The Moon Is Blue is a play by F. Hugh Herbert. A comedy in three acts, the play consists of one female and three male characters.
The Moon Is Blue premiered at The Playhouse in Wilmington, Delaware on February 16, 1951 for tryout performances in preparation for the New York stage. [1] This was followed by further tryout performances at the Wilbur Theatre in Boston in early March 1951. [2] The production premiered on Broadway on March 8, 1951 at Henry Miller's Theatre with Barbara Bel Geddes as Patty O'Neill, Donald Cook as David Slater, Barry Nelson as Donald Gresham, and Ralph Dunn as Michael O'Neill. Produced by Richard Aldrich, Richard Myers, and Julius Fleischmann, the production was staged by Otto Preminger. [3] [4] A hit, the play closed in 1953 after 924 performances.
Given the audience response to the work, the same production team mounted a concurrent national tour starring Maggie McNamara as Patty O'Neill, Murray Hamilton as Donald Gresham, Leon Ames as David Slater, and Wallace Rooney as Michael O'Neill which began in Detroit on April 20, 1951. [5] Prior to going on tour, the cast performed scenes from the play on the television program Showtime, U.S.A. [6] McNamara later replaced Barbara Bel Geddes as Patty in the Broadway production in 1952. [7] A second national touring company operated by Warren Caro and the Theatre Guild began its tour in Pittsburgh on October 20, 1951 with a cast including Hiram Sherman and Coleen Gray. [8]
The play received several stagings internationally including at the J.C. WIlliamson Theatre in Melbourne, Australia (1951), [9] the Alléteatern in Stockholm Sweden (1952), [10] the Jofestadt Theatre in Vienna, Austria (1952)., [11] and Hamilton Theatre in Hamilton, Bermuda (1953). [12] In July 1952 the La Jolla Playhouse staged the play with Diana Lynn, Scott Brady, David Niven, and Jack Shea. [13] An eight week tour of the play throughout Texas starring John Ireland and Joanne Dru occurred in the summer of 1953. [14]
The play debuted on London's West End at the Duke of York's Theatre on July 7, 1953 with Diana Lynn as Patty O'Neill, Biff McGuire as Donald Graham, Robert Flemyng as David Slater, and Harry Fine as Michael O'Neill. [15]
The play was revived Off-Broadway in 1961 at the 41st St Theatre. Staged by Matt Cimber, the production starred Patricia Bosworth as Patty O'Neill, William Severs as Donald Gresham, Walter Flanagan as Michael O'Neill, and Donald Cook is a reprisal of his Broadway role as David Slater. [16]
A 1953 film adaptation of the play was released by United Artists. [17] Otto Preminger, who had directed the original stage production, also directed this film. Maggie McNamara and David Niven reprised the roles that they had played on stage in the film. [17]
Marguerite McNamara was a stage, film, and television actress and model from the United States. McNamara began her career as a teenage fashion model. She first came to public attention as Patty O'Neill in the 1951 national tour of F. Hugh Herbert's The Moon Is Blue which ran concurrently with the original Broadway production. In 1952 she succeeded Barbara Bel Geddes in that role in the Broadway production. Both productions were directed by Otto Preminger, and Preminger also directed McNamara in that role in the controversial 1953 film adaptation of that work. She earned an Academy Award nomination for Best Actress for her role in the film.
The Moon Is Blue is a 1953 American romantic comedy film produced and directed by Otto Preminger and starring William Holden, David Niven, and Maggie McNamara. Written by F. Hugh Herbert and based on his 1951 play of the same title, the film is about a young woman who meets an architect on the observation deck of the Empire State Building and quickly turns his life upside down. Herbert's play had also been a huge success in Germany, and Preminger decided to simultaneously film in English and German, using the same sets but different casts. The German-language film version is Die Jungfrau auf dem Dach.
The Mark Hellinger Theatre is a church building at 237 West 51st Street in the Midtown Manhattan neighborhood of New York City, which formerly operated as a cinema and Broadway theater. Opened in 1930, the Hellinger Theatre is named after journalist Mark Hellinger and was developed by Warner Bros. as a movie palace. It was designed by Thomas W. Lamb with a modern facade and a Baroque interior. It has 1,605 seats across two levels and has been a house of worship for the Times Square Church since 1989. Both the exterior and interior of the theater are New York City landmarks.
Kenneth Joseph Howard Jr. was an American actor. He was known for his roles as Thomas Jefferson in 1776 (1972) and as high school basketball coach and former Chicago Bulls player Ken Reeves in the television show The White Shadow (1978–1981). Howard won the Tony Award for Best Featured Actor in a Play in 1970 for his performance in Child's Play, and won the Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his work in Grey Gardens (2009).
Arthur Shields was an Irish actor on television, stage and film.
Thomas McCreery Powers was an American actor in theatre, films, radio and television. A veteran of the Broadway stage, notably in plays by George Bernard Shaw, he created the role of Charles Marsden in Eugene O'Neill's Strange Interlude. He succeeded Orson Welles in the role of Brutus in the Mercury Theatre's debut production, Caesar. In films, he was a star of Vitagraph Pictures and later became best known for his role as the victim of scheming wife Barbara Stanwyck and crooked insurance salesman Fred MacMurray in the film noir classic Double Indemnity (1944).
The Eugene O'Neill Theatre, previously the Forrest Theatre and the Coronet Theatre, is a Broadway theater at 230 West 49th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It opened in 1925 as part of a hotel and theater complex named after 19th-century tragedian Edwin Forrest. The modern theater, named in honor of American playwright Eugene O'Neill, has 1,108 seats across two levels and is operated by Jujamcyn Theaters. The auditorium interior is a New York City designated landmark.
The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman, whose family was a major donor to MTC.
Sumner Locke Elliott was an Australian novelist and playwright.
José Benjamín Quintero was a Panamanian theatre director, producer and pedagogue best known for his interpretations of the works of Eugene O'Neill.
Die Jungfrau auf dem Dach is a 1953 American comedy film produced and directed by Otto Preminger. The screenplay by Carl Zuckmayer is a German language translation of the script for The Moon Is Blue by F. Hugh Herbert, based on his 1951 play.
Frederick Hugh Herbert was a playwright, screenwriter, novelist, short story writer, and infrequent film director.
Paul Ukena was an American operatic baritone and musical theatre actor who had an active career from the 1940s through the 1970s. After beginning his career entertaining American troops as a part of the Special Services during World War II, his first critical success was as the baritone soloist in the American premiere of Frederick Delius's Requiem in 1950. He was one of the founding members of the NBC Opera Theatre, a company he performed with throughout the 1950s in such productions as Benjamin Britten's Billy Budd and the world premiere of Norman Dello Joio's The Trial at Rouen.
Robert Cecil Smith was an American actor of the stage, television, and film.
Bertha Belmore was an English stage and film actress. Part of the Belmore family of British actors through her marriage to actor Herbert Belmore, she began her career as a child actress in British pantomimes and music hall variety acts. As a young adult she was one of the Belmore Sisters in variety entertainment before beginning a more serious acting career performing in classic plays by William Shakespeare with Ben Greet's Pastoral Players in a 1911 tour of the United States. She made her Broadway debut as Portia in Shakespeare's Julius Caesar in 1912. She returned to Broadway numerous times in mainly comedic character roles over the next 40 years, notably creating parts in the original Broadway productions of Lorenz Hart and Richard Rodgers's By Jupiter (1942) and Anita Loos's Gigi (1951). She worked in several productions mounted by Florenz Ziegfeld Jr., including appearing in the Ziegfeld Follies of 1925 with W.C. Fields and Will Rogers, and starring as Parthy Ann Hawks in the 1929 Australian tour and 1932 Broadway revival of Jerome Kern and Oscar Hammerstein II's Show Boat.
Annamary Dickey, also known as Annamary Dickey Laue, was an American soprano and actress in operas, operettas, musicals, night clubs, and concerts who had an active performance career from the 1930s through the 1960s. She began her career as a regular performer with the Chautauqua Opera and the St. Louis Municipal Opera in the mid to late 1930s. In 1939 she won the Metropolitan Opera Auditions of the Air which earned her a contract with the Metropolitan Opera (Met). She was a soprano in mainly secondary roles at the Met from 1939 to 1944; appearing in productions of Gluck's Orfeo ed Euridice, Massenet's Manon, Delibes' Lakmé, Charpentier's Louise, Bizet's Carmen, Der Rosenkavalier by Richard Strauss, Mozart's The Marriage of Figaro, and Smetana's The Bartered Bride. Her most significant role at the Met was as Musetta in Puccini's La bohème. A strikingly beautiful woman with a passion for fashionable clothes, she gained the moniker the "Glamour Girl of the 'Met'" and headlined a fashion campaign for Saks Fifth Avenue in 1945.
Joseph Holland was an American actor of stage and screen who was principally known for his work in the theatre. Active on Broadway from 1935 through 1957, he was particularly admired for his performances in the plays of William Shakespeare. He was notably a founding member of John Houseman and Orson Welles' Mercury Theatre in 1937; performing the title role in Shakespeare's Julius Caesar for the first play mounted by that company. During that production he was seriously wounded by Welles, in the role of Brutus, who stabbed him in the chest and arm with a steel knife in the famous Act 3 Scene 1 betrayal. After a month of recovery, he returned to the production. Holland went on to create roles in original works by playwrights Maxwell Anderson, Lindsay and Crouse, Elsie Schauffler, and Robert E. Sherwood. He worked periodically on television as a guest actor from 1949 through 1961 on a variety of programs, and appeared in a minor supporting role in the 1958 film Rally Round the Flag, Boys!.
Pierre Olaf was a French actor, cabaret artist, and clown. He first achieved success as a stage actor in Paris in the musical revues of Robert Dhéry. He achieved particular acclaim in Dhéry's Jupon Volé (1954) and La Plume de Ma Tante (1955); the latter of which served as an international vehicle for him with productions in Paris, London's West End (1955-1958), and in New York City on Broadway (1958-1960). In 1959 he and the rest of the cast of La Plume de Ma Tante were awarded a non-competitive Special Tony Award. In 1962 he was nominated for a competitive Tony Award for his portrayal of Jacquot in the original Broadway production of Bob Merrill's Carnival! (1961).
Richard Stoddard Aldrich was an American theatre producer, theatre manager, director, and diplomat. He was an officer with the United States Navy reserves during World War II and the Korean War, and a diplomat with the United States Foreign Operations Administration and International Cooperation Administration. He produced more than thirty plays on Broadway from 1933 through 1956, and also operated three summer theaters in Massachusetts. He was married to the actress Gertrude Lawrence until her death; their marriage was memorialized in his book Gertrude Lawrence as Mrs. A: An Intimate Biography of a Great Star (1955) and the Oscar nominated biographical musical film Star! (1968).
Goodbye, My Fancy is a 1948 play by Fay Kanin. A comedy in 3 Acts and 4 scenes, the work premiered at the Grand Theatre in London, Ontario on October 21, 1948 for tryout performances before the production moved to Broadway in New York City. The work premiered on Broadway on November 17, 1948 at the Morosco Theatre.
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