Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
Dirck Jansz Pesser was a Dutch brewer from Rotterdam, best known today for his portrait by Rembrandt. He was an important member of the Rotterdam Remonstrant community in the early 17th century.
Woman lacing her bodice beside a cradle is an oil-on-canvas painting by the Dutch painter Pieter de Hooch, created c. 1660–1663. It is part of the collection of the Gemäldegalerie, Berlin.
The pendant portraits of Marten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Marten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
The Holy Family with Angels (1645) is an oil painting on canvas by the Dutch painter Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Hermitage Museum.
The Rape of Ganymede is an oil painting of 1635 by the Dutch Golden Age painter Rembrandt, depicting the myth of Ganymede. It is in the collection of the Gemäldegalerie Alte Meister in Dresden.
The Stone Bridge is a 1637 landscape painting by the Dutch Golden Age painter Rembrandt in the collection of the Rijksmuseum.
Lucretia is a 1664 history painting historically attributed to the Dutch Golden Age painter Rembrandt in the collection of the National Gallery of Art. In 2015, Ernst van de Wetering of the Rembrandt Research Project said that "the formal properties and execution of [this] painting, I am convinced, exclude the possibility that it could be an autograph work by Rembrandt", and that the painting recalls Aert de Gelder. The painting is not included in the project's 2015 Rembrandt corpus.
Oval Portrait of a Woman is a 1633 portrait painting painted by Rembrandt. It shows a woman with a millstone collar and diadem cap. It is in the collection of the Metropolitan Museum of Art.
The Lacemaker is an oil on canvas painting by the Dutch painter Nicolaes Maes, created c. 1656. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art, in New York.
The Listening Housewife (1655) is an oil on panel painting by the Dutch painter Nicolaes Maes. It is an example of Dutch Golden Age painting and is part of the collection of the Royal Collection of the United Kingdom.
An Old Woman Dozing is an oil on canvas painting by the Dutch painter Nicolaes Maes. It is an example of Dutch Golden Age painting and is part of the collection of the Royal Museums of Fine Arts of Belgium.
The Lace Maker (1662) is an oil on canvas painting by the Dutch painter Caspar Netscher. It is an example of a Dutch Golden Age painting and is part of the Wallace Collection.
The Lace-Maker is an oil-on-canvas painting by the Dutch painter Gabriël Metsu, created c. 1663. It is an example of Dutch Golden Age painting and is part of the collection of Gemäldegalerie Alte Meister, in Dresden.
Portrait of a Young Woman with a Fan is a 1633 portrait painting by Rembrandt. It shows a woman holding a fan, pendant to Portrait of a Man Rising from His Chair. It is in the collection of the Metropolitan Museum of Art.
Portrait of a Woman Wearing a Gold Chain is a 1634 portrait painted by Rembrandt. It shows a smiling woman with a triple lace collar. It is in the collection of the Museum of Fine Arts, Boston.
Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh is a 1632 portrait painting painted by Rembrandt. It is an oil on panel in oval format depicting an elderly woman with a small and sober millstone collar. It is in the collection of the Museum of Fine Arts, Boston.
Portrait of Petronella Buys (1610–1670) is a 1635 portrait painting painted by Rembrandt. It shows a young woman with a very large and impressive millstone collar. It is in a private collection.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."
Raising of the Cross is a circa 1633-1645 painting by the Dutch Golden Age painter Rembrandt in the collection of the Museum Bredius. It was assumed to have been painted as a study for Rembrandt's larger painting of the same subject, as part of a series commissioned in 1633 by Frederick Henry, Prince of Orange. Having been rejected as autograph by the Rembrandt Research Project after Abraham Bredius's death, it was recently reattributed to the master by Jeroen Giltaij, though dendrochronology indicates the wood for the panel was not felled before 1642.
The Lacemaker , 1655
The Lacemaker, 1655
