Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter. His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. Widely regarded as a pioneer of Italian genre cinema and one of the most influential auteurs of the horror film genre, he is popularly referred to as the "Master of Italian Horror" and the "Master of the Macabre".
Lamberto Bava is an Italian film director. Born in Rome, Bava began working as an assistant director for his director father Mario Bava. Lamberto co-directed the 1979 television film La Venere d'Ille with his father and in 1980 directed his first solo feature film Macabre.
Blood and Black Lace is a 1964 giallo film directed by Mario Bava and starring Eva Bartok and Cameron Mitchell. The story concerns the brutal murders of a Roman fashion house's models, committed by a masked killer in a desperate attempt to obtain a scandal-revealing diary.
Demons is a 1985 Italian supernatural horror film directed by Lamberto Bava, produced by Dario Argento, and starring Urbano Barberini and Natasha Hovey. The plot follows two female university students who, along with a number of random people, are given complimentary tickets to a mysterious movie screening, where they soon find themselves trapped in the theater with a horde of ravenous demons.
Dardano Sacchetti is an Italian screenwriter who often worked with Italian directors Lamberto Bava and Lucio Fulci.
Demons 2 is a 1986 Italian horror film directed by Lamberto Bava and produced by Dario Argento. It is a sequel to Bava's 1985 film Demons and stars David Knight, Nancy Brilli, Coralina Cataldi Tassoni, as well as Argento's youngest daughter, Asia Argento, in her debut film performance at age 10. In the film, demons invade the real world through a television broadcast, turning the residents of an apartment building into bloodthirsty monsters.
Until Death is a 1988 Italian made-for-TV horror film directed by Lamberto Bava.
The Church is a 1989 Italian supernatural horror film co-written and directed by Michele Soavi, and produced by Dario Argento with Mario Cecchi Gori and Vittorio Cecchi Gori. It stars Hugh Quarshie, Tomas Arana, Barbara Cupisti, Asia Argento, Feodor Chaliapin, Jr. and Giovanni Lombardo Radice.
Body Count is a 1986 Italian slasher film directed by Ruggero Deodato. The film is about a group of vacationing teenagers who enter an abandoned camp site that was formerly an Indian burial ground. One by one, they begin to be killed off.
A Blade in the Dark is a 1983 Italian giallo film directed by Lamberto Bava. Originally planned for television, the film was made as a nearly two hour piece split into four parts each of which would end with a murder scene. After the film was found to be too gruesome for Italian television censors, it was re-edited into a feature film.
The House of Clocks is an Italian horror film directed by Lucio Fulci. In it, a wealthy older couple is murdered during a robbery by three young perpetrators. The event results in a supernatural reversal of time, symbolized by the fast, counter-clockwise movement of hands on the house's many clocks. Eventually, this leads to the resurrection of the older couple, who subsequently seek to terrorize the three burglars.
Luigi Cozzi is an Italian film director and screenwriter. At a young age, Cozzi became a fan of science fiction and began his career as an overseas correspondent for Western film magazines. After directing his first film The Tunnel Under the World, Cozzi befriended director Dario Argento and began working with him in film and television as well as directing his own features including Hercules as well as continuing work with Argento. In the 2010s, he returned to directing with the film Blood on Méliès' Moon.
Shock is a 1977 Italian supernatural horror film directed by Mario Bava and starring Daria Nicolodi, John Steiner, and David Colin, Jr. Its plot focuses on a woman who moves into the home she shared with her deceased former husband, where she finds herself tormented by supernatural occurrences. It was Bava's last theatrical feature before he died of a heart attack in 1980.
Delirium is a 1987 Italian giallo film directed by Lamberto Bava and starring Serena Grandi, David Brandon, George Eastman and Daria Nicolodi. The film is about Gioia, the owner of the adult Pussycat magazine. She is harassed by a killer who sends her photos of her co-workers with her own erotic photography in the background.
The Sweet House of Horrors is an Italian made-for-television horror film directed by Lucio Fulci. The film is about a young couple who are brutally murdered by a burglar and return as spirits to watch over their two young orphaned children, to seek revenge against their murderer, and try to prevent their house from being demolished.
Dinner with a Vampire is a 1989 Italian television horror film directed by Lamberto Bava and written by Dardano Sacchetti. It was among four films made for the Italian television series Brivido Giallo.
Graveyard Disturbance is a 1987 television film directed by Lamberto Bava.
Brivido Giallo is an Italian horror cable series that featured four full-length movies directed by Lamberto Bava. The films included in airing order are Graveyard Disturbance, Until Death, The Ogre, and Dinner with a Vampire.
Sette note in nero is a 1977 Italian giallo film directed by Lucio Fulci and co-written by him with Roberto Gianviti and Dardano Sacchetti. Sette note in nero stars Jennifer O'Neill, Gianni Garko, Marc Porel, and Ida Galli. The film involves a woman who begins experiencing psychic visions that lead her to discover a murder; her husband is charged with the killing. The psychic must embark on an investigation with a paranormal researcher to clear her husband's name of the crime.
Body Puzzle is a 1992 Italian horror film directed by Lamberto Bava. The film is about a psychopath who leaves body parts outside the house of a young widow. The film was one of the last films released by P.A.C. in Italy before its bankruptcy. The film was re-released in Italy as Misteria after legal issues of using Carl Orff's Carmina Burana as music in the film came to the front.
