William Dobson was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as "the most excellent painter that England has yet bred". He died relatively young and his final years were disrupted by the English Civil War.
Clarkson Frederick Stanfield was a prominent English painter who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield.
David Roberts was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.
Events from the year 1831 in art.
Sir Peter Lely was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. He became a naturalised British subject and was knighted in 1679.
Norman Wilkinson was a British artist who usually worked in oils, watercolours and drypoint. He was primarily a marine painter, but also an illustrator, poster artist, and wartime camoufleur. Wilkinson invented dazzle painting to protect merchant shipping during the First World War.
Sir Oliver Nicholas Millar was a British art historian. He was an expert on 17th-century British painting, and a leading authority on Anthony van Dyck in particular. He served in the Royal Household for 41 years from 1947, becoming Surveyor of The Queen's Pictures in 1972. He was the first Director of the Royal Collection from 1987. He served in both offices until his retirement in 1988.
The British Institution was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to attract members and visitors, in 1867, when the lease on its quarters expired, instead of renewing the society wrapped up its affairs.
John Michael Wright was an English painter, mainly of portraits in the Baroque style. Born and raised in London, Wright trained in Edinburgh under the Scots painter George Jamesone, and sometimes described himself as Scottish in documents. He acquired a considerable reputation as an artist and scholar during a long sojourn in Rome. There he was admitted to the Accademia di San Luca and was associated with some of the leading artists of his generation. He was engaged by Archduke Leopold Wilhelm of Austria, the governor of the Spanish Netherlands, to acquire artworks in Oliver Cromwell's England in 1655.
Thomas Phillips was a Royal Navy officer and engineer who worked with some of the leading naval figures of his period, and was involved in military operations against the French during the Nine Years' War.
William Lionel Wyllie, also known as W. L. Wyllie, was a prolific English painter of maritime themes in both oils and watercolours. He has been described as "the most distinguished marine artist of his day." His work is in the Tate, the Royal Academy, the Imperial War Museum, the National Maritime Museum, the National Museum of the Royal Navy, and many other institutions around the world.
The Palace of Holyroodhouse, commonly known as Holyrood Palace, is the official residence of the British monarch in Scotland. Located at the bottom of the Royal Mile in Edinburgh, at the opposite end to Edinburgh Castle, Holyrood has served as the principal royal residence in Scotland since the 16th century, and is a setting for state occasions and official entertaining.
The Rhine romanticism was the interpretation of the landscape conditions and history of the Rhine Valley in the cultural-historical period of the romanticism, by the end of the 18th century until the late 19th century and was continued in all forms of art expression.
James Webb (1835–1895) was a British painter specialising in marine views and landscapes. He lived all his life in Chelsea, London.
George Clarkson Stanfield was an English painter best known for his topographical views painted during his visits to the Rhine Valley, Switzerland, and the Italian lakes. He was the son of the marine painter Clarkson Frederick Stanfield.
The Whitehall group is a term applied to a small circle of art connoisseurs, collectors, and patrons, closely associated with King Charles I, who introduced a taste for the Italian old masters to England. The term usually includes the advisors and agents who facilitated the group's acquisition of works of art.
Scene from A Midsummer Night's Dream. Titania and Bottom is an 1851 oil-on-canvas painting by British artist Edwin Landseer. Landseer was mainly known for his paintings of animals: this is his only painting of a fairy scene. The painting depicts a scene from the third act of William Shakespeare's play A Midsummer Night's Dream. It has been in the collection of the National Gallery of Victoria in Melbourne, Australia since 1932.
The brothers John Cantiloe Joy, and William Joy, were English marine artists, who lived and worked together. They belonged to the Norwich School of painters, considered to be a unique phenomenon in the history of British art and the most important school of painting of 19th century England.
Portrait of the Duke of Clarence is a portrait painting by the Irish artist Martin Archer Shee depicting the future William IV, then Duke of Clarence.
The Opening of New London Bridge is an 1832 history painting by the British artist Clarkson Stanfield. It portrays the opening of New London Bridge on 1 August 1831 by William IV. A new bridge to replace the medieval structure was designed John Rennie the Elder and partly overseen by his son John Rennie the Younger. The view is from the South Bank with The Monument and the tower of St Magnus seen on the north side. On the bridge itself is a pavilion erected for the ceremony where a banquet was held. The old bridge can be seen through the arches of the new one, shortly before it was demolished.
