The Night Won't Talk | |
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Directed by | Daniel Birt |
Written by | |
Produced by | Harold Richmond |
Starring | |
Cinematography | Brendan J. Stafford |
Edited by | John Seabourne |
Music by | Gilbert Vinter |
Production company | Corsair Pictures |
Distributed by | Associated British-Pathé |
Release date | October 1952 |
Running time | 61 minutes |
Country | United Kingdom |
Language | English |
The Night Won't Talk is a 1952 British crime film directed by Daniel Birt and starring John Bailey, Hy Hazell and Mary Germaine. The murder of an artist's model leads the police to investigate the artistic community of Chelsea.
It was made at Kensington Studios as a second feature. [1] The film's sets were designed by the art director Bernard Robinson. [2]
TV Guide wrote, "Though a touch predictable, this film is fairly intelligent for a minor crime thriller." [3]
Cloudburst is a 1951 British crime drama film produced by Hammer Films, directed by Francis Searle, starring Robert Preston and featuring Elizabeth Sellars, Harold Lang, Colin Tapley and Sheila Burrell. The script is based on a play written by Leo Marks, a wartime cryptographer for the Special Operations Executive, and later the author of a memoir about his wartime work, Between Silk and Cyanide (1998).
Dangerous Cargo is a 1954 British crime film directed by John Harlow starring Jack Watling, Susan Stephen and Karel Stepanek. The film was produced by Stanley Haynes for ACT Films. British crime reporter Percy Hoskins provided the story. It was shot at Walton Studios near London with sets designed by the art director Don Russell. It was made as a second feature.
Tread Softly is a 1952 British crime film with musical overtones, directed by David MacDonald and starring Frances Day, Patricia Dainton and John Bentley. A chorus girl investigates a series of mysterious happenings at a derelict theatre.
Assassin for Hire is a 1951 British crime film directed by Michael McCarthy and starring Sydney Tafler, Ronald Howard and Katharine Blake. Its plot follows a contract killer who becomes stricken with remorse when he is led to believe he has murdered his brother.
The Frightened Man is a 1952 British crime film directed by John Gilling and starring Dermot Walsh, Barbara Murray and Charles Victor. It is also known by the alternative title of Rosselli and Son and was shot at Twickenham and Riverside Studios. Its plot concerns a son of an antiques dealer who suffers a dramatic fall from grace.
Never Look Back is a 1952 British drama film directed by Francis Searle and starring Rosamund John, Hugh Sinclair and Guy Middleton. The screenplay concerns a newly appointed female barrister whose career is threatened by a former lover. It was made by Hammer Films at the Mancunian Studios in Manchester.
Devil's Point is a 1954 British drama film directed by Montgomery Tully and starring Richard Arlen, Greta Gynt and Donald Houston. The film was produced as a second feature, one of two made by producer Charles Deane starring Hollywood actor Arlen along with Stolen Time. It was released in the United States by 20th Century Fox as Devil's Harbor.
Meet Simon Cherry is a 1949 British mystery film directed by Godfrey Grayson, and an adaptation of the popular BBC radio series Meet the Rev., featuring the crime solving cleric.
The Hostage is a 1956 British crime film directed by Harold Huth and starring Ron Randell, Mary Parker and John Bailey.
Brendan James Stafford BSC was an Irish cinematographer known for his work on British films and television. He also directed three films.
Celia is a 1949 British comedy thriller film directed by Francis Searle and starring Hy Hazell, Bruce Lester and John Bailey. Made as a second feature by Hammer Films, it was based on a radio serial.
The Diplomatic Corpse is a 1958 British comedy thriller film directed by Montgomery Tully and starring Robin Bailey, Susan Shaw and Liam Redmond. It was produced as a second feature by ACT Films. The film's sets were designed by the art director Joseph Bato.
Death of an Angel is a 1952 British crime drama film directed by Charles Saunders and starring Patrick Barr, Jane Baxter and Jean Lodge. It was filmed at Bray Studios as a second feature.
Hot Ice is a 1952 British comedy crime film directed by Kenneth Hume and starring John Justin, Barbara Murray and Ivor Barnard. It was released as a second feature. It is based on the 1934 novel Weekend at Thrackley by Alan Melville and its subsequent play version. An eccentric invites an assortment of guests to his country house, planning to rob them of their valuables.
Flannelfoot is a 1953 British crime film directed by Maclean Rogers and starring Ronald Howard, Mary Germaine and Jack Watling. It was made at Walton Studios. The film's sets were designed by John Stoll.
The Green Carnation is a 1954 British crime film directed by John Lemont and starring Wayne Morris, Mary Germaine and Marcia Ashton.
The Key Man is a 1957 British B movie. The film was shot in black and white during a three week period in 1957 in response to an initiative by Anglo-Amalgamated to increase the number of British made B movies available. Directed by Montgomery Tully, the screenplay was adapted from his own original story by Julian MacLaren-Ross. MacLaren-Ross had been persuaded by producer Alec C. Snowden to write a script in late 1956 and after some doubts about the project delivered a screenplay to Snowden in January 1957, filming was started and completed the next month.
Stolen Time is a 1955 British crime drama film directed by Charles Deane and starring Richard Arlen, Susan Shaw and Vincent Ball. It was released in the United States in 1958 under the alternative title of Blonde Blackmailer.
Night of the Prowler is a 1962 British crime thriller film directed by Francis Searle and starring Patrick Holt, Colette Wilde and John Horsley.
The Monarch Film Corporation was a British film distribution company active during the 1940s and 1950s. It specialised in supplying second features to British cinemas. The company handled a mixture of British and American films, as well as the Australian film Strong Is the Seed. It involved itself in production at times, and produced several more ambitious features including Hindle Wakes (1952) and A Yank in Ermine (1956). It had an arrangement with ACT Films under John Croydon to handle films made at Walton Studios. The 1952 adventure film Men Against the Sun (1952) was, unusually for the second feature market, a costume adventure film despite its running time.