Charles Rennie Mackintosh was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow, Scotland and died in London, England. He is among the most important figures of Modern Style.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
Clarkson Frederick Stanfield was a prominent English painter who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield.
David Roberts was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.
The Hunterian is a complex of museums located in and operated by the University of Glasgow in Glasgow, Scotland. It is the oldest museum in Scotland. It covers the Hunterian Museum, the Hunterian Art Gallery, the Mackintosh House, the Zoology Museum and the Anatomy Museum, which are all located in various buildings on the main campus of the university in the west end of Glasgow.
The Diamond Diadem, historically known as the George IV State Diadem, is a diadem that was made in 1820 for King George IV. The diadem has been worn by queens regnant and queens consort in procession to coronations and State Openings of Parliament. It has been featured in paintings and on stamps and currency.
George Vincent was an English landscape painter who produced watercolours, etchings and oil paintings. He is considered by art historians to be one of the most talented of the Norwich School of painters, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the Norfolk countryside. Vincent's work was founded on the Dutch school of landscape painting as well as the style of John Crome, also of the Norwich School. The school's reputation outside East Anglia in the 1820s was based largely upon the works of Vincent and his friend James Stark.
Mary Thornycroft was a British sculptor who sculpted many different busts, fragments and statues. She frequently choose infants and children as her subjects and was commissioned by Queen Victoria to create a number of statues and portraits of her children and other members of the royal family. Several of these are now in the British Royal Collection.
The Royal Society of British Artists (RBA) is a British art body established in 1823 as the Society of British Artists, as an alternative to the Royal Academy.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on "the beauty of mercy", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Unusually for a history painting of the period, The Combat does not depict a scene from history, literature or religion and is not based on an existing artwork, but is instead a scene from the artist's own imagination.
Thomas Ashburton Picken, known professionally as T. Picken, was a Scottish-born watercolourist, engraver and lithographer working in England between around 1834 and 1875. He worked for the printing firm Day and Haghe for many years, and first came to notice for his lithograph of The Destruction of Both Houses of Parliament when he was only about 16 years old. Although there is no evidence that he travelled abroad, he produced many lithographs of foreign parts after paintings by other artists. He specialised in detailed images of landscape, architecture, events of war, and ships. He produced lithographs of SS Great Eastern and the laying of the Atlantic cable, and he illustrated books.
An Incident in the Rebellion of 1745 is an oil painting painted by Swiss-born artist David Morier sometime between 1746 and 1765. It is currently part of the art collection of the British royal family. The painting depicts a scene during the 1746 Battle of Culloden, in which a group of Jacobite Army troops charge against a line of government soldiers.
George III is an 1809 portrait painting by the English artist Thomas Lawrence depicting the British monarch George III. It is an oil painting on canvas depicting the King in his robes for the State Opening of Parliament. It was commissioned by George as a gift for the former Prime Minister of the United Kingdom Henry Addington. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the Golden Jubilee on the throne, George was overcome by a more lasting loss of control and his eldest son George was declared Prince Regent. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
The Departure of Regulus is 1769 history painting by the Anglo-American artist Benjamin West. It was one of a number of classical scenes painted by West alongside his better-known depictions of more recent history.
The Battle of Vittoria is an 1822 history painting by the British artist George Jones. It depicts the Battle of Vittoria fought in Spain on 21 June 1813 during the Napoleonic Wars. The battle resulted in a decisive victory for Allied forces led by the Duke of Wellington, effectively ending the rule of Napoleon's brother Joseph Bonaparte over Spain. Wellington is shown mounted on a white charger and is directing the final assault towards Vittoria. It is set in the early evening with French troops in disarray while British units including the Hussars, Guards and Rifles are shown in command of the field.
The Opening of Waterloo Bridge is an 1832 history painting by the British artist John Constable. It depicts the scene on 18 June 1817 when the newly constructed Waterloo Bridge across the River Thames in London was ceremonially opened by the Prince Regent. To distinguish it from other works of the scene by Constable and others, it is known by the longer alternative title Embarkation of George IV from Whitehall: The Opening of Waterloo Bridge, 1817.
A Favourite Greyhound of Prince Albert is an 1841 oil on canvas painting by the British artist Edwin Landseer. It depicts Eos, a greyhound that Prince Albert brought with him to England when he married Queen Victoria. It is also known by the shorter title Eos.
Portsmouth Harbour is an 1831 landscape painting by the British artist Clarkson Stanfield. It depicts a view of Portsmouth Harbour at the major British naval base of Portsmouth in Hampshire. A frigate is seen departing harbour in full sail. Visible on the right is the Church of St Thomas; in the centre are the Saluting Battery, Semaphore Tower, and Round Tower; and to the left is Blockhouse Point on the Gosport side. Prominent inside the harbour is HMS Victory, Lord Nelson's flagship during the Battle of Trafalgar.
