The Moldy Peaches | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 11, 2001 | |||
Genre | ||||
Length | 44:23 | |||
Label | Rough Trade | |||
The Moldy Peaches chronology | ||||
|
The Moldy Peaches is the debut album by American indie rock band the Moldy Peaches. It was primarily recorded in a basement in Port Townsend, Washington, and was released in 2001. The album has the dubious distinction of being released in the United States on September 11, 2001, the date of the attacks on the World Trade Center, while coincidentally featuring a song called "NYC's Like a Graveyard".
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Guardian | [2] |
Hot Press | 8/12 [3] |
Mojo | [4] |
NME | 8/10 [5] |
Pitchfork | 6.5/10 [6] |
Rolling Stone | [7] |
The Rolling Stone Album Guide | [8] |
Stylus Magazine | C+ [9] |
The Village Voice | A− [10] |
In a positive review for NME magazine, music critic Kitty Empire called The Moldy Peaches "extremely amusing and often brilliant" because of its endearing songs and absurdist lyrics, which she felt distinguishes the band from other indie acts. [5] Robert Christgau of The Village Voice found Dawson's songwriting more endearing and vulnerable than the "ambitious" Green, but said that they are both "cute folkies who break without warning into punk noise and sing a deeply catchy song called 'Who's Got the Crack,' cute floozies who'll fuck anybody with anything when that's their mood or stage of life". [10]
In a less enthusiastic review for Rolling Stone , Jenny Eliscu wrote that the "joyously messy" album is made up mostly of "low-fi, potty-mouthed indie rock" and raunchy humor, which listeners will either find "hilarious or stupid". [7] AllMusic's Daniel Greenwald was more critical and said the Moldy Peaches tried to be funny with their use of provocative language, but sounded like a witless, untalented version of the indie band Beat Happening. [1]
The Moldy Peaches finished 31st in the voting for the Pazz & Jop, an annual critics poll run by The Village Voice. [11] Christgau, the poll's creator, placed it second on his own year-end list. [12] Mojo magazine ranked it 29th on its list of 2001's best records. [13] In a retrospective review for The Rolling Stone Album Guide (2004), editor Christian Hoard wrote that the album showcased a songwriting duo who could successfully combine "oddball juvenalia and superb melodies". [8] In his ballot for Rolling Stone's decade-end poll, Christgau later named The Moldy Peaches the 11th best album of the 2000s. [14]
All tracks are written by Kimya Dawson & Adam Green except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lucky Number Nine" | ||
2. | "Jorge Regula" | ||
3. | "What Went Wrong" | ||
4. | "Nothing Came Out" | ||
5. | "Downloading Porn with Davo" | ||
6. | "These Burgers" | ||
7. | "Steak for Chicken" | ||
8. | "On Top" | ||
9. | "Greyhound Bus" | ||
10. | "Anyone Else but You" | ||
11. | "Little Bunny Foo Foo" | ||
12. | "The Ballad of Helen Keller & Rip Van Winkle" | ||
13. | "Who's Got the Crack" | Dawson / Green / Grrr Anpar | |
14. | "Lucky Charms" | ||
15. | "D. 2. Boyfriend" | ||
16. | "I Forgot" | ||
17. | "Lazy Confessions" | ||
18. | "NYC's Like a Graveyard" | ||
19. | "Goodbye Song" |
Credits are adapted from original CD track credits [15]
Guest Musicians
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
The Moldy Peaches are an American indie group founded by Adam Green and Kimya Dawson. Leading proponents of the anti-folk scene, the band had been on hiatus since 2004, but in 2023 announced they would be reuniting on Twitter. The appearance of their song "Anyone Else but You" in the film Juno significantly raised their profile; Dawson and Green made a handful of reunion appearances together in December 2007.
Brighten the Corners is the fourth studio album by American indie rock band Pavement, released on February 11, 1997, by Matador Records. The album received very positive reviews from critics.
Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992, by Slash Records. The album peaked at number 160 on the US Billboard 200 and number one on the Heatseekers Albums chart. As of June 2000, Bricks Are Heavy has sold 327,000 copies in the United States, according to Nielsen Soundscan.
Electric Version is the second studio album by Canadian indie rock group The New Pornographers. It was released on Matador Records and Mint Records on May 6, 2003.
More Adventurous is the third studio album by American indie rock band Rilo Kiley. Released on August 17, 2004 by Brute/Beaute Records, a self-made imprint distributed by Warner Records, it was the band's major label debut.
Mint Records is a Vancouver, British Columbia, Canada-based independent record label founded in 1991, by friends and campus radio enthusiasts Randy Iwata and Bill Baker. Mint has put out over 150 releases, several of which have won Juno Awards.
Pazz & Jop was an annual poll of top musical releases, compiled by American newspaper The Village Voice and created by music critic Robert Christgau. It published lists of the year's top releases for 1971 and, after Christgau's two-year absence from the Voice, each year from 1974 onward. The polls are tabulated from the submitted year-end top 10 lists of hundreds of music critics. It was named in acknowledgement of the defunct magazine Jazz & Pop, and adopted the ratings system used in that publication's annual critics poll.
Controversy is the fourth studio album by the American singer-songwriter and musician Prince, released on October 14, 1981, by Warner Bros. Records. It was produced by Prince, written by him, and he also performed most of the instruments on its recording.
Wild Gift is the second studio album by American rock band X, released on May 4, 1981, by Slash Records. It was very well received critically, and was voted the year's second best album in The Village Voice's Pazz & Jop poll. Wild Gift was later ranked at number 334 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Los Angeles is the debut studio album by American rock band X, released in April 1980, by Slash Records. It was produced by ex-Doors keyboardist Ray Manzarek and includes a cover of the 1967 Doors song "Soul Kitchen".
Let It Be is the third studio album by American rock band The Replacements. It was released on October 2, 1984, by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a little more sincere."
Sweet Old World is the fourth studio album by American singer-songwriter Lucinda Williams, released on August 25, 1992, by Chameleon Records.
Hidden Vagenda is the fourth solo album by American singer-songwriter Kimya Dawson, and the first to be released by K Records. The album contains songs about her pain from the deaths of loved ones, the then-upcoming 2004 election, and a power ballad version of a song from a previous solo album featuring a recording of members of The Moldy Peaches as an intro. Hidden Vagenda also includes myriad guest performers, including Daniel Johnston, Paleface, Vanessa Carlton, and members of the French anti-folk group Herman Düne.
Featuring "Birds" is the third studio album by American indie rock band Quasi. It was released in 1998 by record label Up in the US and Domino in the UK.
The Mekons Rock 'n Roll is the eighth studio album by English rock band the Mekons, released in 1989.
Stephen Malkmus is the debut album by Stephen Malkmus, released on February 13, 2001 by Matador Records. Malkmus had planned to create the record by himself, or through a smaller, local label, but eventually accepted the offer Matador made, and he released it. Pre-release promotional CDs of the album exist under the working titles Jicks and Swedish Reggae. Malkmus intended to release the album as The Jicks, but Matador insisted that the album be released under his own name. The album peaked at number 124 in the US and number 49 in the UK.
Squeezing Out Sparks is the fourth studio album by English singer-songwriter Graham Parker and his band the Rumour. The album was released in March 1979. Although the Rumour were not credited on the cover, their name was included on the album label.
In the Jungle Groove is a compilation album by American funk musician James Brown, released in August 1986 by Polydor Records.
The Birth of Soul: The Complete Atlantic Rhythm and Blues Recordings is a 3-CD box set compilation by Ray Charles, released in 1991.
{{cite magazine}}
: CS1 maint: unfit URL (link)