| Blastfighter | |
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| Directed by | Lamberto Bava |
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| Cinematography | Gianlorenzo Battaglia [1] |
| Edited by | Roberto Sterbini [1] |
| Music by | Guido & Maurizio De Angelis [2] [1] |
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| Distributed by | Medusa Distribuzione |
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Blastfighter is a 1984 action film directed by Lamberto Bava starring Michael Sopkiw and George Eastman.
Jake "Tiger" Sharp (Michael Sopkiw) is a former policeman who seeks revenge after his wife is murdered. After killing the murderer, Sharp is sentenced to seven years in prison. Upon release Jake is given an SPAS-12 Shotgun by his old friend Jerry in order to wreak vengeance upon the crooked attorney responsible for sending him away. However, Jake instead at the last minute decides to return to his secluded cabin in the Appalachian wilderness and bury his gun in the floorboards. Matters become complicated when a group of poachers run afoul of him and kill his baby deer. Jake goes to the Chinese herbal medicinist's office that the hunters have been selling to and smashes up the place.
Jake's estranged daughter Connie then joins him with Jerry and her boyfriend, but all of them are killed off when the hunters decide to get revenge for scaring away the herbal medicinist. Jake manages to escape back to his cabin and dig up his gun for one last battle with those who would break the law.
Blastfighter was initially going to be a post-apocalyptic film directed by Lucio Fulci with screenwriter Dardano Sacchetti as a follow-up to Warriors of the Year 2072 . [3] Sacchetti later explained that Fulci argued with the producers, which led to it being settled in court. [3] The film had already been sold without the original intended script being able to be used, so Lamberto Bava's Blastfighter only retains the title of the original Fulci production. [3]
Blastfighter was released theatrically in Italy where it was distributed by Medusa Distribuzione on 25 July 1984. [4] [1]
Lucio Fulci was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films.
Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter, frequently referred to as the "Master of Italian Horror" and the "Master of the Macabre". His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. He was a pioneer of Italian genre cinema, and is regarded as one of the most influential auteurs of the horror film genre.
Michael Sopkiw is an American former actor who starred in four Italian B movies in two years. He was born in 1954 in Connecticut.
The Beyond is a 1981 Italian Southern Gothic supernatural horror film directed by Lucio Fulci, from an original story created by Dardano Sacchetti, and starring Catriona MacColl and David Warbeck. Its plot follows a woman who inherits a hotel in rural Louisiana that was once the site of a horrific murder, and which may be a gateway to hell. It is the second film in Fulci's "Gates of Hell" trilogy after City of the Living Dead (1980), and was followed by The House by the Cemetery (1981).
Lamberto Bava is an Italian film director. Born in Rome, Bava began working as an assistant director for his director father Mario Bava. Lamberto co-directed the 1979 television film La Venere d'Ille with his father and in 1980 directed his first solo feature film Macabre.
The New York Ripper is a 1982 Italian giallo film directed by Lucio Fulci. The film is about a police lieutenant who is tracking a sadistic killer who slashes women with a switchblade and straight-razors because his daughter in the hospital will never grow up to be beautiful.
Demons is a 1985 Italian horror film directed by Lamberto Bava, produced by Dario Argento, and starring Urbano Barberini and Natasha Hovey. Its plot follows two female university students who, along with a number of random people, are given complimentary tickets to a mysterious movie screening, where they soon find themselves trapped in the theater with a horde of ravenous demons.
Dardano Sacchetti is an Italian screenwriter who often worked with Italian directors Lamberto Bava and Lucio Fulci.
Four of the Apocalypse is a 1975 Italian Spaghetti Western film directed by Lucio Fulci and starring Fabio Testi, Tomas Milian, Lynne Frederick and Michael J. Pollard.
Spaghetti Nightmares is a reference book on Italian horror films by Luca M. Palmerini and Gaetano Mistretta. The book consists mainly of interviews with major genre icons. The book was published in 1996.
Until Death is a 1988 Italian made-for-TV horror film directed by Lamberto Bava.
A Blade in the Dark is a 1983 Italian giallo film directed by Lamberto Bava. Originally planned for television, the film was made as a nearly two hour piece split into four parts each of which would end with a murder scene. After the film was found to be too gruesome for Italian television censors, it was re-edited into a feature film.
The House of Clocks is an Italian horror film directed by Lucio Fulci.
Manhattan Baby is a 1982 Italian horror film directed by Lucio Fulci, and starring Christopher Connelly and Carlo De Mejo. The film begins in Egypt, where Susie, the daughter of archaeologist George Hacker, is given a mysterious talisman by an old woman. Meanwhile, her father investigates a tomb, and is blinded by a blue light. George and Susie return to New York, where George gradually recovers his vision. Strange deaths begin to occur around the Hackers, seemingly caused by the amulet.
Warriors of the Year 2072 is a 1984 Italian science fiction film directed by Lucio Fulci. The film is set in the 21st century, where Romans have found a new way to handle criminals: by having them fight each other like gladiators on motorcycles on national television. The film was based on a trend of Italian cinema to develop stories of futuristic barbarians after the popularity of the films Mad Max and Escape from New York.
Cat in the Brain, also known as Nightmare Concert, is a 1990 Italian horror film written and directed by Lucio Fulci. Fulci stars as a fictionalized version of himself, a tortured horror filmmaker who is driven by the violent visions that he experiences both behind the camera and off the set. Feeling like he's losing his grip on reality and disturbed by murderous fantasies, Fulci consults a psychotherapist, who is secretly a serial killer and using hypnosis, exploiting the director's vulnerabilities to his own murderous ends.
Demonia is a 1989 Italian horror film co-written and directed by Lucio Fulci.
The Sweet House of Horrors is an Italian made-for-television horror film directed by Lucio Fulci. The film is about a young couple who are brutally murdered by a burglar and return as spirits to watch over their two young orphaned children, to seek revenge against their murderer, and try to prevent their house from being demolished.
The Ogre is a 1989 Italian television horror film directed by Lamberto Bava and written by Dardano Sacchetti. It was among four films made for the Italian television series Brivido Giallo. The film released outside of Italy as Demons III: The Ogre, where it was promoted as a sequel to Bava's films Demons and Demons 2.
Sette note in nero is a 1977 Italian giallo film directed by Lucio Fulci and co-written by him with Roberto Gianviti and Dardano Sacchetti. Sette note in nero stars Jennifer O'Neill, Gianni Garko, Marc Porel, and Ida Galli. The film involves a woman who begins experiencing psychic visions that lead her to discover a murder; her husband is charged with the killing. The psychic must embark on an investigation with a paranormal researcher to clear her husband's name of the crime.
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