown at the Minories in 1962, 1964 and 1975. [6] Dr. Ruth Crawford was the sister-in-law of the painter Lucien Pissarro, [8] and was one of the first female GPs in Colchester. She used the front rooms of The Minories as her consulting rooms, and also opened Colchester's first infant nursery there. [9] [ unreliable source? ] One of the Bensusan-Butt's three children was the English economist, David Bensusan-Butt. [10]
In 1956 Dr. Ruth, who had survived her husband, sold The Minories along with the garden to the Victor Batte-Lay Trust, named after the art collector who had been a hereditary freeman of the town. [1] The trust was set up by Batte-Lay's window, Margaret, to purchase and endow a building in Colchester as a memorial to her husband. From 1963 to 1974 R. A. Bevan was chair of the Victor Batte-Lay Trust. [11] The Minories was sold on the strict condition that it would continue to be used for artistic purposes. [1]
The Victor Batte-Lay Trust has provided a public cultural and artistic centre for Colchester and North-East Essex. No. 73, the house next door to The Minories, was purchased and added in 1975 with funding from Eastern Arts and the support of local professionals. [12] The Minories, run by the Trust as The Minories Art Gallery, presented work by Edward Bawden, Leon Underwood, Eric Ravilious, Frederick Hans Haagensen, Harry Becker, John Bratby, John and Paul Nash, Lucien Pissarro, Cedric Morris, Christopher Wood, Bill Brandt, Maggi Hambling, Jacob Epstein and Mark Wallinger. [12]
By the early 1990s the Trust's resources were significantly reduced, and the gallery closed in 1992, leading to a period of uncertainty. It reopened in 1994 when Firstsite took on the lease and continued to pay some of the Trust's obligations. [3]
Upon her death in 1955, Margaret Batte-Lay bequeathed her husband's collection of art objects to "the people of Colchester … in particular those who shall take an interest in the artistic and antiquarian features of that town". [13] The initial collection held works mainly by British artists, including still lives from the 17th century, regency portraiture, 18th century prints and drawings and 19th century oil paintings and samplers. [14] This collection was first displayed on the ground floor of The Minories Gallery in an imitation of the original domestic setting together with new acquisitions which included antique clocks and chandeliers that highlighted Batte-Lay's discerning taste in art and antiques.
By the end of the decade, the Trustees had acquired new works through purchases, loans and gifts with the intention to expand the Permanent Collection. [13] By the 1960s, as the collection grew via purchases and the occasional gift, it also took on a more modern direction in order to attract new and younger audiences. Works acquired during this period varied in style but the strength of the collection lay in its possession of prints by several British modernists most notably, John Nash, Paul Nash and Blair Hughes-Stanton as well as 14 figure drawings by Camille Pissarro. [13]
The acquisition and subsequent sale of Robert Bevan’s The Cab Yard in the 1970s paved the way for the purchase of the adjacent property as a new exhibiting space, which became known as The Girling Room. As a result, the Contemporary Art Society gifted generously to the collection with works such as Margaret Mellis' Lilac Yellow and Ian McKeever's Sand and Sea Series No. 8. The Victor Batte-Lay Trust then developed a policy of acquiring work by 20th century artists preferably with strong regional links. [13]
In the early 1980s, the team at The Minories was the recipient of a sizeable amount of funding from charitable organisations and Friends of The Minories which led to the setting up of an official purchasing policy. The collection expanded again through new purchases, most significantly the team established a sculpture collection. During this period, there was also a Permanent Collection room that exhibited a selection of works on rotation. By the mid-1980s the collection faced a sudden change in funding circumstances. In order to stay afloat, several works were sold off and those acquired by Colchester Borough Council stayed in the local area. [13]
At present, the Victor Batte Lay collection consists of 135 acquisitions by renowned British and international artists. [15] They are not on permanent display but a selection of the Victor Batte-Lay art collection can be viewed in temporary exhibitions at Colchester's Firstsite and on loan in regional and national institutions. [16] Images of the works are available online. [17]
In early 2008 Firstsite left The Minories and moved into Crouch Street while their new building was developed, and in June 2008 Colchester Institute took on the lease for the Minories. [18] The site then became home to The Minories Galleries, a contemporary art gallery run by Colchester School of Art which is open to the public and houses the Colchester School of Art's Postgraduate programmes and a café surrounded by a walled garden. The Minories is next door to Firstsite, Colchester's contemporary art space, in the centre of St Botolph's Quarter. [2]
Since being run by Colchester School of Art and Colchester Institute, The Minories has presented exhibitions by artists and designers including Joseph Robinson, [19] Abram Games, Romek Marber, [20] [21] Noel Myles, Keith Albarn (father of Blur frontman Damon) and Chris Meigh-Andrews. [22] [23]
In October 2015, the cafe and tearoom in the back of the venue was taken over by Wilkin & Sons and is now operated as the Batte-Lay Tearoom, whilst the gallery space remains under previous management. [24]
Due to the COVID-19 pandemic the Colchester Institute decided not to reopen. The Victor Batte-Lay Foundation took back control and created a subsidiary body, We are the Minories with support from Arts Council England and the Cultural Regeneration Fund. [25]
The Friends of the Minories is an organisation which supports the gallery and assists in its funding. About four or five events occur each year, generally visits to local places of interest. The revenue from these fund-raising events goes into maintaining the garden and its 18th-century Gothic Folly. The garden and Folly are both registered with the Essex Gardens Trust. [26]
Colchester is a city in northeastern Essex, England. It is the second-largest settlement in the county, with a population of 130,245 at the 2021 Census. The demonym is Colcestrian.
George Claude Leon Underwood was a British artist, although primarily known as a sculptor, printmaker and painter, he was also an influential teacher and promotor of African art. His travels in Mexico and West Africa had a substantial influence on his art, particularly on the representation of the human figure in his sculptures and paintings. Underwood is best known for his sculptures cast in bronze, carvings in marble, stone and wood and his drawings. His lifetime's work includes a wide range of media and activities, with an expressive and technical mastery. Underwood did not hold modernism and abstraction in art in high regard and this led to critics often ignoring his work until the 1960s when he came to be viewed as an important figure in the development of modern sculpture in Britain.
Eric William Ravilious was a British painter, designer, book illustrator and wood-engraver. He grew up in Sussex, and is particularly known for his watercolours of the South Downs, Castle Hedingham and other English landscapes, which examine English landscape and vernacular art with an off-kilter, modernist sensibility and clarity. He served as a war artist, and was the first British war artist to die on active service in World War II when the aircraft he was in was lost off Iceland.
John Northcote Nash was a British painter of landscapes and still-lives, and a wood engraver and illustrator, particularly of botanic works. He was the younger brother of the artist Paul Nash.
Sir Cedric Lockwood Morris, 9th Baronet was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. As an artist he is best known for his portraits, flower paintings and landscapes.
David Miles Bensusan-Butt was an English economist who spent much of his career in Australia. Known as David, he published his work as D. M. Bensusan-Butt.
Lucien Pissarro was a French landscape painter, printmaker, wood engraver, designer, and printer of fine books. His landscape paintings employ techniques of Impressionism and Neo-Impressionism, but he also exhibited with Les XX. Apart from his landscapes, he painted a few still lifes and family portraits. Until 1890 he worked in France, but thereafter was based in Great Britain. He was the oldest son of the French Impressionist painter Camille Pissarro and his wife Julie.
Robert Alexander Polhill Bevan CBE was a significant figure in British communications and advertising during the mid-20th century. He was the second child of the artists Robert Polhill Bevan and Stanisława de Karłowska and was born at the Bevan house, Horsgate, in Cuckfield, Sussex.
Robert Priseman is a British artist, collector, writer, curator and publisher who lives and works in Essex, England. Over 200 works of art by Priseman are held in art museum collections around the world including the V&A, Museum der Moderne Salzburg, Art Gallery of New South Wales, Musée de Louvain la Neuve, The Royal Collection at Windsor Castle, The Allen Memorial Art Museum, The Mead Art Museum, Honolulu Museum of Art and The National Galleries of Scotland.
Nigel Graeme Henderson (1 April 1917 – 15 May 1985) was an English documentary artist, and photographer.
Firstsite is a visual arts organisation based in Colchester, Essex, which opened in 1993 as Colchester and District Visual Arts Trust, changing its name to Firstsite in 1995. Its current building was opened in 2011. It was the national Art Fund's Museum of the Year in 2021. The building Firstsite occupies as a tenant was designed by Rafael Viñoly and the freehold is retained by Colchester Council. The building is situated in Colchester's "Cultural Quarter" near The Minories, Colchester, fifteen Queen Street, the Norman Colchester Castle, the Natural History Museum, Hollytrees Museum and Colchester's Roman Wall.
Bernard Reynolds (1915–1997) was an esteemed East Anglian artist with a special interest in sculpting. He was born in Norwich and lived for almost fifty years in Ipswich. For although Reynolds is most widely known as a sculptor, he possessed the capacity to be an inspirational teacher as well as an artist, and he fulfilled both of these roles with his own particular kind of integrity. Reynolds was characterised for his quietly rigorous self-imposed discipline to every project he undertook – and due to his multiple pursuits, his projects were many and varied.
James Dodds is an East Anglian artist whose practice centers on painting, linocut and relief carving. Born in Brightlingsea, Essex, he now lives and works in Wivenhoe producing prints and books as the Jardine Press. He is the son of East Anglian artist Andrew Dodds and has been described as "boatbuilding’s artist laureate".
Henry William Collins and Joyce Millicent Pallot were two artists who lived and worked together for over 60 years. They are best known for their work on a number of large-scale public concrete murals during the 1960s and 1970s, many of which remain around the UK today. Their mural work often included elements relating to the cultural and industrial heritage of the location they were sited and is part of a tradition of muralists that includes William Mitchell and Kenneth Budd amongst others. Henry Collins and Joyce Pallot were both prominent members of the Colchester Art Society and exhibited together on a number of occasions.
Colchester Art Society was founded in 1946 by a group of artists who lived in Colchester and the nearby areas, many of whom were also linked to the Colchester School of Art, which is part of Colchester Institute. The aim of the society was and still is the promotion of the visual arts.
Simon Carter is an English artist and curator.
Dr Ruth Bensusan-Butt, née Bensusan, (1877-1957) was the first female medical doctor in Colchester.
Bay was a napped coarse woolen fabric, not technically considered cloth, introduced to England by Flemish immigrants in the 16th century. It was produced in Essex at Colchester and Bocking, and also in various towns in the West of England. Production continued until the 19th century. Bays were made into linings for furniture, hangings, curtains, bed surroundings, and cloaks.
John Gordon Bensusan-Butt was an English landscape painter and author.
Frederick Hans Haagensen was an Anglo-Norwegian visual artist and graphic artist. He often used the signature FH Haagensen. His attraction to nature and the sea can be traced back to his childhood memories of wandering the rural landscape of the estuary of the River Humber.
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