"The Moonshiner" is a folk song with unknown origins. In Ireland and America, it is sung with similar lyrics but different melodies. It is catalogued as Roud Folk Song Index No. 4301. [1] The song's structure is very similar to The Wild Rover, but instead extolling the virtues of moonshining.
The composers of the Irish and American melodies for "The Moonshiner" are unknown. Most evidence points to it being an American lyric that became popular in Ireland when sung to a much different tune. The text borrows phrases from several well-known English songs, yet it follows the American tradition of glorifying moonshiners as folk heroes during Prohibition. [2] The most explicit praise of their bootlegging comes in the blessing of the moonshiners, which is often omitted in American performances. The usage of "moonshine" instead of "poitín" suggests that the song may have originated in America. However, there is no definitive proof of the song's provenance. [3] : 134–5
Irish actor Liam Redmond believed it was an "American drinking song". [4] : 100–1 The song was a staple for Delia Murphy throughout her career. She recorded it for HMV in 1939, and it was released the following year. [4] The Clancy Brothers recorded it in 1959 for their second album, Come Fill Your Glass with Us . Their recording of the song with Tommy Makem increased its popularity in Ireland, where it remains more familiar than in America. [3] : 134 Makem directly credited Delia Murphy with introducing the song to Irish audiences. [5] The reverse emigration of the song is fairly unique. [6]
The Irish version of the tune is in a major key with triple meter, and its melody differs entirely from the American version. [7] [8] It is unclear how Delia Murphy came to pair this tune with "The Moonshiner" lyrics.
Carl Sandburg included the song as "Kentucky Moonshiner" in The American Songbag . He found the song in the collection of another folklorist named Gilbert Combs, a Methodist Episcopal minister in Lexington, Kentucky. Sandburg prints an arrangement of the melody by Alfred George Wathall, who scored it in the Dorian mode. [9]
In The Folk Songs of North America, Alan Lomax arranges the tune in D minor and retains the triple time of the Irish melody, even though most of his field recordings are in a quadruple meter. He identifies three different lyrical sources for "Moonshiner": "The Wagoner", "Rye Whiskey", and "I'm Troubled". [8] Lomax cites the work of Frank Brown, whose discussions of these tunes stresses that folk lyrics are often composites of several different songs. Brown also traces the usage of the "I'll eat when I'm hungry" phrase back to the 18th century. [10] [11]
On September 11, 1937 in Botto, Kentucky, Alan and Elizabeth Lomax recorded Dawson Henson performing "The Moonshiner" on guitar. [12] [13] They recorded Ken Begley performing "The Moonshiner Song" in Hell for Certain, Kentucky on October 1 of the same year. [14]
Bob Dylan performed the song at The Gaslight Cafe at least twice, beginning in 1962. [15] He recorded "Moonshiner" in 1963. His version was not released until The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991 . While Dylan's performance bears resemblance to the 1930s recordings of Henson and Buell Kazee, it is most similar to the 1959 recording by Rolf Cahn, who added the "whole world's a bottle" coda. [16] Dylan called it "The Bottle Song". Greil Marcus enthused that the vocal performance is "among the best Bob has ever recorded", and he lamented, "It would have been good to have had this song around a few years ago when people complained that Dylan couldn’t sing." [17] Cat Power described Dylan's cover as a palliative, "...it validated my pain, and listening somehow took the pain away. 'Moonshiner' was the softest bed I could ever lie on." [18]
The song has also been performed and recorded by Elliott Smith, Cat Power, Rumbleseat, Cast Iron Filter, Jalan Crossland, Peter Rowan, Railroad Earth, Bob Forrest, Roscoe Holcomb, Uncle Tupelo, Jeffrey Foucault, The Tallest Man On Earth, Tim Hardin, Charlie Parr, Punch Brothers, Redbird, Robert Francis, Scorpios, Dave Van Ronk, əkoostik hookah, Moriarty, Clay Parker & Jodi James, Lost Dog Street Band, David Bromberg, and Parsonsfield.
In the movie Deliverance, actor/musician Ronny Cox plays and sings the "religion when I die" stanza on his acoustic guitar around the first night's campfire.[ citation needed ]
American
I've been a moonshiner for sev'nteen long years
I've spent all my money for whiskey and beers.
I'll go to some holler, I'll put up my still
I'll make you one gallon for a two-dollar bill.
I'll go to some grocery and drink with my friends,
No woman to follow to see what I spends.
God bless those pretty women, I wish they were mine,
Their breath smells as sweet as the dew on the vine.
I'll eat when I'm hungry and drink when I'm dry,
If moonshine don't kill me, I'll live till I die.
God bless those moonshiners, I wish they were mine,
Their breath smells as sweet as the dew on the vine. [9]
Irish
I've been a moonshiner for many a year
And I've spent all me money on whiskey and beer
I'll go to some hollow and I'll set up my still
And I'll make you a gallon for a ten shilling bill
(Chorus)
I'm a rambler, I'm a gambler,
I'm a long way from home
And if you don't like me
You can leave me alone
I'll eat when I'm hungry
And I'll drink when I'm dry
And if moonshine don't kill me
I'll live till I die
I'll go to some hollow in this country
Ten gallons of wash and I'll go on a spree
No woman to follow and the world is all mine
I love none so well as I love the moonshine
Moonshine dear moonshine oh how I love thee
You killed my poor father but dare you kill me
Bless all moonshiners and bless all moonshine
For their breath smells as sweet as the dew on the vine [19]
"St. James Infirmary" is an American blues and jazz standard that emerged, like many others, from folk traditions. Louis Armstrong brought the song to lasting fame through his 1928 recording, on which Don Redman is named as composer; later releases credit "Joe Primrose", a pseudonym used by musician manager, music promoter and publisher Irving Mills. The melody is eight bars long, unlike songs in the classic blues genre, where there are 12 bars. It is in a minor key, and has a 4
4 time signature, but has also been played in 3
4.
The Clancy Brothers were an influential Irish folk music group that developed initially as a part of the American folk music revival. Most popular during the 1960s, they were famed for their Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, contributing to an Irish folk boom with groups like the Dubliners and the Wolfe Tones.
Jean Ruth Ritchie was an American folk singer, songwriter, and Appalachian dulcimer player, called by some the "Mother of Folk". In her youth she learned hundreds of folk songs in the traditional way, many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads. In adulthood, she shared these songs with wide audiences, as well as writing some of her own songs using traditional foundations.
"Red River Valley" is a folk song and cowboy music standard of uncertain origins that has gone by different names, depending on where it has been sung. It is listed as Roud Folk Song Index 756 and by Edith Fowke as FO 13. It is recognizable by its chorus :
"Streets of Laredo", also known as "The Dying Cowboy", is a famous American cowboy ballad in which a dying ranger tells his story to another cowboy. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"The Parting Glass" is a Scottish traditional song, often sung at the end of a gathering of friends. It has also long been sung in Ireland, where it remains popular and has strongly influenced how it is often sung today. It was purportedly the most popular parting song sung in Scotland before Robert Burns wrote "Auld Lang Syne".
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. It was titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the passenger train Midnight Special and its "ever-loving light."
"Hallelujah, I'm a Bum" is an American folk song that responds with humorous sarcasm to unhelpful moralizing about the circumstance of being a hobo. The song's authorship is uncertain, but according to hobo poetry researcher Bud L. McKillips, the words were written by an IWW member. Carl Sandburg collected the song for his anthology The American Songbag, and he wrote that it was "heard at the water tanks of railroads in Kansas in 1897 and from harvest hands who worked in the wheat fields of Pawnee County, was picked up later by the I. W. W.'s, who made verses of their own for it, and gave it a wide fame." Some verses may have been written by a Kansas City hobo known only as "One-Finger Ellis," who scribbled it on the wall of his prison cell in 1897. There is also a questionable theory that Harry McClintock, an IWW member, could have written it in 1899 when he was only fifteen.
"Skip to My (The) Lou" is a popular American partner-stealing dance from the 1840s.
"Sweet Betsy from Pike" is an American ballad about the trials of a pioneer named Betsy and her lover Ike who migrate from Pike County to California. This Gold Rush-era song, with lyrics published by John A. Stone in 1858, was collected and published in Carl Sandburg's 1927 American Songbag. It was recorded by Burl Ives on February 11, 1941 for his debut album Okeh Presents the Wayfaring Stranger.
Tradition Records was an American record label from 1955 to 1966 that specialized in folk music. The label was founded and financed by Guggenheim heiress Diane Hamilton in 1956. Its president and director was Patrick "Paddy" Clancy, who was soon to join his brothers Liam and Tom Clancy and Tommy Makem, as part of the new Irish folk group, The Clancy Brothers and Tommy Makem. Liam Clancy designed the company's maple leaf logo. Columbia University Professor of Folklore Kenneth Goldstein was also involved in the early creation of the company, which operated out of Greenwich Village, New York, United States.
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
"Good Old Mountain Dew", sometimes called simply "Mountain Dew" or "Real Old Mountain Dew", is an Appalachian folk song composed by Bascom Lamar Lunsford and Scotty Wiseman. There are two versions of the lyrics, a 1928 version written by Lunsford and a 1935 adaptation by Wiseman. Both versions of the song are about moonshine. The 1935 version has been widely covered and has entered into the folk tradition becoming a standard.
"On the Trail of the Buffalo", also known as "The Buffalo Skinners" or "The Hills of Mexico", is a traditional American folk song in the western music genre. It tells the story of an 1873 buffalo hunt on the southern plains. According to Fannie Eckstorm, 1873 is correct, as the year that professional buffalo hunters from Dodge City first entered the northern part of the Texas panhandle. It is thought to be based on the song Canaday-I-O.
"Bang Bang Lulu" is a traditional American song with many variations. It derives from older songs most commonly known as "Bang Bang Rosie" in Ireland, "Bang Away Lulu" in Appalachia, and "My Lula Gal" in the West. The form "Bang Bang Lulu" became widespread in the United States from its use as a cadence during the World Wars. The song uses the tune of "Goodnight, Ladies".
"The House of the Rising Sun" is an American traditional folk song, sometimes called "Rising Sun Blues". It tells of a person's life gone wrong in the city of New Orleans. Many versions also urge a sibling or parents and children to avoid the same fate. The most successful commercial version, recorded in 1964 by the British rock band The Animals, was a number one hit on the UK Singles Chart and in the US and Canada. As a traditional folk song recorded by an electric rock band, it has been described as the "first folk rock hit".
"Poor Paddy Works on the Railway" is a popular Irish folk and American folk song. Historically, it was often sung as a sea shanty. The song portrays an Irish worker working on a railroad.
"Old Rosin the Beau" is a traditional folk song popular in America, England, Ireland, and Canada, first published in Philadelphia in 1838 though possibly dating back to the 1700s. It is listed in the Roud Folk Song Index as number 1192.
"The Rambling Gambler" is a traditional folk song of the American West. It was first recorded in print by John A. & Alan Lomax in their jointly authored 1938 edition of Cowboy Songs and Other Frontier Ballads. Like many folk songs, it is known by a variety of titles, such as "Rambler, Gambler," and "I'm a Rambler, I'm a Gambler"